A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

Through the Mesh: Media, Borders, and Firewalls | Until Jan 14, 2022, | NeMe Art Centre, Cyprus | A mixed exhibition curated by Patrick Lichty, Wade Wallerstein and NeMe Art Centre | 10 Dec2021 | This exhibition will feature the work of artists who initially began to investigate the cultural space of the networks, biopolitical and informatics; who challenge or jam it. The artworks look at electronic networks as scopophilic and performative, the asymmetric regimes of power they project, and the positive uses of “darkside” technologies. Participating artists: Morehshin Allahyari, Mina Cheon, Joseph Delappe, Vikram Divecha, Hasan Elahi, Negin Ehtesabian, Ben Grosser, Dina Karadžić, Michael Lorsung, Umber Majeed, Josèfa Ntjam, Nathan Shafer – https://bit.ly/3I7REAQ 

CODE OF ARMS | Until Jan 15, 2022, | Gazelli Art House, London | The exhibition investigates the history of artificial intelligence (AI) and machine learning in art. The exploration of implementing code and AI in art in the 1970s – 80s comes at a time of rapid change in our understanding and appreciation of computer art. The exhibition brings together pioneer artists in computer and generative art such as Georg Nees (b.1926), Frieder Nake (b.1938), Manfred Mohr (b.1938) and Vera Molnar (b.1924), and iconic artists employing AI in their practice such as Harold Cohen (b.1928), Lynn Hershman Leeson (b.1941), and Mario Klingemann (b.1970) – https://bit.ly/3EQtacj

“Art’s Birthday” | Jan 17, 2022, | An annual event first proposed in 1963 by French artist Robert Filliou. He suggested that 1,000,000 years ago, there was no art. But one day, on the 17th of January to be precise, Art was born. According to Filliou, it happened when someone dropped a dry sponge into a bucket of water. Modest beginnings, but look at us now. Each year the Eternal Network evolves to include new partners – working with the ideas of exchange and telecommunications-art – https://bit.ly/3q4ISfY

Deptford Film Club 2: Empathy & Risk | Jan 11, 2022, | 4p – 9 pm | Deptford Film Club 2, London | An exciting screening event to start the New Year. Deptford Film Club is a regular monthly event organised by Empathy&Risk and Looking Forward in partnership. Join us for this first appointment featuring videos by Francis Almendárez, Zain Wahbeh, Carla Geronimi. Curated by Carolina Lio and Katerina Matheson. The Programme includes Anthony Almendárez, Carla Geronimi. Book here – https://bit.ly/3qFW75L

Memeplex™ | Exhibition until Feb 5, 2022, | Seventeen Gallery, London |The mixed show is two stories in one. The first explores the implementation of ideas, belief and conviction that occurs through memetic artefacts. In this instance, they are political living memes that attach themselves to the host in order to perform a survivalist function, reminiscent of the pathogenic fungi Cordyceps. The Cordyceps is a genus of parasitic fungi that grow in the larvae of insects. When these fungi infect their host, they replace its tissue and sprout long, slender stems that grow outside the host’s body. They are known to take over the mind of the host, controlling its mind and behaviour, leading to the nickname ‘zombie fungi’. In the second part of the story, we learn that the human body now carries animal, mineral and botanical genes, and with contact, this increases, bringing into question the human-centric narrative that is navigated through practices of Otherkin, Therian and Skinwalkers.

Memeplex™ is engineered by Omsk Social Club and Joey Holder, Minjeong An, David Cronenberg, Joey Holder, Botond Keresztesi, Kinke Kooi, Jack Jubb, Isaac Lythgoe, Katja Novitskova, Omsk Social Club Transformella malor (fed and cared for by JP Raether) Jonas Schoeneberg Suzanne Treister – https://bit.ly/3t3l3He

Activating Attention: Political Videos on Social Media (Online Conference) | Jan 20 & 21, 2022 | Videoactivism | Videos on social media have become powerful and creative means of influencing public discourses. They are particularly significant for political activists from civil society and their attempts to gain attention for human rights, climate change, social justice, and many other issues. Moving images spread across digital networks, reach the public and evoke emotions, motivate political action, and inspire social movements. What started in the 2010s with pro-democracy movements in the MENA region and transnational anti-capitalist protests has developed into an indispensable form of media practice for all politically involved interventions, from Black Lives Matter to Fridays for Future and resistance movements in authoritarian countries like Belarus or Myanmar – https://bit.ly/3HJW7sa

Radical Friends. DAO Summit for Decentralisation of Power and Resources in the Artworld | Symposium, Jan 22 2022, at 10 am | Free admission | HDK Munich in partnership with Goethe Institut and Furtherfield | Radical Friends discusses the value of and pathways to peer-produced decentralised digital infrastructures for art, culture and society. It aims to create a new environment for mutual aid and solidarity in the cultural sector. By bringing together ground-breaking players from the cultural sector and decentralised peer-to-peer technologists, the summit explores how traditional organisational patterns can be transformed through decentralised autonomous organisations (DAOs) enabled by blockchain technology – https://bit.ly/3qHA6DE

SWIPE RIGHT! DATA, DATING, DESIRE | IMAL.org | Until Feb 6, 2022, | Curated by Valentina Peri | What does it mean to love in the digital age? How are digital interfaces reshaping our personal relationships? What do new technologies imply for the future of the romantic sphere? How do screens affect our sexual intimacy and our desire for connection? By bringing together the work of several international and Belgian artists, the exhibition SWIPE RIGHT! Data, Dating, Desire attempts to explore new directions in contemporary romance and map the unprecedented connections between desire, emotion, technology, and economy in the post-pandemic world – https://bit.ly/31rdBKC

FUTURE AGES WILL WONDER | Mixed exhibition at FACT, Liverpool, UK | On until Feb 20, 2022, | Featuring artists: Larry Achiampong and David Blandy, Yarli Allison, Miku Aoki, Trisha Baga, Breakwater (Youngsook Choi and Taey Iohe), Ai Hasegawa and Boedi Widjaja. The show presents an “alternative museum” of artworks that use science and technology to question our past and offer new ways of understanding who we are and where we belong. The artworks on display bring together traditional mediums such as textiles, sculpture, and photography with virtual reality, computer algorithms and synthetic DNA to reimagine stories about our past, present and future. Through this wide range of materials and art-making, the exhibition refocuses where we place attention and what we value: reimagining stories about our past, present and future – https://bit.ly/3p3YD4W

The World After Us: Imaging Techno-Aesthetic Futures | One person show by Nathaniel Stern | Main Gallery Jan 27 – Mar 10, 2022, | Binghamton University, NY | A travelling solo exhibition of sculptures, installations, prints, and photographs that combine plant life with electronic waste, and scientific experimentation with artistic exploration. They take the forms of a wall-hung jungle of computer detritus and biological reclamation; fossilized and reconfigured phones and laptops; and reimagined and re-formed electronics. Taking cues from journalist Alan Weisman’s provocative book The World Without Us, this exhibition is a timely and relevant series of aesthetic and ethical provocations around where and how we might change our ecological trajectories. The World After Us asks us to rethink and potentially transform conversations, thoughts, and actions around media production, use, and waste – https://bit.ly/3G62PZk

Such Stuff as Worlds are Made On | Jan 21st – Feb 20th 2022 | Malta | Reflecting on human time scales, alongside the deep time of the universe, this project explores possible inclusive futures via world-building and speculative art practices, while consciously avoiding the replication of colonial models. Ultimately, the project questions what kinds of new worlds can be created and what kind of rules these worlds will have to follow. Informed by Donna Haraway’s Speculative Fabulations this exhibition looks towards cosmologies and ecosystems for inspirations, answers, and prophecies. Exploring practices that are speculative rather than empirically scientific, it reflects on the limits of human knowledge of our own planet, alongside humankind’s increasing desire to extend itself to neighbouring planets and planetary systems – https://bit.ly/3eXFvAQ

Black Film Festival Atlanta | Online event | Feb 1 – 6, 2022, | Atlanta | BFFA is ecstatic to be the premier outlet in Atlanta for Black filmmakers! It’s our second year running and we continue to receive overwhelming feedback about the festival. Participants and moviegoers alike are excited to be a part of this landmark event in the new filming capital of the South. BFFA’s mission is to highlight the works of talented filmmakers who otherwise may not have the opportunity to showcase their projects. Our goal is to also educate the new filmmaker with industry-related resources and provide an excellent chance to network – https://bit.ly/3FRKTRQ

Books, Papers & Publications

Visualizing Wellness: The Myant Skiin System Connected Life App | Research Gate | Sara Diamond | This paper presents a design study of the visualization interface to the Myant Skiin Connected Life App (Skiin), a family informatics application that will connect family members, friends, and caregivers, by engaging them together and enabling health and wellness related data sharing and support. It is based on Myant’s highly accurate intelligent textiles garments which collect activity and related biomechanical data through knitted sensors on the garment. Our design seeks to deliver a seamless user experience between this complex of technologies through effective data presentation, visualization, and tooltips – https://bit.ly/3JCbTqY

Mediated Interfaces: The Body on Social Media | Katie Warfield, Crystal Abidin, Carolina Cambre | Bloomsbury Publishing | Images of faces, bodies, selves and digital subjectivities abound on new media platforms like Snapchat, Instagram, YouTube, and others-these images represent our new way of being online and of becoming socially mediated. Although researchers are examining digital embodiment, digital representations, and visual vernaculars as a mode of identity performance and management online, there exists no cohesive collection that compiles all these contemporary philosophies into one reader for use in graduate-level classrooms or for scholars studying the field. The rationale for this book is to produce a scholarly fulcrum that pulls together scholars from disparate fields of inquiry in the humanities doing work on the common theme of the socially mediated body – https://bit.ly/32O6c8P

Diminished Faculties: A Political Phenomenology of Impairment | By Jonathan Sterne | Sterne offers a sweeping cultural study and theorization of impairment. Drawing on his personal history with thyroid cancer and a paralyzed vocal cord, Sterne undertakes a political phenomenology of impairment in which experience is understood from the standpoint of a subject that is not fully able to account for itself. He conceives of impairment as a fundamental dimension of human experience, examining it as both political and physical. While some impairments are enshrined as normal in international standards, others are treated as causes or effects of illness or disability. Sterne demonstrates how impairment is a problem, opportunity, and occasion for approaching larger questions about disability, subjectivity, power, technology, and experience in new ways. Diminished Faculties ends with a practical user’s guide to impairment theory – https://bit.ly/3FTkNy5

Resistance in Digital China: The Southern Weekly Incident | By Sally Xiaojin Chen | Bloomsbury Publishing | By investigating the Southern Weekly Incident, in which censorship of the prominent Chinese newspaper Southern Weekly triggered mass online contention in Chinese society, Resistance in Digital China examines how Chinese people engage in resistance on digital networks whilst cautiously safeguarding their life under authoritarian rule. Chen’s in-depth analysis […] ties together overlapping debates in internet studies, Chinese studies, social movement studies, political communication, and cultural studies to discuss issues of civic connectivity, emotions, embodiment, and the construction of a public sphere in digital China. An in-depth empirical examination of an act of resistance in order to explore political, cultural, and sociological meanings of Chinese people’s resistance within party limits – https://bit.ly/3sWpBzc

Indie Games in the Digital Age | Edited by M.J. Clarke and Cynthia Wang | Bloomsbury Publishing | A host of digital affordances, including reduced cost production tools, open distribution platforms, and ubiquitous connectivity, have engendered the growth of indie games among makers and users, forcing critics to reconsider the question of who makes games and why. Taking seriously this new mode of cultural production compels analysts to reconsider the blurred boundaries and relations of makers, users and texts as well as their respective relationship to cultural power and hierarchy. The contributions to Indie Games in the Digital Age consider these questions and examine a series of firms, makers, games and scenes, ranging from giants like Nintendo and Microsoft to grassroots games like Cards Against Humanity and Stardew Valley, to chart more precisely the productive and instructive disruption that this new site of cultural production offers – https://bit.ly/3sTBRAa

Written by the Body: Examining the expansive nature of Indigenous gender representations in history, literature, and film | By Lisa Tatonetti | Written by the Body moves from the eighteenth- and nineteenth-century archive to turn-of-the-century and late-twentieth-century fiction to documentaries, HIV/AIDS activism, and, finally, recent experimental film and literature. Across it all, Tatonetti shows how Indigenous gender expansiveness, and particularly queer and non-cisgender articulations, moves between and among Native peoples to forge kinship, offer protection, and make a change. She charts how the body functions as a somatic archive of Indigenous knowledge in Native histories, works of literature, and activisms—exploring representations of Idle No More in the documentary Trick or Treaty, the all-female wildland firefighting crew depicted in Apache 8, Chief Theresa Spence, activist Carole laFavor, S. Alice Callahan, Thirza Cuthand, Joshua Whitehead, Carrie House, and more – https://bit.ly/3xCfH5S

IgnoTheory: A Compositional System for Intermedia Art Based on Tiling Patterns and Labelled Graphs | Paul Hertz | SpringerLink | Hertz examines the rule-based tiling patterns and graphs that he uses for algorithmic art and music composition, with particular attention to the symmetries between spatial and temporal concepts of order. The tiling patterns can be regarded as 2D maps which are transformed into graphs with vertices labelled with pitch class names from the Western diatonic musical system. Vertices can also be marked with parameters derived from colouring rules and other combinatorial procedures. Traversal of the graphs can generate material for musical composition and performance. Rotations and reflections of the tiling patterns correspond to transpositions, reorderings and inversions of musical material – https://bit.ly/3F1Aa65

Articles, Interviews, Blogs, Presentations, Videos

Holding in Common: A short reflection to end the year | Kei Kreutler | Gnosis Guild | ​​How you spend the time in your life is precious. The question of how we should be living differently is a gift. Reflecting on the work of the past year, it’s clear that attention is building. As a recent tweet said, “The first rule of Web3 fight club is you must always talk about Web3 fight club”. The signal-to-noise ratio may be lower than ever, but at the same time, acronyms like DAOs begin to take on public meaning. The question of how we should be working differently repeats. Choosing to spend my time working on DAOs, I have to continually revisit, reevaluate, and reinvigorate my aims – https://bit.ly/32V7gaL

Black Box East: Right-Wing Anti-Colonialism and Universalising Postcolonialism | Berliner Gazette | By Abonné·e de Mediapart | By undertaking a sharp analysis of gender debates in Hungary, the political scientist Eszter Kováts aims at carving out a critical space for East-Central Europe between right-wing anti-colonialism and universalising postcolonialism. “Gender debates are a good example for the anti-colonial rhetoric of the Right. Anti-gender politics is a global phenomenon since the beginning of the 2010s. Reproductive rights, violence against women, sexual education, LGBT issues, gender mainstreaming, and gender studies are targeted by social movements and right-wing (populist) parties.” – https://bit.ly/32YfyhN

Crypto Criticism, Part Two: Confronting the Left’s negative critique of cryptocurrency | By Daniel Pinchbeck | In the last part of this essay, I considered a few of the main criticisms of cryptocurrency coming from the traditional Left. To review: Leftists argue that cryptocurrencies are not actually a new form of money – a universal unit of exchange for purchasing goods and services – but mainly function as speculative assets that are highly volatile and prey to market manipulation, such as “pump and dump” and “rug pulling1” schemes. Leftists think that cryptocurrencies, in general, increase the “financialization” of the economy (the movement away from producing goods to trading complex financial products) as well as the privatization of public goods or commonly held resources. They believe these ongoing trends have caused negative outcomes over the last half-century, such as Structural Adjustment Programs in the developing world and the 2008 crash of the global financial system – https://bit.ly/32WuPQj

The Lore Zone: Memes → Memories → Micro-Mythologies | By Libby Marrs & Tiger Dingsun | Otherinternet | This series explores Lore: the new modes of self-mythologization developed within network media, and the forms of history and canon stored within media artefacts that online groups produce. The memes we encounter on Clearnet feeds are usually parts of larger stories, stemming from semi-private sites more conducive to worldbuilding. The affordances of different types of online space change how information is produced, circulated, and remembered across platforms. What happens when platforms enable the archival of information? What happens when they encourage collective experiences versus personal, inward-facing ones? – https://bit.ly/3qMdaTC

The Ghostchain. (Or taking things for what they are) | Geraldine Juárez | Paletten | It goes without saying that the global art market is a decadent enterprise based on rampant speculation, that in collusion with institutions, it only seems to exist to serve the rich. Salespeople representing NFT platforms use this fact to spread reactionary narratives about taking back control. We hear that now, finally! Digital art can be turned into a unique asset that can be sold for a certain amount of crypto without intermediaries – https://bit.ly/3sOniy1

Interspecies Meditation and Sharing Circle | Furtherfield | Soundcloud | This meditation can be practised alone or with others to build empathy pathways to other life forms. We use our imaginations and a bonding ritual to enter the body and consciousness of a different species and to reflect on the nature of their existence. This ritual transports us to the interspecies multiverse where we sit for a guided meditation. If you are in a group you can follow the meditation with a sharing circle to describe the experiences you have of your new bodies and sentience. By listening to each other you will understand more about your place in the web of life – https://bit.ly/3JBt8Zt

Édouard Louis: Why Is Individual Responsibility Only for the Poor? | An interview with Edouard Louis | Jacobin Mag | French author Édouard Louis is famous for his works portraying the daily humiliations of working-class life. In an interview, he explains how our rulers avoid responsibility for their decisions — while blaming the rest of us for how we cope with the consequences. The radicalism of his words when he defends his class — the working class — contrasts starkly with the softness of his voice. Yes, Édouard Louis is angry. But even anger can be beautiful when it appears in fine prose – https://bit.ly/3qHkfFb

Blockchain may redefine the Web – it’s up to us to make sure it’s done well | By Laura Lotti | Open Democracy | How can cryptocurrencies create new possibilities for organising economically, politically and socially? As cryptocurrencies go mainstream with exorbitant valuations, and non-fungible tokens (NFTs) enable new markets for the ‘creator economy’, we wonder: is blockchain technology neoliberalism’s new best friend? It certainly accelerates the tendency to turn attention, reputation, influence, decisional power, even art, into assets and trade them for a price – https://bit.ly/3pMgRJF

Open Calls and Opportunities

Open Call: Hotel generation at Arebyte | Deadline Feb 14, 2022, | Hotel generation provides four young artists from UK cities with curatorial guidance to create an exhibition proposal for arebyte’s exhibition space in London. In addition to assistance with proposal writing, progressing ideas and budgeting, the programme offers industry support through creative software training, as well as marketing and fundraising workshops. It culminates in a fully funded solo show as part of arebyte Gallery programme for the winning candidate selected by a panel of judges.  The other participants get the opportunity to develop an online work based on their exhibition proposal, shown as part of arebyte on Screen programme. This initiative aims to nurture a sense of place in the London art scene which can be notoriously difficult to infiltrate and creates new conversations between London and other UK cities – https://bit.ly/3q0wMEF

Tactical Tech needs a new Development Administrator | They are looking for a committed and engaged person interested in learning and growing while using their professional skills within our Development team. The Development team is responsible for fundraising, grant management, partnership management, monitoring and evaluation as well as organisational communications. This new role of Administrator is being established to improve the efficiency across these functions as they impact the wider organisation. Tactical Tech works on challenges of data-driven technologies – https://bit.ly/3qM4Kf9

Open Call: Research and Development Fellowships | Jan 11, 2022, at 23:59 GMT| Spike Island, Bristol, UK | A 12-month fellowship programme offered by The West of England Visual Arts Alliance (WEVAA) in aim to provide the opportunity to focus on research, gathering insight and input from other artists and communities. We seek visual art projects that have considered how their work contributes to and develops the broader visual arts community in the West of England region. These could be projects in the early stages of development, for which time, space and support is needed in order to progress to a scale that has lasting benefits for other artists and the region – https://bit.ly/3pMe03s

Digital Projects Assistant at Matt’s Gallery London | Deadline Jan 16 2022. Matt’s Gallery is seeking a Digital Projects Assistant to join its team on a fixed-term, part-time basis. Part-Time, 2 days per week (Thursday & Friday) £10,000 p/a, pro-rata to £25,000 Fixed Term, 12 months. Matt’s Gallery is a contemporary non-profit art gallery, established 42 years ago in East London. During its time, Matt’s Gallery has been an independent and influential force in the visual arts sector, both nationally and internationally, championing the careers of artists such as Willie Doherty, Benedict Drew, Jimmie Durham, Susan Hiller, Mike Nelson, Nathaniel Mellors, Lindsay Seers, Tai Shani and Imogen Stidworthy. In March 2022, the gallery will open its new space in Nine Elms, South West London – https://bit.ly/3pK0AVH

Artists Wanted! Submit to SIGGRAPH 2022 Art Gallery | Let your creative juices flow — SIGGRAPH 2022 Art Gallery submissions are open! We want to see your cutting-edge, compelling digital and technologically mediated artworks that include but are not limited to, creative projects that explore the intersection of art and health, push the boundaries of our knowledge, re-examine our bodies and place in the world, advance human abilities, and design today’s (and future) realities. Submit your digital art creations by Tuesday, February 1, 2022, and showcase your artistic innovation! https://bit.ly/3FTj2RA

Image: Installation View of Memeplex featuring Joey Holder, Omsk Social Club, Jack Jubb, Suzanne Treister, Botond Keresztesi and David Cronenberg. Courtsey of Seventeen 2021-22.

The FurtherList Archives – https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Open Calls, Festivals and Conferences

Art was only a substitute for the Internet | The Wrong Biennial, has been dedicated exclusively to online art and that alone makes it very relevant. For this fifth edition, Andres Manniste has invited artists who he felt were convinced that the Internet and what it provides is an art and for whom networks are critical for the development of their thinking and their work. For many the Internet is a daily routine of checking social media, listening to podcasts or music and researching material. Every living artist aware of the unlimited resources provided by communications networks is influenced by the internet. Many have associated a major part of their art process with the internet. This exhibition is a place where art can be playful and challenging – https://bit.ly/3nMIZKJ

Angels & Discounts | Exhibition by Iris Pokovec | 3 – 26 November 2021 | Aksioma | Project Space, Ljubljana | Part of U30+ production programme for supporting young artists. Angels & Discounts is an ode to consumerism and an elegy to unfulfilled dreams and lost ideals. It talks about the love-hate attitude to consumerist and popular culture and glorifies its charm and its power of hypnotising the masses, while at the same time offering a reflection on the transience of society’s collective stream of thought. It is a narrative about the search for free choice in the numb somnolence of supermarket aisles and shelves with tinned peas and preserved compotes – https://bit.ly/2ZQlSHf

NFT Culture Proof | Launches 9 am 9 Nov 2021 | Nathaniel Stern, Scott Kildall and others | A participatory performance on the Blockchain – a completely on-chain collaborative text – a collective artwork and crypto-native NFT series. NFT Culture Proof is a 32-day Blockchain performance, where every participant continuously adds to a collaborative stream of live but immutable text, which will be permanently placed on-chain. Each day, there are “writing prompts” from artists, thinkers, and writers in the cryptoverse, which will both focus and drive the texts we produce. It is the first large-scale Blockchain work of its kind, making the public ledger an active stage for collective creativity. Every text block submitted generates a unique NFT for the participant. These will also live completely on-chain, as crypto-native SVGs  – https://bit.ly/3bBLfyy

Lecture 5: The City: Laurie Anderson: Spending the War Without You | 10 Nov 2021 | Exploring the challenges we face as artists and citizens as we reinvent our culture with ambiguity and beauty. Laurie Anderson presents Spending the War Without You: Virtual Backgrounds. The City is the fifth in a series of six lectures, looking at the challenges we face as artists and citizens as we reinvent our culture with ambiguity and beauty. This talk will consider teachers, activism and politics. Presented by Laurie Anderson, one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia presentations, she has cast herself in roles as varied as a visual artist, composer, poet, photographer, filmmaker, electronics whiz, vocalist, and instrumentalist. Event by Mahindra Humanities Center at Harvard | Free event book at Eventbrite – https://bit.ly/3BvV9wd

Glitch: Aesthetic of the Pixels | Platform 101 – Vol.03 | Tehran, Iran | 5 – 12 Nov 2021 | Platform 101 is holding its third international group exhibition entitled “Glitch: Aesthetic of the Pixels”. After the great success of Vol.2, Platform 101, a nonprofit and independent art institution, is continuing the Glitch Video Art Group Exhibition in Tehran, Iran Vol.03, entitled “Glitch: Aesthetic of the Pixels”, curated by Mohammad Ali Famori, featuring 27 international glitch artists at Pejman Foundation: Kandovan – https://bit.ly/3pX2pPK

IAM Weekend | Barcelona Nov 11-13 2021 and Planet Earth: November 11-18, 2021 | Join the 7th annual gathering for mindful designers, researchers, strategists, artists, technologists, journalists and creative professionals looking to collectively envision sustainable futures for the internet(s). A week-long programme of live and pre-recorded sessions. The Planet Earth edition will feature live and pre-recorded sessions, available 24 hours across timezones, during 8 days, including the social live stream of Forum Day sessions of the Barcelona edition programme. Get access to the Planet Earth edition programme with a Week-long Pass or any Barcelona edition ticket. More info – https://bit.ly/3nVQwqr

Furtherfield at the Planet Earth Session at IAM Weekend | Nov 18th 2021  Watch live or on-demand the following pre-recorded videos: The Treaty of Finsbury Park 2025 – Interspecies Assembly (The one about biodiversity habitats) by Furtherfield + The New Design Congress + CreaTures. The Treaty of Finsbury Park 2025 – Ruth Catlow & Cade Diehm in conversation with Dr. Lara Houston. Get access to the Planet Earth edition programme with a Week-long Pass or any Barcelona edition ticket. More info – https://bit.ly/3nVQwqr

Call for Participation – Rendering Research | Deadline for submissions 14th Nov 2021 | We are seeking proposals to address how research is made public, and in this sense also to the infrastructures of research and its various systems of publishing. Organised by Digital Aesthetics Research Center, Aarhus University, in collaboration with Centre for the Study of the Networked Image, London South Bank University, Saint Luc École de recherche graphique in Brussels, and Transmediale festival for digital art & culture. APRJA is published by Aarhus University in partnership with Transmediale and hosted by the Royal Danish Library – https://bit.ly/3q0Na8w

People Like Us: Gone, Gone Beyond | Event by Barbican Centre | The Pit | 10 – 13 Nov 2021 | Watch and listen as unexpected narratives expand and unravel all at once around you. Inside this immersive, 360-degree cinematic installation, you’ll get to look far beyond the frame. Fragments of familiar and experimental films interact with song and audio clips in ever-changing, kaleidoscopic and kinetic collages. As time and space become elastic, viewers are opened to multiple meanings and perspectives by this seamless visual and surround-sound experience, with its playful and unsettling observations on popular culture. Under her artist name, People Like Us, Vicki Bennett has been evolving the field of audiovisual collage since the early 1990s, cutting up and layering found footage and archives | Tickets – https://bit.ly/3EqJX62

Tactical Entanglements: Creative AI Lab in conversation with Martin Zeilinger | 15 Nov 2021 6 pm FREE | Serpentine | TwitchOnline | A discussion panel on my book, “Tactical Entanglements: AI Art, Creative Agency, and the Limits of Intellectual Property” (meson press 2021). The event is put on by the Creative AI Lab and will be live-streamed on Twitch. Exploring issues around critical approaches to AI, digital art, and posthumanism with Mercedes Bunz and Daniel Chavez Heras (both Kings College London) and Eva Jäger (Serpentine Galleries). You can grab a free copy of Zeilinger’s book on the Meson Press publisher’s website, and a free e-reader with some additional relevant readings will be available on the Serpentine Galleries website – https://bit.ly/2Yqn6bk and https://meson.press/books/tactical-entanglements/

AI4FUTURE: OPEN CALL FOR RESIDENCIES | Deadline 15 NOV 2021 | AI4future is searching for 4 artists to work at an AI-based artwork in collaboration with young European activists to foster new urban community awareness. In recent years, Artificial Intelligence has been implemented in a number of fields functional to daily life: from those that simulate the cognitive abilities of the human being (image recognition, language automation, etc.) to the management of civil and social life (home automation, banking, self-driving vehicles, etc.) up to the economic and political organization (remote surveillance, privacy, impact on the world of work 4.0, health management, disinformation techniques, control over fundamental rights, etc.) – https://bit.ly/3bEeXTu

(re)programming: Strategies for Self-Renewal | With Eyal Weizman | 15 Nov 2021 7 pm | Aksioma | We have found ourselves at the crossroads of an existential decision: do we bring the mistakes of the enlightenment to their biological conclusion or do we develop a magical capacity to self-renew? For the 10th anniversary of Tactics & Practice, Aksioma presents (re)programming: Strategies for Self-Renewal “festival of conversations” with world-class thinkers debating key issues, from infrastructure and energy to community and AI, curated and conducted by writer and journalist Marta Peirano. The festival consists of 8 streaming events taking place every third Monday of the month throughout the year – https://bit.ly/3EDTA1n

Lorenzo Ravano: The Global South and the History of Political Thought | Online | 18 Nov 2021, 6 – 8 pm | The Critical Perspectives on Democratic Anti-Colonialism project invites you to our next Fall 2021 workshop. The program brings together faculty and students from across The New School interested in exploring the theoretical foundations and political manifestations of radical democratic and anti-colonial traditions. Ravano, Postdoctoral Fellow at Université Paris Nanterre, will be presenting his work, “The Global South and the History of Political Thought”. Anthony Bogues, Asa Messer Professor of Humanities and Critical Theory, Professor of Africana Studies and Director of the Center of the Study of Slavery and Justice at Brown University, will be commenting – https://bit.ly/3ECPVku

WhistleblowingForChange: Exposing Systems of Power & Injustice | The 25th Conference of the Disruption Network Lab | Conference and book launch | 26 – 28 Nov 2021. At Kunstquartier Bethanien – Berlin. The courageous acts of whistleblowing that inspired the world over the past few years have changed our perception of surveillance and control in today’s information society. But what are the wider effects of whistleblowing as an act of dissent on politics, society, and the arts? How does it contribute to new courses of action, digital tools, and content? This urgent intervention based on the work of Berlin’s Disruption Network Lab examines this growing phenomenon, offering interdisciplinary pathways to empower the public by investigating whistleblowing as a developing political practice that has the ability to provoke change from within | Facebook link – https://bit.ly/3o1ibXj

Unravelling Women’s Art | 25 November 6 pm – 7:30 pm | £5 | ONLINE EVENT | Join author PL Henderson and a trio of artists for an insightful discussion into what links female textile artists and the arts they produce, revealing a global and historic patchwork of assorted roles, identities and representations. Henderson’s new book, Unravelling Women’s Art: Creators, Rebels, & Innovators in Textile Arts (Aurora Metro Books) offers a unique overview of female-centric textile art production including embroidery, weaving, soft sculpture and more. Including over 20 interviews with contemporary textile artists, the books invites us into their practices, themes and personal motivation – https://bit.ly/3wxeqwr

Two Postdoc Positions in Critical Environmental Data Studies | Deadline 30 Nov 2021, Expected start 1 Mar 2022 | The Department of Digital Design and Information Studies within the School of Communication and Culture at Aarhus University (Denmark) invites applications for two postdoctoral positions in Critical Environmental Data Studies. The postdoc positions are affiliated with the research project Design and Aesthetics for Environmental Data funded by the Aarhus University Research Foundation (AUFF). The postdoc positions are full-time, two-year fixed-term positions. Design and Aesthetics for Environmental Data focus on historical and current practices of seeing, knowing, and designing the environment and the planet as data: as patterns, visualizations, projections, models, simulations, and other aesthetic objects with epistemic value. The working language of the project is English – https://bit.ly/3GGfu5P

Call for Book Chapters | Feminist Futures: From Witches to Maids to Robots and Beyond | Proposal submission deadline 15 Dec 2021 | Feminist Futures is a book all about bridges and connections! It aspires to take a look at the future, it wants to tell the story of witches, how neo-feudalism relates to the present monsters, how postcolonialism and post cold war politics brought us here when it comes to women’s rights. It is about automation and the constant repetition of the need for care without really doing it. It wants to bring these stories at the centre stage to talk about the future, to shed light on research that can lead us to what unites us and not to what divides us – https://bit.ly/3nSUsZ4

Books, Papers & Publications

Artistic Research – Dead on Arrival? Research practices of self-organized collectives versus managerial visions of artistic research | By Florian Cramer. (First published in Henk Slager [ed.], The Postresearch Condition, Utrecht: Metropolis M Books, 2021, p. 19-25). Since at least the early 20th century, artists groups have called their work “research”. Canonized examples include the “Bureau des recherches surréalistes” (“Bureau of Surrealist Research”) founded in Paris by André Breton and fellow Surrealists in 1925 and the Situationist International which, from 1957 to 1972, operated under the moniker of a research group and whose periodical had the form of a research journal. […] Today, transdisciplinary art/research collectives seem to be more common as a contemporary art practice in non-Western regions than in Western countries where art systems are more institutionalized – https://bit.ly/2ZNpjy1

Machines We Trust: Perspectives on Dependable AI | Edited by Marcello Pelillo and Teresa Scantamburlo | Experts from disciplines that range from computer science to philosophy consider the challenges of building AI systems that humans can trust. Artificial intelligence-based algorithms now marshal an astonishing range of our daily activities, from driving a car (“turn left in 400 yards”) to making a purchase (“products recommended for you”). How can we design AI technologies that humans can trust, especially in such areas of application as law enforcement and the recruitment and hiring process? In this volume, experts from a range of disciplines discuss the ethical and social implications of the proliferation of AI systems, considering bias, transparency, and other issues – https://bit.ly/3AMedWR

The Art of Activism: Your all-purpose guide to Making the Impossible Possible | By Steve Duncombe and Steve Lambert | It brings together the authors’ extensive practical knowledge—gleaned from over a decade’s experience training activists around the world—with theoretical insights from fields as far-ranging as cultural studies and cognitive science. From the United Farm Workers’ boycott movement in sixties’ California to a canal-side beach in present-day Saint Petersburg, these pages are packed with contemporary and historical case studies that have been shown to work in practice. The accompanying workbook contains fifty expertly crafted exercises to help you flex your creative imagination and hone your political tactics, taking you step-by-step toward becoming the most persuasive and impactful artistic activist you can possibly be – https://bit.ly/3CcKCr9

Whistleblowing for Change: Exposing Systems of Power & Injustice | Editor Tatiana Bazzichelli | Out 27 Nov 2021 | The courageous acts of whistleblowing that inspired the world over the past few years have changed our perception of surveillance and control in today’s information society. But what are the wider effects of whistleblowing as an act of dissent on politics, society, and the arts? How does it contribute to new courses of action, digital tools, and contexts? This urgent intervention based on the work of Berlin’s Disruption Network Lab examines this growing phenomenon, offering interdisciplinary pathways to empower the public by investigating whistleblowing as a developing political practice that has the ability to provoke change from within – https://bit.ly/3nTyZiP

Proof of Work: Blockchain Provocations 2011–2021 | By Rhea Myers | Art Editions, Forthcoming Jun 2022 | DAO? BTC? NFT? ETH? ART? WTF? HODL as OG crypto artist, writer, and hacker Rhea Myers searches for faces in cryptographic hashes, follows a day in the life of a young shibe in the year 2032, and patiently explains why all art should be destructively uploaded to the blockchain. Now an acknowledged pioneer whose work has graced the auction room at Sotheby’s, Myers embarked on her first art projects focusing on blockchain tech in 2011, making her one of the first artists to engage in creative, speculative and conceptual engagements with ‘the new internet’. This anthology brings together annotated presentations of Myers’s blockchain artworks along with her essays, critiques, reviews, and fictions—a sustained critical encounter between the cultures and histories of the art world and crypto-utopianism, technically accomplished but always generously demystifying and often mischievous – https://bit.ly/3nSpmki

Critical Theory and New Materialisms | Edited By Hartmut Rosa, Christoph Henning, Arthur Bueno | Published by Routledge, 15 June 2021 | Bringing together authors from two intellectual traditions that have, so far, generally developed independently of one another – critical theory and new materialism – this book addresses the fundamental differences and potential connections that exist between these two schools of thought. With a focus on some of the most pressing questions of contemporary philosophy and social theory – in particular, those concerning the status of long-standing and contested separations between matter and life, the biological and the symbolic, passivity and agency, affectivity and rationality – it shows that recent developments in both traditions point to important convergences between them and thus prepare the ground for a more direct confrontation and cross-fertilization – https://bit.ly/3BHvIrv

Articles, Interviews, Blogs, Presentations, Videos

The Chaos of Eros: in conversation with the programmers of Erotic Awakenings | Maria Isabel Martinez | Erotic life is a treasure we hold close until we believe its delight might multiply in the hands, eyes, ears, or mouth of another. One such place for sharing is “Erotic Awakenings,” an archive primarily containing writings hosted on the website of Toronto artist-run gallery Hearth Garage. The project is a collaboration between the gallery’s programmers Benjamin de Boer, Philip Ocampo, Rowan Lynch, and Sameen Mahboubi and writer and facilitator Fan Wu. Each piece of writing is singular in form and content, reflective of our varied erotic experiences. In an erotic moment, we might become unfastened from a solid sense of our identity, or further reminded of the body we can’t escape – https://bit.ly/3GPuONB

Artgames and interspecies LARPS with Marc and Ruth of Furtherfield | Podcast | The ReImagining Value Action Lab | “We talked about art, games, LARPs and other subversive high jinks on the latest episode of our Conspiracies and  Countergames podcast.” Furtherfield disrupts and democratises art and technology through exhibitions, labs & debates, for deep exploration, open tools & free-thinking and is London’s longest-running (de)centre for art and technology whose mission is to disrupt and democratise through deep exploration, open tools and free-thinking. The ReImagining Value Action Lab (RiVAL) is a research and creativity workshop for the radical imagination active around the world and locally in Thunder Bay, Canada – https://bit.ly/3k815pn

The Digital Art Conundrum – how to evaluate digital art? | Computational Aesthetics | By Josephine Bosma | Digital devices have been part of developments in culture and society for decades, the arts included. They influenced, inspired, or even ‘co-produced’ the work of artists in performance, sculpture, robotics, sound art, and more. […] Though accurate and precise, it is not easily understandable and is a quite theoretical approach. To simplify their proposal: computational aesthetics offers a much-needed alternative to ‘traditional’ definitions of digital art as a purely technological or visual art form. It offers a broader perspective on the field – https://bit.ly/3BEKSy3

London’s ‘Square Mile’ Is One Big Monument To Slavery | By Stewart Home | ArtReview | When it comes to addressing what to do with artworks and memorials connected to historic racism and attendant issues relating to colonialism, some talk up their commitment to change, but their lack of action exposes a preference for the status quo. The City of London Corporation is the local authority that covers the capital’s international financial district. Not only does the Corporation pack more problematic memorials into its famous ‘Square Mile’ than almost any other council in the UK (or, for that matter, the world), it is simultaneously a major patron of the arts.” – https://bit.ly/3nJBm7y

Atari-style Artwork Makes the ‘Guinness World Records 2022’ Book | Dartmouth Edu | Mary Flanagan shows how games can be collaborative through a giant Atari 2600 joystick. “Space Invaders.” “Asteroids.” “Pac-Man.” In the 1980s, the Atari 2600 revolutionized the video game industry as families revelled in the novelty of playing video games on the TV at home. When she was growing up, professor, game designer, and artist Mary Flanagan says the Atari 2600 was one of her most influential digital experiences. Years later, Flanagan’s tribute to that experience, [giantJoystick], made it into the Guinness World Records 2022 as the largest joystick in the world – https://bit.ly/3pYupSZ

AI Horror Movie Wins Lumen Gold | The Lumen Prize for Art and Technology awarded its coveted Gold Award with a cash prize of US$4,000 to UK artist Nye Thompson and UBERMORGEN for UNINVITED, the world’s first horror movie for and by machines. UNINVITED is a horror film for machine networks and human-machine organisms exploring the nature of perception and realism of the unknown and the terror of angst and exhaustion within emergent network consciousness. This generative work (2018–) is a self-evolving networked organism watching and generating a recursive ‘horror film’ scenario using mechatronic Monsters – digital flesh running machine learning algorithms. The work is described by the artists as a radically new creature looking at the world, hearing the universe through millions of hallucinogenic virally-abused sensors and creating a hybrid nervous system – https://bit.ly/3CzRI98

‘It’s a game-changer for us’: Artists welcome guaranteed basic income plan | Deirdre Falvey | Irish Times | The pilot for a new basic income guarantee scheme for artists and arts workers could see “around 2,000” creative workers drawing income from March 2022, or “the beginning of April, and no later than that”, said Minister for the Arts Catherine Martin. She gave details of the pilot project, which will be backed by €25 million funding in 2022, at Wednesday’s Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media budget briefing. A basic income guarantee was the top recommendation of the Arts and Culture Recovery Taskforce’s Life Worth Living report in November 2020, and the Minister said she intends to follow it “as closely as possible and to deliver a scheme that benefits artists and creative arts workers”. The three-year pilot will involve a weekly payment of €325 a week. The department later confirmed there will be no means test to take part in the scheme – https://bit.ly/2ZP73V6

Rhythm and Geometry: Constructivist Art in Britain since 1951 | Review by Bbronaċ Ferran | Studio International | An exhibition at the Sainsbury Centre captures something of the mood of the present, in its reflection on a balancing of constraint and liberation. Conceived by Tania Moore, the Joyce and Michael Morris chief curator, the exhibition draws closely on a “substantial bequest” in 2019 from husband and wife Joyce and Michael Morris, who developed a unique collection of British constructivist art from the 1950s on. As the couple were acquainted with many of the artists included, their collection was informed by their personal taste and sensibility. Its acquisition by the Sainsbury Centre opens up opportunities for new research from a historical perspective into a significantly under-studied domain of postwar practice – https://bit.ly/3q5huP3

These Companies Are Already Living in Zuckerberg’s Metaverse | By Megan Carnegie | Wired/Business | The Meta dream envisages whole companies operating in a virtual world. Many made the switch years ago—with mixed results. Facebook’s metaverse, or Meta’s metaverse, isn’t just being touted as a better version of the internet—it’s being hailed as a better version of reality. […] This space, Zuckerberg claims, won’t be created by one single company, but rather by a network of creators and developers. First problem: 91% of software developers are male. Second problem: You’ve been living in a version of metaverse for years—and, having taken over video games, it’s now coming for the world of work – https://bit.ly/3bwLNWn

Crofton Black – How does the world work? | Exposing the Invisible | Podcast | Crofton Black ended up as an investigator almost by chance. With a background in English Literature and Medieval and Renaissance philosophy, he took an unexpected turn into investigating secret prisons and extraordinary renditions. He is a writer and investigator. He is co-author of Negative Publicity: Artefacts of Extraordinary Rendition and CIA Torture Unredacted, and works on technology and security topics for The Bureau of Investigative Journalism in London. Before this he was a history of philosophy academic, specialising in theories of knowledge and interpretation. He has a PhD from the Warburg Institute, London and was a Humboldt Fellow at the Freie Universität Berlin – https://bit.ly/2ZIT1nO

Kirill Medvedev in prison (Moscow, Russia) | An international well known muscovite poet, translator, publicist, activist and community organizer, co-founder of Arkadiy Kots combat-folk band, a long term Free Home learner, has been arrested along with other activists. They were defending a courtyard adjacent to Sretenka street from oligarch Deripaska’s development of an unlawful construction, a luxury apartment hotel rising right on the site of historic buildings from the 18th century –  despite the protests of the local residents the activists were aggressively attacked by the police and kept in the police station for 24 hours awaiting the court hearing. As the excavation continues, they are imprisoned at spetspriyomnik nr-r. 1 and 2 already for 5 days. Since long Kirill is engaged in the defence of peoples land and territories defence, against extractivism, real estate development and criminal waste dumps – https://bit.ly/3mw3uvA

Image: Hydar Dewachi. Image Courtesy of Furtherfield. View from the People’s Park Plinth Voting Weekend (14 -15 August 2021), Furtherfield Gallery, Finsbury Park.

The FurtherList Archives
https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Open Calls, Festivals and Conferences

Trouble In Outer Heaven: Portable Ops Plus | Southwark Park Galleries | 15 Sep – 31 Oct 2021 | The exhibition focuses on the influence and fandom of Metal Gear Solid, one of the most popular video game franchises of all time. Larry Achiampong, Joseph Buckley, Kitty Clark, Sam Keogh, Hardeep Pandhal, Adam Sinclair and Jamie Sutcliffe. Curated by Jamie Sutcliffe.  Featuring The Diamond Dogs Educational Unit: Uma Breakdown, Petra Szemán, Zara Truss Giles. Exploring the unnerving possibilities of biogenetic cloning and military espionage; off-shore para-states and the formation of private task forces charged with seizing power from the world’s collapsing democracies, its once bizarre mythos feels disturbingly appropriate to the world in 2021 – https://bit.ly/3zS4spw

The 7th Athens Biennale ECLIPSE | 24 Sep – 28 Nov 2021 | Co-curated by Omsk Social Club and Larry Ossei-Mensah under the artistic direction of Poka-Yio. The exhibition features artists based in North and South America, the Caribbean, Africa, and Europe, many of whom will be exhibiting in Greece for the first time. The exhibition title highlights the obscured perspective of reality caused by the constant state of flux we are experiencing in our society now. ECLIPSE engages the social, political and spiritual changes of today’s global construct and in Athens itself, as a rising metropolis located at the intersection of Europe, Asia and Africa both physically and historically – https://bit.ly/3lViLVm

KIBLIX 2020–2021: Virtual Worlds Now, part II | KIBLA PORTAL | 1 Oct – 30 Nov 2021 | The group exhibition is rounded off with additional artistic works that experiment with digital and extended reality (XR) media. The exhibition will take you through a computer-generated video Delusional Mandala by Lu Yang, an artificially intelligent robot Amygdala with the Calyx installation by Marco Donnarumma, a digital fashion collection DEEP by Amber Jae Slooten and The Fabricant, a mixed-reality installation HyperBody Portal: Stratholme. Go Stop by Pete Jiadong Qiang, Spacemen R My Friended by Tony Oursler, a sensual experience of poetry and dance in virtual reality Nightsss by Weronika M. Lewandowska and Sandra Frydrysiak, an interactive intermedia installation Time of Flight by the Compiler Group, a video game What Is Your Truth? by Dorijan Šiško and Sara Bezovšek, a world in VR for platform Sansar MetaGarden: Sphere5 by Tanja Vujinović and the first-person point of view 3600 video Seeing I – The Other by Marko Farid. List of participating artists is in here –> https://bit.ly/3zT31Hh A post about it on IG: https://bit.ly/3ASjXPG

The Unmoving show | Ongoing | An open, interactive, partly performative show waiting for your contribution | Bjørn Magnhildøen | Digital exhibition with the subtitle “a psychogeographical drift in the matrix” is a critique of attention hacking and self-consumption. The exhibition is shaped as a continuous, unpredictable and erratic stream of orientation/awareness based on the works and their metadata/surroundings. The artistic content is based on invitation, open call, and open curation. The show is open for submissions of works before and during the exhibition. The scripted framework is also subject to change in the period; this adds to the performative aspects of the show. See it here – https://unmoving.show/ and at the One-Off Moving Image Festival (One second videos.) – https://noemata.net/one-off/ and, both are part of The Wrong biennale #5 – https://thewrong.org/

Liminal Territories | When AI and NFTs meet Art History | Pal Project | 5 Oct – 20 Nov 2021 | Group exhibition from Conceived by the curator Filippo Lorenzin. It brings together 15 international artists working on the interaction between art and new technologies. The exhibition proposes a new perspective on the current trends in digital art by addressing the broader historical and artistic contexts that allow us to look at GIFs and 3D scans as works of art. The exhibition is an opportunity to learn about the art practice of contemporary creatives who use cutting-edge technology such as 3D printing, AI-generative processes and digital modelling to explore reality in ways that, to various degrees, pay homage to art styles and movements of the past. By investigating the distinct creative approaches of a group of selected international artists, the exhibition offers a public used to enjoying traditional artworks a chance to learn about the most interesting contemporary trends in art. List of presented artists: Rosana Antolí, Robbie Barrat, Jim Campbell, Carla Gannis, Guildor, Auriea Harvey, Luna Ikuta, Jono, Sasha Katz, Yuma Kishi, Paul Pfeifferl, Jan Robert Leegte, Helena Sarin, Edgar Sarin, aurèce vettier – https://bit.ly/3AVwTV1

Critical Engineering Working Group EXHIBITION: Decoding Black Magic. Interventions in Infrastructure | Piksel Festival 2021, 15 November – 12 Dec 2021 | Featuring works by Bengt Sjölén, Danja Vasiliev & Julian Oliver. The Black Book of Wireless is intended to be a book of the dark magic that antennas and radios are with pages that are circuits and PCB trace antennas (copper traces on PCB material) and of which some examples are shown in this iteration. The more obscure parts of this are things that are not fully understood or even if you can model and simulate how you think they will behave you have to try them out to see how they actually behave – https://bit.ly/3kcSdOm

Open Screen 2021 | Arebyte | A yearly programme for artists working online that self-identify as disabled. Developed in partnership with Shape Arts, the open call welcomes artists who use digital tools to their advantage, overcome barriers, criticise matters of inclusivity within technology, or everything in between. Tilly Prentice-Middleton and Uma Breakdown are the two artists selected by the judging panel for 2021 out of the 53 proposals submitted to the open call. Over the span of two months, Tilly and Uma get curatorial support to develop online work that responds to Realities, arebyte’s 2021 theme to go live on arebyte on Screen at the end of September – https://bit.ly/3ianf9C

Packaged for pleasure | Brought to you by Terminal – Seekbeak | A virtual cabinet of curiosities that exists as both a single digital work and a collection of individual pieces, The Terminal: Human Shaped Whole is a mise-en-abysme of digital art turned inside out. The interactive installation gives an ironic sense of claustrophobia:  digital technology promises unlimited digital space and yet everything feels compressed as if the weight of virtual reality is collapsing on itself. The Terminal: Human Shaped Whole, Directed by Jason Isolini, featuring work by Bob Bicknell-Knight, Ian Bruner, Joshua Citarella, Jessica Evans, James Irwin, Claire Jervert, Kakia Konstantinaki, Angeline Meitzler, Erin Mitchell and Neale Willis, curated by Off-Site Project – https://bit.ly/39LLW7A

Difference Machines: Technology and Identity in Contemporary Art | 16 Oct 2021 – Jan 16 2022. Albright-Knox Northland | Oppression is systemic—that is, built into the fabric of our society. Even our technologies are not neutral: as many scholars and activists have shown, they are shaped by the biases and agendas of their creators. New digital tools (including facial recognition systems, search algorithms, and databases) created by corporations and governments reflect prejudices based on our collective identities. These tools are then used in ways that contribute to existing inequalities. For example, biased programs may discriminate against disabled people in job interviews, suggest harsher sentences for Hispanic defendants, and deny medical care to Black patients. The earliest computers were called “difference engines,” as they were used to calculate the differences between numbers. Today, computers are machines used to encode the differences between us. This exhibition is organized by University at Buffalo Professor Paul Vanouse and Albright-Knox Assistant Curator Tina Rivers Ryan – https://bit.ly/2Y5uXuc

To Exhibit- · Not to Expose · To Expose · Not to Exhibit | 24 Sept 2021 – 1 Sept 2022 | Under the title To Exhibit – Not to Expose – To Expose – Not to Exhibit, we present the first cycle of programming of the new Santa Mònica. The exhibition orbits around a series of questions that derive from the very processes of deconstruction and reconstruction of an arts centre in the institutional, architectural and symbolic spheres. The first major exhibition of the new Santa Mònica reveals and questions exhibition mechanisms: the physical but invisible ones, and the immaterial ones that remain in the shadows by their very nature. The technology (high and low) that hides behind the works, the architectures behind the props, the spotlights… All are exposed – https://bit.ly/3zUYrZ6

Black Atlantic: Sensing the Planet | 29 – 31 October 2021 | Dartington, Devon, UK | A 3-day gathering at Dartington from 29-31 October, will see leading UK cultural institutions Serpentine, the Royal Court Theatre, UCL’s Sarah Parker Remond Centre for the study of racism and racialisation and Dartington Trust launch Black Atlantic, a new decolonial arts partnership that aims to strengthen the role of arts and culture in advancing social and climate justice. Sensing the Planet will highlight issues of race and environmental harm as well as the role played by the UK, and of the southwest of England in particular, in histories of slavery, empire and climate breakdown. It will also champion the role of interdisciplinary culture in imagining new futures built on principles of sustainability and justice, bringing together leading decolonial thinkers, artists and activists including headline speakers Paul Gilroy, Ruth Wilson Gilmore, Alexis Pauline Gumbs and Philippe Sands QC – https://bit.ly/39Sgp40

Books, Papers & Publications

Museums and the Working Class | Edited By Adele Chynoweth | Routledge | Museums and the Working Class is the first book to take an intersectional and international approach to the issues of economic diversity and class within the field of museum studies. Bringing together 16 contributors from eight countries. As part of the push for museums to be more accessible and inclusive, museums have been challenged to critically examine their power relationships and how these are played out in what they collect, whose stories they exhibit and who is made to feel welcome in their halls. This volume will further this professional and academic debate through the discussion of class – https://bit.ly/3m1xzBR

Mixed Forms of Visual Culture: From the Cabinet of Curiosities to Digital Diversity | By Mary Anne Francis | Bloomsbury | The book celebrates and seeks to understand the overlooked appearances of hybrid forms in visual culture; artefacts and practices that meld or interweave incongruous elements in innovative ways. And with an emphasis on the material aspects of such entities, the book adopts the term ‘mixed form’ for them. Crucially, Mixed Forms of Visual Culture relates its phenomena to the emergence of the division of labour under capitalism and addresses the shifting relationships between art and life, when singularity and uniformity are variously valued and dismissed in the two arenas, and at different points in history – https://bit.ly/2XRzYXe

Media and Management | Authors: Rutvica Andrijasevic, Julie Yujie Chen, Melissa Gregg, and Marc Steinberg | An essential account of how the media devices we use today inherit the management practices governing factory labor. Drawing on rich historical and ethnographic case studies, this book approaches key instances of the industrial and service economy—the legacy of Toyotism in today’s software industry, labour mediators in electronics manufacturing in Central and Eastern Europe, and app-based food delivery platforms in China—to push media and management studies in new directions. Media and Management offers a provocative insight on the future of labour and media that inevitably cross geographical boundaries. Meson Press – https://bit.ly/3D1nbRk

Critical Meme Reader: Global Mutations of the Viral Image | Edited by Chloë Arkenbout, Jack Wilson and Daniel de Zeeuw | Beyond the so-called ‘Alt-right’ and its attendant milieus on 4chan and Reddit, memes have passed the post-digital threshold and entered new theoretical, practical, and geographical territories beyond the stereotypical young, white, male, western subject. As they metastasized from the digital periphery to the mainstream, memes have seethed with mutant energy. From now on, any historical event will be haunted by its memetic double. Our responses to memes in the new decade demand an analogous virtuality. This Critical Meme Reader features an array of researchers, activists, and artists who address the following questions. What is the current state of the meme producer? What are the semiotics of memes? Institute of Network Cultures – https://bit.ly/3CWaKq0

Gertrude Stein: The Complete Writings (2017) | Monoskop | This chronological list of her writings was revised and updated by Robert Bartlett Haas and Donald Clifford Gallup in 1941 (Yale University Library, New Haven), extended by Julian Sawyer in 1948 (Bulletin of Bibliography), and updated again by Richard Bridgman in 1970 (Gertrude Stein in Pieces, Oxford University Press), which, with some additions, forms the basis of this anthology. All texts have been formatted to resemble the original (and often quite idiosyncratic) layout as closely as possible – https://bit.ly/3zUrigp

Articles, Interviews, Blogs, Presentations, Videos

The Original Cryptoartist was also the Original Cryptoleftist | Interview with Rhea Myers | The Blockchain Socialist | An artist, hacker and writer originally from the UK now based in Vancouver. Her work with technology and culture produce new ways of seeing the world as it unfolds around us. She’s been involved in the blockchain art world probably for as long as it has existed and has had her art recently featured in Sotheby’s first NFT auction sale. “What I’ve found incredible about her work is how prescient it was around art and includes the first writings attempting to synthesize blockchain with left politics. She is one of the authors who contributed to the Artists Re: Thinking the Blockchain book published by Furtherfield”. – https://bit.ly/3ETJbiU

CLASSES | Libby Heaney, 2021 | A video essay exploring the entanglements between machine learning classification and social class(ification). The artwork takes place in a simulated model of a London council estate, where Heaney lives. Machine and human voices playfully narrate aspects of Heaney’s in-depth research into accented speech recognition, natural language processing* and public space surveillance, to understand how historical and cultural biases around social class are being translated into code and how this affects people’s material conditions – https://bit.ly/3zHCbSj

The BLACK BOX EAST project | Berlin Gazette | Video presentations | As a starting point for a critical inquiry of “post-communist” spaces at large in East Germany, with a focus on black boxed processes of privatization and globalization. The project intends to look at these very processes from different international perspectives, rethinking “the East” from within, against, and beyond national borders. Participants from more than 30 countries are invited to embark upon an analogous exploration and to collectively create points of intersection. The overall aim is to generate common paths of transnational discourse and struggle by challenging the BLACK BOX EAST as a predatory capitalist system of excessive economic and political dispossession that can no longer be obscured or ignored – https://bit.ly/3ENFIlU

YouTube suspends filmmaker Oliver Ressler’s account without warning | Art-leaks.org | The YouTube account of the Austrian filmmaker and artist Oliver Ressler was suspended last Thursday for alleged “repeated violations”. YouTube issued Ressler with a message warning that “spams, scams or commercially deceptive material are not allowed on YouTube”. The artist says that no such material had been uploaded to his channel, that no prior warnings about such violations had been received and accuses the video-sharing platform of censoring his work – https://bit.ly/3lZmEZw

Beeple and Jordan Wolfson | Dialogues: The David Zwirner Podcast | Society & Culture | Apple Podcasts | When Mike Winkelmann, now widely known as the digital artist Beeple, sold an artwork at Christie’s for $69 million in March 2021, it shocked the art world—and created an escalating interest in and market for NFTs, digital art using blockchain technology that allows the work of digital artists like Beeple to be collected for the very first time. But the high-stakes prices also brought two parallel art worlds—the traditional one of galleries and museums, and the growing online community of digital artists—crashing into each other. In this provocative conversation, Beeple and Jordan Wolfson hash out the relationship between the two and ask: Where do we go from here? https://apple.co/3oaMs7G

Seeing Through The Debris | Jay Springett | “The basic idea of the ‘Breakaway Civilization’ is simply that you have a secret group, a classified group of people, with access to radically advanced technology, radically advanced science, and they just don’t share it with the rest of the world. One scientific breakthrough leads to another, and that leads to another and so on. So the next thing you know, you’ve got a separate group of humanity that is vastly far beyond the rest of the world.” https://bit.ly/39FO94v

Should We De-Extinct Woolly Mammoths? | By Alex Pearlman | Geneticist George Church broke my corner of the internet again last week when it was announced that his company Colossal, co-led by serial entrepreneur Ben Lamm, raised $15 million for a very controversial de-extinction project targeting the woolly mammoth. This news was another wonderful example of media sensationalism, and hundreds of explosive headlines made it seem like Jurassic Park: Siberia! is imminent. The thing is, that’s not accurate. It’s not a de-extinction project, it’s a hybridization project that could produce a cold-resistant Asian elephant. Can we say that the existence of one or two hybrid elephants is the same as resurrecting an extinct species? – https://bit.ly/2ZDh8nR

Image: DEEP by Amber Jae Slooten and The Fabricant. Digital-only fashion collection, video, 2018. Part of the KIBLIX 2020–2021: Virtual Worlds Now, part II, 1 Oct–30 Nov 2021.

The FurtherList Archives
https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.


Events, Exhibitions, Open Calls, Festivals and Conferences

UNDER THE VIRAL SHADOW: Networks in the Age of Technoscience and Infection | 28 August – 10 October 2021 | Anna Dumitriu, Alex May, Benjamin Bacon, Gene Kogan, Sarah Grant and Vivian Xu. Under the Viral Shadow explores various networks – biological, cybernetic, and social – as part of the COVID-19 pandemic. A group exhibition, symposium, performances, and workshops with artists whose research and media are either in the life or computer sciences. Artworks explore biological networks, digital networks, and social networks under the pressure of new technologies. Art Laboratory Berlin, Prinzenallee 34, 13359 Berlin – https://bit.ly/3jkG6Q0

Illiberal Arts | Exhibition at HKW | Sep 11 – Nov 21, 2021, | The liberal capitalist world order that prevailed after 1989 is today in a stage of advanced disintegration. The collapse of this order exposes the illiberal core of its freedoms and forms of ownership shaped by the market: the violent unfreedoms of the dispossessed as well as the willingness of the propertied to use violence. Art, too, reveals itself as the venue of these forces and their exclusions: Through the downfall of liberality, the modern institution of “veranstaltlichte Kunst” (“institutionalized art”, Arnold Hauser) and its social legitimacy are also increasingly called into question – https://bit.ly/3yjUg8n

Judith Butler and Mel Y. Chen on Gender Politics and Pandemic Time | 6:30pm in Pacific Time (US and Canada) Sep 20, 2021 | Free  · Online event | Judith Butler and Mel Y Chen extend their exhibition catalogue conversation Gender in Time to the evolving temporalities of the Covid-19 pandemic. They will discuss a range of concerns that the pandemic has highlighted, including shifting challenges for women and racialized queer, trans, and disabled communities; queer and crip time; differing valuations of productivity, and the transformations of regimes and cultures of care in the pandemic – https://bit.ly/3sKVFDS

Tales from Cyber Salon: a series of interdisciplinary technology and policy investigations through science-fiction writing | 6.30 pm BST September 20 2021 Zoom/Hybrid Event. Panel guests are: Lead: Rachael Armstrong, Edward Saperia and Yen Ooi, Chair Eva Pascoe (Cybersalon.org) | Spanning four events across the year, it features newly commissioned, speculative short stories written for the exploration of healthcare, the high street, digital communities and political representation. book here – https://bit.ly/3mA2zL9

Archive.org are celebrating ‘From Wayback to Way Forward: The Internet Archive at 25’ | 6pm PT (9pm ET) Thursday, October 21 | As the Internet Archive turns 25, we invite you on a journey from way back to the way forward, through the pivotal moments when knowledge became more accessible for all. Come celebrate with us, no matter where you are in the world. A virtual journey with the builders and dreamers who have reached for the stars. – https://bit.ly/3zeRUZP

Articles, Interviews, Blogs, Presentations, Videos

Podcast: News From Where We Are # 5 – The Radical Friendship Podcast Series | Filippo Florenzin interviews Angela Washko and Rosa Menkman. Marc Garrett interviews Cornelia Sollfrank. Music includes AGF (poem producer), and other audio delights. Washko is an artist who creates new forums for discussions about feminism in spaces frequently hostile toward women, femmes, and non-binary people. Menkman’s work focuses on noise artefacts that result from accidents in both analogue and digital media (such as glitch and encoding and feedback artefacts). Sollfrank is currently working as an associate researcher in the project “Creating Commons.”- https://buff.ly/3fK5iO2

Site-Specific Software: A Conversation with Sarah Friend | SPEAKERS: Sarah Friend and Charlie Robin Jones | The crypto world is awash in protocols that have for better and worse given us many new forms to make sense of. Friend’s body of work is a sustained critique of these new typologies and lays bare how these new mechanics of generating wealth and ascribing value work. Rather than take this new vernacular—mining, minting, owning—for granted, we need to interrogate these new ways of relating and interacting – https://bit.ly/3ydUQol

Reality in the Real | Photographer Gilbert Hage speaks to Lebanese artists in the aftermath of the explosion in the Port of Beirut. A living archive of individual human experience in the face of a large-scale tragic event. In the series of videos presented—the first moving image work executed by celebrated Lebanese photographer Gilbert Hage—Lebanese artists relate their private encounters with the explosion in the port of Beirut on August 4th, 2020. This archive sees the many signifying processes that are involved in an event that escapes any simple definition—an occurrence of what Lacan defines as ‘the Real’. https://bit.ly/3zoanmW

An Artificial Intelligence Helped Write This Play. It May Contain Racism | Article by Billy Perrigo | AUGUST 23, 2021 | In a rehearsal room at London’s Young Vic theatre last week, three dramatists were arguing with artificial intelligence about how to write a play. Tang is the director of AI, the world’s first play written and performed live with artificial intelligence, according to the theatre. The play opens on Monday for a three-night run. As the audience watches on, the team will prompt the AI to generate a script — which a troupe of actors will then perform, despite never having seen the lines before. The theatre describes the play as a “unique hybrid of research and performance.” – https://bit.ly/3jk9QfT

GOING AWAY.TV LIVE – JUDGEMENT DAY | Performance curated by Marc Blazel, with performances from Gal Go Grey, Skye Chai, Dank Collective, and Adam Paroussos. Hosted by Meg Jenkins & Marc Blazel. Part of arebyte Net Works, 2021 programme Realities, it invites and commissions artists, curators and international galleries working in digital arts to develop projects to be presented on AOS. Artists, Independent curators and galleries are encouraged to experiment with the platform and how they present their projects in relation to the yearly theme of the gallery – https://bit.ly/3jibHly

Lynn Hershman Leeson: ‘I had to wait 30 years for the millennials to be born’ | In Conversation with Vivian Chui, Ocula magazine | While virtual reality, augmented reality, and NFTs have edged contemporary art towards new technologies in recent years, Lynn Hershman Leeson’s practice has relished in the digital frontiers for over five decades. The San Francisco-based artist’s wide array of installations, performances, videos, sculptures, photographs, and works on paper have addressed the complicated relationship between humans and their inventions, as well as the constraints and biases that women are forced to contend with in modern society – https://bit.ly/2Wkcj0Y

“A Veil Was Broken”: Afrofuturist Ytasha L. Womack on the Work of Science Fiction in the 2020s | By Ytasha Womack | The Afrofuturism movement within sci-fi may be equal to this moment, in part because it grows out of a history of displacement, atrocity, and instability. One task of science fiction is to knock us off-kilter — to transport us to altered times and places, the better to question our own world. But sci-fi has renewed competition in that department from reality itself. The quickening storm of events in America in the last half-decade, culminating in 2020 in the Covid-19 pandemic and the uprisings against systemic racism, has unmoored us from old norms and expectations with a suddenness that societies witness perhaps once or twice per century – https://bit.ly/3kxcgHw

Podcast: Men, war, capitalism and conspiracy – with Jack Bratich (CGCG10) | The ReImagining Value Action Lab | We are caught between two wars of restoration: the far-right, seeking to return us to a fabled past and a liberal capitalist “centre” demanding more business as usual. Between these two, dark new “conspiracy theories” breed, especially among men, which reinforce the worst of patriarchy, with deadly effect. Jack Bratich is a professor of Journalism and Media Studies at the Rutgers School of Communications and Information. His research focuses on themes including the interface of political culture and popular culture, conspiracy panics, surveillance, journalism, activism, and the production of truth. He is the author of Conspiracy Panics: Political Rationality and Popular Culture (2008) | Soundcloud – https://bit.ly/3ktrCga

Are privacy and antitrust on a collision course? Harmful dominance, democratic privacy controls, interop and illegitimate greatness | Cory Doctorow | In “The New Antitrust/Data Privacy Law Interface,” Temple Law’s Erika M Douglas presents a fascinating look at the tensions between privacy and competition. It’s only fitting that Douglas published her paper in the Yale Law Journal, as that’s the same journal that kickstarted the modern antitrust revolution when it published Lina Khan’s “Amazon’s Antitrust Paradox,” while she was a law student – https://bit.ly/2WfTIDP

How AI-powered tech landed man in jail with scant evidence | Williams was jailed last August, accused of killing a young man […] But the key evidence against Williams didn’t come from an eyewitness or an informant; it came from a clip of a noiseless security video showing a car driving through an intersection, and a loud bang picked up by a network of surveillance microphones. Prosecutors said technology powered by a secret algorithm that analyzed noises detected by the sensors indicated Williams shot and killed the man | By Garnace Burke, Martha Mendoza, Juliet Linderman and Micheal Tarm | August 20, 2021 – https://bit.ly/3sLzkWD

Books, Papers & Publications

Earth and Beyond in Tumultuous Times: A Critical Atlas of the Anthropocene | Edited by Réka Patrícia Gál and Petra Löffler | A critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and the numerous worlds it contains | Meson Press – https://bit.ly/3zGeVVE

The Landscape of Utopia: Writings on Everyday Life, Taste, Democracy, and Design | By Tim Waterman | February 21, 2022, Forthcoming by Routledge | A collection of short interludes, think pieces, and critical essays on landscape, utopia, philosophy, culture, and food, all written in a highly original and engaging style by academic and theorist Tim Waterman. Exploring power and democracy, and their shaping of public space and public life; taste, etiquette, belief and ritual, and foodways in community and civic life, the book provides a much-needed critical approach to landscape imaginaries. It discusses landscape in its broadest sense, as a descriptor of the relationship between people and place that occurs everywhere on land, from cities to countryside, suburb to the wilderness – https://bit.ly/3gUCGSF

Distant Early Warning: Marshall McLuhan and the Transformation of the Avant-Garde | By Alex Kitnick | Marshall McLuhan (1911–1980) is best known as a media theorist—many consider him the founder of media studies—but he was also an important theorist of art. Though a near-household name for decades due to magazine interviews and TV specials, McLuhan remains an underappreciated yet fascinating figure in art history. His connections with the art of his own time were largely unexplored, until now. In Distant Early Warning, art historian Alex Kitnick delves into these rich connections and argues both that McLuhan was influenced by art and artists and, more surprisingly, that McLuhan’s work directly influenced the art and artists of his time – https://bit.ly/3DqdCfK

Performance: Conservation, Materiality, Knowledge | An ambitious research project based on the premise that performance art can be conserved. The project reviews and systematises emerging approaches to the newly established subfield of the conservation of performance-based artworks. It also explores new methods for conserving performance-based works through (a) forms of documentation and archives, (b) material residues, and (c) the transmission of knowledge. The project reflects on conservation as a knowledge-generating activity and tests its potential contribution to broader discourses in performance studies, anthropology, art history and aesthetics. Bern University of the Arts, Institute Materiality in Arts and Culture – https://bit.ly/3zwCtw0

Explorations in Digital Cultures | by Mary Shnayien, Marcus Burkhardt and Katja Grashöfer | Digital media are transformative: they (re)shape the ways of communicating, relating, doing, knowing, and living as much as they are themselves subject to continuous transformation. The contributions in this volume explore these contemporary shifts in and of digital cultures by analyzing a wide range of topics: from data, infrastructures, algorithms, logistics, economies, politics, identities, collectives to modes of critique and digital practices. Drawing from and contributing to ongoing debates in media culture studies, all contributions share a sensitivity for the multilayered histories of digital media technologies as well as their own discourses – https://bit.ly/3ta1uer

All Art Is Ecological: Penguin Green Ideas | By Timothy Morton | Provocative and playful, All Art is Ecological explores the strangeness of living in an age of mass extinction and shows us that emotions and experience are the basis for a deep philosophical engagement with ecology. According to the reviews of dermrefine, this face treatment is one of the most popular in the UK. Over the past 75 years, a new canon has emerged. As life on Earth has become irrevocably altered by humans, visionary thinkers around the world have raised their voices to defend the planet, and affirm our place at the heart of its restoration. Their words have endured through the decades, becoming the classics of a movement. Together, these books show the richness of environmental thought and point the way to a fairer, saner, greener world – https://amzn.to/38hLBsB

Living in Data: A Citizen’s Guide to a Better Information Future | By Jer Thorp | Jer Thorp’s analysis of the word “data” in 10,325 New York Times stories written between 1984 and 2018 shows a distinct trend: among the words most closely associated with “data,” we find not only its classic companions “information” and “digital,” but also a variety of new neighbours from “scandal” and “misinformation” to “ethics,” “friends,” and “play.” Punctuated with Thorp’s original and informative illustrations, Living in Data not only redefines what data is but reimagines who gets to speak its language and how to use its power to create a more just and democratic future. Timely and inspiring, Living in Data gives us a much-needed path forward – https://bit.ly/3gCTbCx

Image: Constantina Zavitsanos. Tests for Visa Dove Pan, 2021. Courtesy of the artist. Illiberal Arts. HKW. 2021, Sep 11, Sat — 2021, Nov 21, Sun.

The FurtherList Archives – https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Open Calls, Festivals and Conferences

Auriea Harvey, Year Zero | Bitforms Gallery | March 6–April 24, 2021, | Harvey’s first solo exhibition presenting a diverse mixed-media practice of sculpture, video games, drawing, and mixed reality works steeped in character creation and mythology. A new body of work nested within the legacy of Harvey’s solo and collaborative career. Working online from the beginning of net art’s history, the artist expertly combines her experience in video game and software development with a three-dimensional practice. Year Zero is a continuation of this coalescence, presenting early sketchbooks, webcam broadcasts, and multiplayer games alongside Harvey’s latest sculptural installations and drawing – https://bit.ly/3cHXZFv 

Trans Aesthetics: McKenzie Wark & Shola von Reinhold in conversation with Susan Stryker | April 8 2021 | Price: free – Anyone on or off Facebook | Please join host Susan Stryker, Barbara Lee Distinguished Chair in Women’s Leadership, for a conversation between media theorist McKenzie Wark of the New School for Social Research (The Hacker Manifesto; Reverse Cowgirl) and novelist Shola von Reinhold (LOTE), about Black and femme trans cultural production and world-making. Co-hosted by the Mellon-funded We Are the Voices public arts and humanities series and the Mills College Trans Studies Speakers Series – https://bit.ly/3lU7DHP

Raw Hope of Humanity Rising – Public Dialogues for 2021 | April 14 2021, 6-7:30 pm | Event by Third Space Network, American University Museum at the Katzen Arts Center. The third upcoming panel in the series is The Internet as a Medium for Activism & Social Change, exploring the Internet as a platform for political action through social media collaboration, virtual community, alternative journalism, and digital forms of artistic media. The panellists include: Jeff Gates, DC artist and writer, founder of the Chamomile Tea Party; Makia Green, Core Organizer, DC Black Lives Matter; Randall Packer, Artist & Creative Director, Third Space Network. Moderated by Monica O. Montgomery of MuseumHue – https://bit.ly/2NYXkWy

Anthropology Lecture: Arturo Escobar – Against Terricide | Free  · Online event | April 14, 2021, | This talk discusses transition design, broadly speaking, as a praxis for re-weaving the web of life on the basis of pluriversality and relationality, from the perspective of current Latin American theoretico-political debates and struggles. Presented by the Anthropology Department at The New School for Social Research. Cosponsored by Critical Perspectives on Democratic Anti Colonialism – https://bit.ly/3lRq7bY

Social Codes | Curated by Casey Reas | March 24 onwards | An exhibition of software art, also called generative art. All of the work consists of code written by artists to create visual experiences. Some works in the exhibition relate to the visual histories of drawing, painting, animation, and video, but all of it is native digital art, in that each artwork is a performance of code choreographed by the artist. Artists have been working with code since the 1960s, and within that time frame, code has evolved from languages written by engineers to run on room-sized computers to artist-created coding languages running inside a web browser. In 2021, artists are writing code in many languages and environments. Each programming language is like a different material to work with – https://bit.ly/2NYTnRI

Open Call: Resident, Art Tech Nature Culture List | The CreaTures project | Deadline for submissions is April 22, 2021. A curatorial & creative residency for an individual with a creative spirit and a passion for community-building to take the lead in nurturing the Art Tech Nature Culture – a global community of practice for creative practitioners across disciplines (from art, architecture and design to community organising and digital development) who care about social and ecological transformation. The selected applicant will nurture ATNC network as it expands beyond a discussion list, into a series of ongoing initiatives that distribute leadership and foster co-creation. Anywhere on Earth Time. Details available here in standard and large format (for people with a visual impairment) – https://bit.ly/3cC1RYq

Call for Applications: Anthropocene Campus Venice 2021 | Water Politics in the Age of the Anthropocene | Deadline: April 25, 2021 | Venice, Italy, October 11-16 2021 | Join a one-week educational event around the theme of Water Politics in the Age of the Anthropocene, organized by Ca’ Foscari University, the Center for the Humanities and Social Change and the Max Planck Partner Group The Water City in the framework of the Anthropocene Curriculum, a long-term collaborative project initiated by Haus der Kulturen der Welt (Berlin) and Max Planck Institute for the History of Science (Berlin). Over the span of a full week, this forum will provide a space for co-learning, interdisciplinary collaborations, and comparative studies, bringing together environmental scientists, artists, historians of science and technology, geologists, environmental humanities scholars, archaeologists, and architects – https://bit.ly/3uhdJoP

Call for Contributors | A New AI Lexicon: Responses and Challenges to the Critical AI discourse | AI Now Institute | Critical thinking in AI has moved beyond examining specific features and biases of discrete AI models and technical components to recognize the critical importance of the racial, political, gendered and institutional legacies that shape real-world AI systems as well as the material contexts and communities that are most vulnerable to the harms and failures of AI systems. National and transnational, political, economic and racial contexts of production and deployment are integral to the questions of how such AI will operate, and for whose benefit – https://bit.ly/3cwMS23

Symposium: Between Techno-Euphoria and Regimes of Surveillance | Free  · Online event | May 1–3 2021 | Berlin, Zentrum für Netzkunst | Calculating Control: (Net)Art and Cybernetics / (Netz)Kunst und Kybernetik Symposium: Between Techno-Euphoria and Regimes of Surveillance. The location and architecture of Haus der Statistik demonstrates the two-sided nature of the science of cybernetics: On the one hand, the potential of a new organizational model, and on the other, the risks associated with its use as a powerful instrument for surveillance and control – https://bit.ly/3sFrOfa

Critical AI Manifestation in Gent | KIOSK in Gent hosts a Critical AI Manifestation May 8, 2021, | The United Intelligence Lab considers AI to be the most transformative technology of our time that shapes the way we interact, create and think. With C.AI.M we want to study and exploit AI, unmasking its impact. UIL is an ever-growing group of people cooperating on the Critical AI Manifesto exploring the impact of machine learning on culture and society. UIL members are from all walks of life. Whether AI-dominion is something you secretly yearn for or desperately hope to escape from, one thing is for certain, the old vantage points on AI will for nobody suffice anymore. Join us in writing C.AI.M. Anyone is welcome, except if you are an AI – https://bit.ly/31nzbfb

Roger Robinson: Cities Imaginaries Lecture 2021 | The Actuality of Gentrification | May 20 2021 | Writer and T.S. Eliot Prize winner Roger Robinson will deliver this year’s Cities Imaginaries lecture at UCL Urban Laboratory | This event is free | The danger with gentrification is that it breaks up long-held communities and bonds and histories without acknowledging and valuing them. Brixton has resisted gentrification before and it will again but a lot of energy and resources are being placed into the process of its gentrification, far more than the resources that were available to support it’s long time inhabitants – https://bit.ly/31yM4Ds

Call For Papers: In the limits of what is possible: art, science and technology | Artnodes | We are now receiving original work for our 28th issue (July 2021). Deadline for submissions: April 20 2021. When we talk about the intersections between art, science, technology and society (ACTS) we are referring to a set of practices that tend to challenge disciplinary boundaries, entering hybrid territories between the possible and the impossible, the real and the imaginary. Sometimes multidisciplinary, sometimes interdisciplinary or transdisciplinary, and often directly a-disciplinary in an indefinite territory in which what is at stake is the eternal composition of knowledge, of what is yet to be delimited, limited or disciplined in a tremendously fertile magma – https://bit.ly/2Pt3i2m

Books, Papers & Publications

Vera Molnar. Pas Froid aux Yeux | By Francesca Franco | Catalog of the monographic exhibition at the Espace de l’Art Concret from January 30 to May 31, 2021, and then at the Musée des Beaux-arts de Rennes from October 9, 2021, to January 9, 2022, this book presents the work of the artist, Vera Molnar. This exhibition is the first collaboration between two French cultural institutions which have in common a true speciality in the field of abstract art after 1945 and concrete art in particular. A prolific artist still active at the dawn of her 97th birthday, Vera Molnar places her practice between concrete art, constructed art and conceptual art. She is also considered a pioneer of computer drawing, having contributed to the digital art movement since the 1960s – https://bit.ly/2PqnRMZ

Hyperemployment – Post-work, Online Labour and Automation | !Mediengruppe Bitnik, Felix Stalder, Silvio Lorusso, Luciana Parisi, Domenico Quaranta | Co-published by NERO and Aksioma | 24/7. Algorithmic sovereignty. Anxiety. Artificial intelligence. Automation. Crowdfunding. Data extraction. Entreprecariat. Exploitation. Free labour. Free time. Gig working. Human-in-the-loop. Logistics. Machine vision. Man-machine complexity. Micro-labour. No future. Outsourcing. Peripheral work. Platform economy. Post-capitalism. Post-work. Procrastination. Quantification. Self-improvement. Social media fatigue. Time management. Unemployment –  https://bit.ly/3wf8ms4

A Stubborn Fury: How Writing Works in Elitist Britain | Novel by Gary Hall | Two-fifths of Britain’s leading people were educated privately: that’s five times the amount as in the population as a whole, with almost a quarter graduating from Oxford or Cambridge. Eight private schools send more pupils to Oxbridge than the remaining 2894 state schools combined, making modern Britain one of the most unequal places in Europe. In A Stubborn Fury, Gary Hall offers a powerful and provocative look at the consequences of this inequality for English culture in particular. Focusing on the literary novel and the memoir, he investigates, in terms that are as insightful as they are irreverent, why so much writing in England is uncritically realist, humanist and anti-intellectual – https://bit.ly/3u7AR94

Vegetal Entanglements: The Journal of Nature in Visual Culture | Edited by Giovanni Aloi | Download Issue 53 – Spring 2021 | The contributions gathered in the third volume of ‘Vegetal Entanglements’—a tryptic entirely dedicated to plants in art and culture—focus on the inextricable, actual, and metaphorical links that bind plants, ecosystems, and humans. In this issue, the interconnectedness that characterizes plant lives is explored through a variety of media and approaches designed to foreground vegetal alterity. What role does anthropomorphism play in human-plant relations? How can we approach plant alterity in ways that bypass objectification? How can plants help us build fairer and more sustainable futures? These are only some of the many questions addressed in this issue – https://bit.ly/3djnko9

Punk & Post-Punk (Journal): Volume 10 issue 1 | Editors Russ Bestley, Pete Dale, Matthew Worley, Mike Dines | A peer-reviewed journal for academics, artists, journalists and the wider cultural industries. Placing punk and its progeny at the heart of interdisciplinary investigation, it is the first forum of its kind to explore this rich and influential topic in both historical and critical theoretical terms. Punk & Post-Punk is a Scopus-indexed journal for academics, artists, journalists and the wider cultural industries – https://bit.ly/2QV6jZZ

Autotheory as Feminist Practice in Art, Writing, and Criticism | By Lauren Fournier || Autotheory—the commingling of theory and philosophy with autobiography—as a mode of critical artistic practice indebted to feminist writing and activism. Fournier provides a long-awaited account of autotheory, situating it as a mode of contemporary, post-1960s artistic practice that is indebted to feminist writing, art, and activism. Investigating a series of works by writers and artists including Chris Kraus and Adrian Piper, she considers the politics, aesthetics, and ethics of autotheory. Fournier argues that the autotheoretical turn signals the tenuousness of illusory separations between art and life, theory and practice, work and the self—divisions long blurred by feminist artists and scholars | MIT publishing – https://bit.ly/3wnin6D

Art and Care, Reflections on the To Mind Is To Care Exhibition | Free PDF Download at V2.nl | Authors: Dora Vrhoci & Florian Weigl | Editor: Michel van Dartel | Design: Jelle Koper | Photography: Fenna de Jong | Art and Care: Reflections on the To Mind Is To Care Exhibition reflects on the curatorial research that has been undertaken by Dora Vrhoci and Florian Weigl in the run-up, but especially during the To Mind Is To Care exhibition and peripheral programming. An exhibition Florian Weigl curated with a strong focus on ‘Caring for’. To Mind Is To Care is an ‘interdisciplinary study of care’ defined as everything we do to maintain and restore our world so that we can live in it to the best of our ability – https://bit.ly/2PtTEMX

Uncertain Archives: Critical Keywords for Big Data | Edited by Nanna Bonde Thylstrup, Daniela Agostinho, Annie Ring, Catherine D’Ignazio and Kristin Veel | Scholars from a range of disciplines interrogate terms relevant to critical studies of big data, from abuse and aggregate to visualization and vulnerability. This groundbreaking work offers an interdisciplinary perspective on big data and the archives they accrue, interrogating key terms. Scholars from a range of disciplines analyze concepts relevant to critical studies of big data, arranged glossary style—from abuse and aggregate to visualization and vulnerability. They not only challenge conventional usage of such familiar terms as prediction and objectivity but also introduce such unfamiliar ones as overfitting and copynorm | MIT Publishing – https://bit.ly/2O6SZ3s

Articles, Interviews, Blogs, Presentations, videos

Buen Vivir. Interview with Penny Travlou on collaborative practices in emerging networks | Framed by her long-standing research on collaborative practices, geographer and ethnographer Penny Travlou introduces two projects she has been involved lately: Platohedro, a space, a platform and community based in Medellín, Colombia, and the Feminist Autonomous Research Center in Athens (FAC). Platohedro refers to the indigenous concepts of Buen Vivir and Buen Conocer and works and adapting them to the contemporary living conditions in urban societies, while FAC puts an emphasis on community-based autonomous knowledge production. Both are concerned with forms of thinking and working together that allow for creating alternatives to extractivist, colonial, racist and anti-feminist modes of (knowledge)production – https://bit.ly/2PKMML5

Indigenous rituals and music | We Make Money Not Art | Sébastien Robert is an artist and researcher whose practise presents a rare combination of visual and sound art, technology, science and ethnographic research. A few years ago, he embarked on a research project called You’re no Bird of Paradise which studies indigenous music and rituals in danger of disappearing. Based on a collaborative and experimental approach, Robert’s projects attempt to translate sounds and rituals into tangible works of art that directly echo the traditions of the communities he meets – https://bit.ly/3sEcVcV

Herbert Marcuse and the Student Revolts of 1968: An Unpublished Lecture | By Herbert Marcuse | Jacobin Mag | In May 1968, the neo-Marxist philosopher Herbert Marcuse visited Paris and Berlin at the height of the student movements that were making news around the world. The text presented here is the transcript of a two-hour talk about those events that Marcuse delivered on May 23, 1968, shortly after his return to the United States, while the outcome of the May movement in France was still very much in doubt. It offers unique insights into the way a thinker often credited with providing the European student movements of 1968 with much of their ideological energy viewed them as they unfolded – https://bit.ly/3wh6QWi

Taxi Studio Visit: Marcel·lí Antúnez | Art matters Blog | In the context of  Ars Electronica 2020 we visited Marcel·lí Antúnez’s studio, today we retrieve the interview. The artist – whose work can be understood mainly in terms of performativity – began his artistic career with the internationally renowned group ” La Fura dels Baus “, with whom he worked for 10 years. In the 90s his interest in the study of technological complexity materialized for the first time with a robot called Joan l’home de Carn created in collaboration with the physicist, musician and programmer Sergi Jordà. Since then, Antúnez’s artistic production has delved into the idea of utopia in relation to a holistic ideal provided by technology, rethinking the barriers that are no longer so solid that separate the body from the machine – https://bit.ly/31kTLNl

On the Paris Commune: Part 1 | Stathis Kouvelakis | 29 March 2021 | The first instalment of a new text by Stathis Kouvelakis on the development, events and legacy of the Paris Commune, published in three parts across the week. Any perspective on the past tells us at least as much about the subject doing the looking, and the historical moment in which their perspective is situated, as about the object they are looking at. Editing a collection of Marx and Engels’s texts on the Paris Commune of 1871 is a quite different prospect today to what it would have been in decades past, separated from us by a deep historical rift even if they are not ever so remote in purely chronological terms. Half a century ago, upon the 1971 centenary of the Commune, it would have been almost self-evident that delving into these texts was a useful endeavour – https://bit.ly/3fuHX3e

Re-enchanting Our Art, Cultures and Everyday Lives | By Stephen Pritchard | A transcript of Pritchard’s talk, called ‘Cultural Democracy, Community Development and the Old/New Normal’ presented at the Imagine Belfast Festival on 28 March 2021. It’s about re-enchanting our art, cultures and everyday lives. Sheelagh Colcough, David Boyd, Conor Shields and Pritchard had a great conversation after the talk which could have gone on a lot longer. The talk will be published by Imagine Belfast soon – https://bit.ly/3wpmqPM

Is the Music Over at Mills College? | By Geeta Dayal | new York Times | A hotbed of experimental sound for nearly a century, this school in Oakland, Calif., is preparing to close its doors. Now that program and the electronics-focused Center for Contemporary Music, together with the most distinguished havens for experimental work in America over the past century, are facing possible closure. On March 17 the college, founded in 1852, announced that ongoing financial problems, exacerbated by the coronavirus pandemic, would mean the end of its history as a degree-granting institution made up of an undergraduate women’s college and several coeducational graduate programs – https://nyti.ms/39wzF7h

Bill Gates Can’t Save the Planet | Grace Blakeley | Can Bill Gates save the world from capitalism? Gates’s new book, How to Avoid a Climate Disaster, lays out his plan for achieving net-zero. With all the fanfare around the book’s release — his face was splashed on the cover of multiple magazines this week — this plan is depressingly familiar. Climate change, Gates and many economists argue is an example of a market failure. Markets have failed to adequately “price” carbon emissions, meaning we produce too much of them. If governments could only assign the correct price to these emissions, the market failure would be corrected and the planet would be saved – https://bit.ly/3u92X3J

Fairphone suggests Qualcomm is the biggest barrier to long-term Android support | Ron Amadeo | Qualcomm ended support for the phone after Android 6, but Fairphone is still going. The most interesting part of this news is a video from Fairphone detailing the update process the company went through, which offers more transparency than we normally get from a smartphone manufacturer. To hear Fairphone tell the story of Android updates, the biggest barrier to longer-term support is—surprise!—Qualcomm – https://bit.ly/3ss8XnL

Smashing the Patriarchy: Exposing Culture | Lilith Magazine | We’ve started an awesome collaboration with the amazing Wiam. At Lilith, we love the way she’s breaking taboos. Whether it is about sexuality, relationships or rap music. For Lilith, she will be making a series of videos on smashing the patriarchy. In this first episode, she is discussing the taboo that is shame culture. The past few weeks there has been a lot of online talk about exposers exposing young girls and queer folks for behaviour that is perfectly healthy. Wiam opens up about her own experience with being exposed and gives you the lesson of lessons on what helped her break the cycle – https://bit.ly/3wbR7I6

Image from: Installation shot. Auriea Harvey, Year Zero, exhibition at Bitforms Gallery. March 6 – April 24, 2021.

The FurtherList Archives

https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Open Calls, Festivals and Conferences

Upcoming event: Book launch |The Hologram <> You can’t cut THIS: without multiplying it | Online event | Friday, December 11th, 1:00-2:30 pm EST |
Organized in partnership with Eyebeam,  Pluto Press, artists Cassie Thornton and Tina Zavitsanos will reflect on their shared attention around holograms, debt, and care and Thornton’s recently published pamphlet, The Hologram: Peer to Peer Health for a Post-Pandemic Future. Both artists consider Thornton’s central question, “In an era when capitalism leaves so many to suffer and to die, with neoliberal ‘self-care’ offering little more than a bandaid, how can we take health and care back into our hands?” The Hologram is developing with the ongoing support of Furtherfield, CreaTures (Creative Practices for Transformational Futures) and many other people and organisations. https://www.eyebeam.org/events/the-hologram/

Feminist International: How to Change Everything | Online event | Friday, 11 December 2020 from 20:00 UTC-21:30 UTC | Hosted by International Consortium of Critical Theory Programs and Verso Books. A conversation with Judith Butler, Susana Draper, Verónica Gago, Ruth Wilson Gilmore, Moderated by Natalia Brizuela on Verónica Gago’s Feminist International, which draws on the author’s rich experience with radical movements to enter into ongoing debates in feminist and Marxist theory: from social reproduction and domestic work to the intertwining of financial and gender violence, as well as controversies surrounding the neo-extractivist model of development, the possibilities and limits of left populism, and the ever-vexed nexus of gender-race-class. https://tinyurl.com/yxkqx7u5

RGBFAQ | Alan Warburton | arebyte Gallery presents a new commission by UK based artist Alan Warburton. RGBFAQ comprises a research-led experiential exhibition in which the audience navigates a “black-box” set populated by gigantic geometric sculptures. Warburton’s ambitious new video essay will be projection mapped onto this sculptural background, expanding the form of his popular video essays (Goodbye Uncanny Valley, Fairytales of Motion) into an immersive 3D space, with a soundtrack by David Kamp. Until 19 December 2020, and from 5 – 23 January 2021. https://www.arebyte.com/alan-warburton-rgbfaq

Sign up for the DisCO Beat, a brand-new newsletter about the life and times of the DisCO project | The project furthers the ideas and practices put forth in the DisCO Manifesto with a comprehensive framework designed to support the worldwide development of “Distributed Cooperativism”. The project’s aim is to create and provide the following: comprehensive educational and legal resources for people to launch DisCOs, accessible software for value-sovereignty practices, pilot projects supported by hands-on mentorship guidance, participatory action research on distributed cooperativism. It explores and prototypes new and radical forms of ownership, governance, entrepreneurship, and value accounting meant to counteract pervasive economic inequality. https://disco.coop/newsletter/

Call for Submissions – NEoN is excited to be supporting Goethe-Institut Glasgow and Alliance Française Glasgow with their newly reframed residency programme. In response to the impact felt by the cultural sector as a result of the Covid-19 global health crisis, their initial residency project has transformed into a digital one. https://northeastofnorth.com/call-for-submissions/

Aksioma presents Hyperemployment STREAMING #2 | !Mediengruppe Bitnik, Felix Stalder #algoregimes | 7 December 2020 at 5 PM (CET) | The upcoming second event entitled #algoregimes is an informal discussion between artistic duo !Mediengruppe Bitnik and professor of Digital Cultures and Network Theory Felix Stalder. Touching upon topics such as the invisibility of institutional processes, the functioning of infrastructures and logistics, and freedom and control in the data economy. https://aksioma.org/streaming

THE DAOWO GLOBAL INITIATIVE | Announcing Artworld DAO Prototype breakfast meetings 2021 In February 2020, cultural practitioners and representatives of non-profit arts and technology organisations from around the world gathered to participate in a 52hr gathering focusing on Artworld DAOs (Decentralised Autonomous Organisations). Ruth Catlow and Penny Rafferty facilitated a programme hosted by Goethe Institute, London to discuss, analyse and map the obstacles, opportunities, and implications for progressive, decentralised artworld automation. Sign up for the DAOWO newsletter for information about showcase and discussion events with the teams creating Artworld DAO prototypes in Berlin, Hong Kong, Johannesburg and Minsk. Breakfast meetings are planned for January and February 2021. https://www.daowo.org/#daowo-global-initiative

VIDEO-TALKS | Berliner Gazette Winter School online program | Includes talks exploring labour struggles in California’s Silicon Valley, Germany’s Cyber Valley, and India’s AI sweatshops – and back again. The speakers include Sana Ahmad (India), Jose Miguel Calatayud (Spain), Luise Meier (Germany), Yonatan Miller (US), Peng! (Germany), and Katja Schwaller (Switzerland/US). You can access videos of their talks on this website by scrolling down to the TALKS section. https://bit.ly/36lElf5

Call for Proposals: INC Reader #15 – Critical Meme Research | By Chloë Arkenbout | Deadline 16th December | As they metastasized from the digital periphery to the mainstream, memes have seethed with mutant energy. From now on, any historical event will be haunted by its memetic double — just as any pandemic will have its own infodemic that will recursively act upon it — issuing in the kinds of cross-contamination that Baudrillard already prefigured in the 1980s: of the convoluted age of simulacra, of epistemological crises associated with postmodernity, and of a generalized informational obesity whose gravitational pull bends reality to whatever “program”, in the multiple senses of that term – https://bit.ly/39sb5oO

The Sir Terry Pratchett Memorial Scholarship | As part of his legacy beyond literature, the Discworld Foundation established by international bestselling author, the late Sir Terry Pratchett, has established a perpetual scholarship in his name through the University of South Australia. Applications are being sought from proven high achievers for this prestigious scholarship working in the areas of social theory, cultural studies, visual and literary studies and identity studies where the research proposed is inspired by Sir Terry Pratchett’s work – https://tinyurl.com/yxjvxkku

OPENING: Tend To It | Group show from TOMA 2019-2021 artists | Saturday, 23 January 2021 | TOMA Project Space, Unit 13, Royals Shopping Centre, Southend, SS1 1DG | The 2019-2021 TOMA (The Other MA) cohort present their end of year show: Tend to it. An instruction that doubles as a confession. How has it affected our art-making? Why do we make art? And what happens when we are faced with death? This show explores how even in a crisis we must tend to our needs to create. Raid the larder, stroke the euphoric parceltape, pass through the silky curtain, step onto the stage, go back in time, ooze into a queer new landscape, journey through screens, pause in isolation, ponder reused, reborn found objects. This exhibition shows how we tend to it. Opening: Saturday 23/01/21 12-6pm RSVP via Eventbrite (bookable slots to ensure social distancing) here – https://bit.ly/3qaIGtn

Books, Papers & Publications

Atlas of Anomalous AI | Edited by Ben Vickers & K Allado-McDowell | Like a snake eating its tail, artificial intelligence exists in a circular relationship with its human creators. The Atlas of Anomalous AI is a compelling and surprising map of our complex relationship to intelligence, from ancient to emerging systems of knowledge. A wildly associative constellation of ideas, stories, artworks and historical materials, the Atlas draws on art historian Aby Warburg’s Mnemosyne Atlas — an image map of the “afterlife of antiquity” — to approach the defining concepts of AI from an imaginative, artistic and revitalising perspective – https://bit.ly/36lJcge

Coronavirus, Class and Mutual Aid in the United Kingdom | Authors: Preston, John, Firth, Rhiannon | This book considers how the UK government’s response to the recent COVID-19 pandemic disadvantages the working class, and how mutual aid, based on anarchist principles, can be used as a force for social change. The authors draw on Marxist and anarchist thought in class theory and social movement analysis to demonstrate that the virus and its material and discursive consequences are an active part of continuing class struggle and class interpolation. Preston and Firth examine how plans for quarantine and social isolation systematically work against the needs of the working class, and rely on classed assumptions about how markets and altruism operate. Publisher, Palgrave Macmillan – https://www.palgrave.com/gp/book/9783030577131

Retracing Political Dimensions: Strategies in Contemporary New Media Art | Edited by: Oliver Grau and Inge Hinterwaldner | De Gruyter |  2021 | At the beginning of the 21st century, new forms and dynamics of interplay are constituted at the interfaces of media, art and politics. Current challenges in society and ecology, like climate, surveillance, virtualization of the global financial markets, are characterized by hybrid and subtle technologies. They are ubiquitous, turn out to be increasingly complex and act invasively. New media art utilizes its broad range of expression in order to tackle the most urgent topics through multi-sensorial, participatory, and activist approaches. This volume shows how media artists address, with a political lens, the core of these developments critically and productively. With contributions by Elisa Arca, Andrés Burbano, Derek Curry, Yael Eylat Van Essen, Mathias Fuchs, Jennifer Gradecki, Sabine Himmelsbach, Ingrid Hoelzl, Katja Kwastek, José-Carlos Mariátegui, Gerald Nestler, Randall Packer, Viola Rühse, Chris Salter – https://bit.ly/37ieNic

Working Class History: Everyday Acts of Resistance & Rebellion | Edited by Working Class History, an international collective of worker-activists, foreword by Noam Chomski. This book presents a distinct selection of people’s history through hundreds of “on this day in history” anniversaries that are as diverse and international as the working class itself. Women, young people, people of colour, workers, migrants, Indigenous peoples, LGBT+ people, disabled people, older people, the unemployed, home workers, and every other part of the working class have organized and taken action that has shaped our world, and improvements in living and working conditions have been won only by years of violent conflict and sacrifice. https://bit.ly/3fQtD3j

Vol 19. Media Populism | Edited by Giuseppe Fidotta, Joshua Neves, & Joaquin Serpe | Culture Machine | Parasitical, unstable, excessive, corrupt, inexact, threatening—the intellectual history of populism is, to say the least, vexed. ‘Few terms have been so widely used in contemporary political analysis’, Ernesto Laclau famously observed, and ‘few have been defined with less precision’ (1977: 143). As populism has increasingly become ‘the preserve of political scientists’ (Rovira Kaltwasser et al., 2017: 10; Canovan, 1982), so too has its focus on political parties and movements become a default position in academic and popular thought. This orientation, today contested by many political scientists but nonetheless widespread, has the advantage of making populism visible, even measurable, through its analysis of speeches, polls, rallies, and electoral victories – https://bit.ly/3oapYAf

The Forest of Dean Miners’ Riot of 1831 | By Chris Fisher | Bristol Radical Pamphleteer | In June 1831, the free miners and commoners of the Forest of Dean rioted. This book considers the background to the uprising and the motives of the participants. Chris Fisher contends that the uprising was a clear expression of considerable and justifiable resentment towards the state and capitalists as they encroached on the customary rights of free miners. The Forest of Dean Miners’ Riot of 1831 places the events in the context of a social and economic transformation which favoured private property, the exchange of commodities for profit, and the accumulation of wealth for a few at the expense of the labouring many – https://bit.ly/3lpsb9o

Bank Job | Hilary Powell and Daniel Edelstyn | Art hacks life when two filmmakers launch a project to cancel more than £1m of high-interest debt from their local community. A white-knuckle ride into the dark heart of our financial system, in which filmmaker and artist duo Hilary Powell and Dan Edelstyn risk their sanity to buy up and abolish debt by printing their own money in a disused bank in Walthamstow, London. Tired of struggling in an economic system that leaves creative people on the fringes, the duo weave a different story, both risky and empowering, of self-education and mutual action. Behind the opaque language and defunct diagrams, they find a system flawed by design but ripe for hacking. This is the inspiring story of how they listen and act upon the widespread desire to change the system to meet the needs of many and not just the few. And for those among us brave enough, they show how we can do this too in our own communities one bank job at a time – https://bit.ly/3lpUSCU

Articles, Interviews, Blogs, Presentations, videos

Body and Digitality: From early experiments to theatre-making | Marco Donnarumma | Youtube | In this talk produced by Fronte Vacuo artists group, co-founder Marco Donnarumma discusses the relation of body and technology in the arts and how the body is at the centre of transdisciplinary avantgarde meshing media art, dance and theatre; a set of practices that made possible much of the art we see today. The first 30 minutes are dedicated to a historical overview of body and technology works and performances from the 1960s until 2010s, including Alvin Lucier, E.A.T, Stelarc Stelarc, Marcel.lí Antúnez Roca, #VNSMatrix, Seiko Mikami, Shulea Cheang, Santasangre Santasangre. The next 30 minutes are focused on my own work as well as on the collaborative works created with Fronte Vacuo co-founders #margheritapevere and Andrea Familari Fax – https://bit.ly/37lIP4P

The Invisible Hand | Thierry Fournier | Series of 8 digital images, fine art prints on dibond, variable dimensions, 2020 | Created from photographs and courtesy of NnoMan, Amaury Cornu, Benoît Durand, Anne Paq, Julien Pitinome, Kiran Ridley and Charly Triballeau.The Invisible Hand transforms eight photographs that witness police violence by completely erasing the police officers from the image. By raising the question of censorship and pretending to submit to it, the image now shows only the people under assault, surrounded by a spectral void that no longer has a body or face. The term “invisible hand” is one of the historical concepts of liberalism, which postulates that the sum of individual market actions would spontaneously lead to the common good – https://bit.ly/2VgJ6QS

Ambivalence, part 2: On the uneasy relationship between digital art and the environment | Regine Debatty | With considerable delay and only pitiful excuses to justify it, here’s the second part of the notes I scribbled down during the conference AMBIVALENCES #1 which took place in early October in Rennes in the framework of the Maintenant digital art festival. Part 1 of my report summed up Bénédicte Ramade’s overview of the History of Ecological Art. Today, I’m sharing the notes I took during the round table “Digital Arts and Environmental Awareness” that discussed the ambivalent relationship between digital artists and the environmental crisis. Contemporary art has a massive ecological footprint. Contemporary art that uses -and sometimes even champions- digital tools also relies on technologies that generate extractivism, e-waste, human misery and unbridled energy consumption – https://tinyurl.com/y6gb8nuq

Thinking the Unthinkable: The Idea of an Eco-state | David Garcia | If any serious individual in late February had argued that under conditions, other than war, that wealthy technologically advanced states were capable of shutting down 80% of the global economy… and in the process ending mass air transportation, the proposition would not just have been dismissed it would simply not even have been heard.” This forces us to ask how the same level of agency can be made available to address the far more profound threat of the climate emergency? And ask why in comparison with Covid the ecological crisis yields little more than a collective shrug of the shoulders? https://bit.ly/3moswu9

How an Algorithm Blocked Kidney Transplants to Black Patients | A formula for assessing the gravity of kidney disease is one of many that is adjusted for race. The practice can exacerbate health disparities. A new study of patients in the Boston area is one of the first to document the harm that can cause. It examined the effect on the care of a widely used but controversial formula for estimating kidney function that by design assigns Black people healthier scores. https://tinyurl.com/y56tyl9y

UNINVITED. A “horror experience by and for machines” | Regine Debatty | On 31 October, the Furtherfield Gallery in London launched an exhibition centered around “the world’s first horror experience by and for machines”. In true horror movie style, a pandemic is keeping the gallery closed and the human visitors locked up inside their home. Meanwhile, the machine is left undisturbed, using CCTV cameras to observe the world remotely and turn its understanding of it into a horror film for machines. UNINVITED, by Nye Thompson and UBERMORGEN, is a puzzling, disturbing but strangely seducing work. It rejects human viewers as much as it draws them in. A mix of dystopia, scifi and reality, the film echoes our confusion about the machines which intelligence (or utter stupidity) we sometimes fail to fully appreciate – https://tinyurl.com/yyfqat7x

DISRUPTION NETWORK LAB | Youtube Video Collection | Examining the intersection of politics, technology, and society, Disruption Network Lab exposes the misconduct and wrongdoing of the powerful. Disruption Network Lab is an ongoing platform of events and research focused on the intersection of politics, technology and society. Since 2014 the Berlin-based nonprofit organisation in Germany has organised participatory, interdisciplinary, international events at the intersection of human rights and technology with the objective of strengthening freedom of speech and exposing the misconduct and wrongdoing of the powerful – https://bit.ly/3lkvqyV

Nomadland: Mortality And Materialism In 21st Century America | Daniel Broadley | Quietus | Chloé Zhao’s majestic new film Nomadland is set to lead the 2021 awards season, but its power will last much longer by tapping into a fear and hope about metaphysical materialism, finds Daniel Broadley. “The last free place in America is a parking spot,” writes Jessica Bruder in Nomadland: Surviving America in the 21st Century, the book upon which Chloé Zhao’s stunning film Nomadland is based – https://tinyurl.com/y2powhc8

Future Machine Live Autumn 2020 – Creating Rituals for When The Future Comes | Artist Rachel Jacobs blogs about the stresses and uncertainties of creating a safe performance in Finsbury Park during lockdown.
“The rules of the Future Machine compares the data to the monthly averages for the place where the machine is and then the algorithm decides if it is cold, mild, warm, hot, breezy, windy etc… and if the climate is expected, unexpected or extreme. In the live performance the machine plays the algorithm, the musicians play their feelings, their emotional, creative, reflective, experiential (and incredibly skilled) ability to translate the being-ness of this place and time, with the wind, rain, air, the smells, the sensations of moisture and dryness, warmth, coldness, prickling our skin.” Read the blog and watch and listen to the performance https://www.whenthefuturecomes.net/2020/12/03/future-machine-live-autumn-2020/

Image by Cassie Thornton from, The Hologram <> You can’t cut THIS: without multiplying it | Eyebeam December 2020.

The FurtherList Archives
https://www.furtherfield.org/the-furtherlist-archives/

In 2019 we began planning the second year in our 3-year Citizen Sci-Fi programme crowdsourcing creative and technological visions of our communities and public spaces. 

With a planetary health check revealing over a million species on earth at risk of extinction as a result of human action, we wanted to explore ways of developing living and machine systems for mutual care and respect on earth. We had questions: How do we care? Who or what do we care for first? And who cares for the carers in a world ravaged by political crises and climate emergency?

Little did we know, by the time we were about to launch this programme of radical care, we humans would need it more than ever. 

Covid-19 has both interrupted and accelerated our plans. Physical proximity and presence are vital to ongoing collaborations between artists and other human and non-human inhabitants of Finsbury Park (where our Gallery and Commons are based). We long for the time that these can resume. We have postponed The Treaty of Finsbury Park that we have been planning with Cade Diehm til next year. But you can read about this mid-Summer LARP for multi-species revolution here.

However, while we have had to close our Gallery space to visitors for the summer months, as a  born-digital arts organisation we were already occupying online networks for connection, knowledge sharing, and support, so this year you’ll find even more of our programme there where everyone can get at it. Please check this page, our social media and sign up for our newsletter for updates. 

Each of the projects in our Love Machines season explores how we might act together and start reprogramming all our technologies of production and control for better love and understanding between all entities on earth – human, creature and machine or other! From collective healthcare, to terrifying (and comforting?) technologies themselves, to shared stories and systems of empathy, for Furtherfield, 2020 will be the real summer of love. 

‘UNINVITED’ by Nye Thompson & UBERMORGEN

31 Oct 2020 – 31 Jan 2021

UNINVITED by leading digital artists Nye Thompson (UK) and UBERMORGEN (AT/CH) is an art installation at Furtherfield Gallery and on the Internet exploring what happens when networked surveillance tools and AI capabilities get sick in the head. See for yourself by entering www.furtherfield.org in your browser or by scanning the cordoned off gallery with your phone. There you’ll encounter a website possessed and enter a ‘captcha’ code to the live feeds. Watch the watcher seeing the unseen as its eyes crawl the disturbing digital crevices of a world caught on camera (and entirely misunderstood) by MACHINES!

An invisible networked super-organism oscillating between anxiety, lust, and horror. Described by the artists as ‘a radically new creature looking at the world and nothing makes sense,’ the synthetic organism apprehends the universe through millions of hallucinogenic virally abused (CCTV) sensors. Thompson & UBERMORGEN’s life-form continually evolves by using human and machine learning. It defines its own existence and distributed agency through undergoing fear, instability, aggression, and vulnerability. UNINVITED can be experienced as a monstrous AI machine installation in Furtherfield Gallery, the horror movie it makes in its own mind and projects into the void, and an online viewing room where the humans and their own watching machines try to join the experience. By disrupting the traditional contract between the work and the visitor, the life-form insists on its own autonomy. Observers become part of this ostensibly alien organism.

Credits:
By Nye Thompson & UBERMORGEN
With…
Composer/sound designer: Thom Kubli
Project Consultant: Adrian Bojenoiu
Branding & Web Team: Studio Hyte
Industrial Design & Monster Prototype: Tareg Al-Zamel
Photography & videography: Geoff Titley
Software architecture & machine learning: Richard Hopkirk & Martin Dixon
Mechatronics: Modulab Bucarest
CCTV visual prototypes: Alexander Zenker

The Hologram: An image of health in multi-dimensional crisis, Cassie Thornton

Prototyping and enacting a networked care distribution system. 

February – September 

In early 2020 Canadian artist Cassie Thornton arrived in London to do major work on her sci-fi-inflected project about the future of healthcare. As governments around the world began putting their nations on lockdown, Thornton found herself isolated inside the fiction she herself had been building – becoming a kind of pandemic artist in residence. 

Thornton’s project uses ‘parafiction’ or, fiction presented as fact, to create an alternate universe of healthcare solutions for a world overcome by myriad new illnesses. Poignant in an age of ‘social distancing’, from her fictitious realm she will model the Hologram, a network of socially connected caretakers. Inspired by free, integrative and transformational healthcare developed in Greece during the financial/refugee crisis, each ‘hologram’ comprises a team who connect with one individual and talk with them about their health from three perspectives: social, physical or mental. Over time each person’s ‘hologram’ reflects back to them a multifaceted image of themselves. 

The Hologram – Collective Health As A Beautiful Artwork 

August – September

This summer, as a continuation of The Hologram project Thornton will host a four week course prototyping and enacting a networked healthcare system as part of the European CreaTures programme. Participants will explore the Hologram state of being and co-create a portrait of the process in the form of advertisements for the model. Sign up for the Hologram newsletter here to receive more information.

These elements will all contribute to an exhibition and performance of The Hologram alongside performed trials in the park in 2021.

This project has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 870759, for CreaTures – Creative practice and transformations to sustainability.

Empathy Loading, Friendred, Elisa Giardina Papa, Vishal Kumaraswamy and Marie-Eve Levasseur

An online art project exploring empathetic relationships between humans and networked non-humans developed by students from the MA Curating Contemporary Art Programme Graduate Projects 2020, Royal College of Art, London, in partnership with Furtherfield.

June – October

Empathy Loading is a transdisciplinary online art project inquiring into affective relationships between humans and non-humans. These emotional connections are the objects of speculation in the works of Friendred, Elisa Giardina Papa, Vishal Kumaraswamy and Marie-Eve Levasseur, who each submitted a creative ‘proposition’ in response to these themes. The artworks reflect upon the interweaving of the synthetic and organic worlds, and the emergence of new forms of caretaking and caregiving. 

One submission, by Vishal Kumaraswamy, was chosen to be developed further into the project’s main online commission. Speculating on the potential of alternative systems of care for and with technology, all artists’ responses, exhibited on the Empathy Loading website, invite consideration of meaningful interactions between humans and machines by developing new forms of intimacy. 

Launching on 15 June, the website will feature artist interviews, a curatorial statement, a newly commissioned creative text by poet and programmer Allison Parrish and host a live public programme.

Join us online for the events accompanying Empathy Loading: 

• 15 June Project Launch of Empathy Loading
• 16 June 12:00 – 1:00 pm: Artist in Conversation: Vishal Kumaraswamy and Zarina Muhammad (The White Pube) | Event page
• 18 – 21 June: Speculative Listening by Amina Abbas-Nazari | Event page

Follow Empathy Loading on Instagram, Twitter and Facebook for all updates.

Future Fictions of Finsbury Park, Stephen Oram, Mud Howard, Studio Hyte and YOU?

Delivering augmented reality stories about the Future of Finsbury Park through your door

September 2020-March 2021

Future Fictions of Finsbury Park is an augmented reality sci-fi zine set in Finsbury Park. In these dystopian times we are gathering alternative stories about the future, representing a range of diverse viewpoints, and presenting them in a futuristic format that will be delivered direct to the doors of the local residents.

The zine arrives in the post as an alien-looking booklet which needs to be scanned with a smartphone to reveal a set of stories about Finsbury Parks of the future. The augmented stories will only appear through the app, occupying their own dimension by hovering and moving above the page.  

Future Fictions of Finsbury Park AR produced by Furtherfield and Studio Hyte with funding from Arts Council England and Haringey Council.

News From Where We Are 

A cultural discussion podcast grounded in news from where we are

April, May and from November

We may be confined to our homes by the Coronavirus emergency but we still have access to thriving networked cultures from around the world.  ‘News From Where We Are’ is hosted by Furtherfield’s Marc Garrett, a conversation with many voices from the ground. The podcast explores how the collaborative-imaginative fieldwork of artists, techies and activists is informing how we organise, imagine and build solidarity, good health and post-capitalist realities. Working together and supporting others to do the same. Each podcast includes your news from where you are, interviews, reviews, readings and announcements, to explore how people want to live in our globally-connected world now.

Listen to two full programmes that document the early stages of the pandemic. When we resume in November please send short audio recordings to marc.garrett@furtherfield.org in the style of local news headlines (up to 90 seconds) including your name, where you are, and your news. Also send your social media handles so that we can share the podcast with you.

Bios

Amina Abbas-Nazari is a London based designer, researcher and artist whose work expands reality through designed interactions, speculative systems and sonic fictions. She graduated from the MA Design Interactions at the Royal College of Art, where she is now a Research Fellow, working on the EPSRC funded Citizen Naturewatch project. She is also embarking on a Techne NPIF funded PhD studentship in the subject areas of Artificial Intelligence and Voice, in partnership with IBM. She is a member of MUSARC choir, a research and event platform based at London Metropolitan University, exploring the relationship between architecture and sound. Her projects re-compose or re-arrange reality as a way to understand how the world is constructed and then use speculation, storytelling and designed media to describe alternate arrangements of society and ways of life via technology, geopolitics, semiotics, economics and belief systems. 

https://www.aminanazari.com/

Friendred is an installation and computational artist currently based in London. He is a PhD candidate at Goldsmiths, University of London, researching the intertwined relationship between technology and performance arts in the field of HCI. Since 2015, Friendred has been focused on disciplines crossing arts, technology and sciences. His recent work combines movement and algorithmic machines to explore sensory apparatus and interactive systems and their relationship to embodiment, technologised performance and the architectural body. His work has been published on several design and technology platforms including DesignBoom and CreativeApplications. He has won several prestigious awards including the Shanghai Da Shi Award and the Bronze prize in the third Cultural and Creative Design Competition. His work has been exhibited at Tate Britain and The Design Museum.   

http://friendred.studio/

Elisa Giardina Papa is an Italian artist whose work investigates gender, sexuality, and labor in relation to neoliberal capitalism and the borders of the Global South. Her work has been exhibited and screened at MoMA (New York), Whitney Museum [Sunrise/Sunset Commission], Seoul Mediacity Biennale 2018, Unofficial Internet Pavilion of 54th Venice Biennial, XVI Quadriennale di Roma, rhizome.org  [Download Commission], The Flaherty NYC, Institute for Contemporary Art, Milano (ICA MILANO), among others. Giardina Papa received an MFA from RISD, and a BA from Politecnico of Milan, and she is currently pursuing a Ph.D. in film and media studies at the University of California Berkeley. She lives and works in New York and Sant’Ignazio (Sicily).

http://www.elisagiardinapapa.org/

Mud Howard (they/them) is a gender non-conforming poet, performer and activist from the states. mud creates work that explores the intimacy and isolation between queer and trans bodies. mud is a Pushcart Prize nominee. they are currently working on their first full-length novel: a queer and trans memoir full of lies and magic. they were the first annual youth writing fellow for Transfaith in the summer of 2017. their poem “clearing” was selected by Eduardo C. Corral for Sundress Publication’s the Best of the Net 2017. mud is a graduate of the low-res MFA Poetry Program at the IPRC in Portland, OR and holds a Masters in Creative Writing from the University of Westminster. you can find their work in THEM, The Lifted Brow, Foglifter, and Cleaver Magazine. they spend a lot of time scheming both how to survive and not perpetuate toxic masculinity. they love to lip sync, show up to the dance party early and paint their mustache turquoise and gold.

www.mudhoward.com

Vishal Kumaraswamy is a new media artist and filmmaker currently based in Bangalore, India. He has an MA in Photography from Central Saint Martins College of Art and Design, London. Vishal’s work has been presented at the Venice Biennale’s Research Pavilion, Galeria-de Arte-Mexicano, Athens Digital Arts Festival, Birmingham Art Summit, Apex Art’s Savdhaan – Regimes of Truth and will shortly be exhibiting at The Center for Curatorial Studies, Bard College. He is  Programme Director at Walkin Studios, an independent multidisciplinary art studio and project space and founder of the international artist collective, Now You Have Authority, a collaborative practice through which he has curated exhibitions, residencies, and delivered workshops as part of Tate Modern’s Tate Exchange Programme, Tanzfest Aarau and The Sluice Biennial. Vishal is currently an artist-in-residence with Contemporary Calgary’s In-Collider Program and is presenting work online for www.the-lack-of.com as part of The Wrong Biennale.

https://www.vishalkswamy.com

Marie-Eve Levasseur lives and works in Leipzig, Germany. She completed a bachelor in Visual and Media Arts at the Université du Québec à Montréal, Canada and obtained her master and postmaster diploma at the Academy of Visual Arts of Leipzig. Using diverse forms and techniques like video, installation, sculpture and 3D animation, she questions the proximity of technological and organic surfaces in a posthuman context as well as our perception of device-mediated content. Inspired by thinkers such as Donna Haraway and Rosi Braidotti, her projects use speculative fabulation; imagined situations with fictive devices to open a space to reflect upon the way we get along in the system we live in. Her works have been shown in many group exhibitions in Montreal, Berlin, London, Paris, Hong Kong and Zurich. In 2020, she receives a research and creation grant from the KdFS (Kulturstiftung des Freistaates Sachsen), Germany.

http://marieevelevasseur.com/

Zarina Muhammad is an art critic @ the white pube (thewhitepube.com // @thewhitepube) where she writes about exhibitions, how art makes her feel, and how institutions operate. cancer sun/aries moon/sagittarius ascendant. ‘intellectual charlatan’, ‘sociopathic pseudo-critic’, leading proponent of ‘The Philosophy of the Warm Tummy’ & cowboy in the art world.

https://www.zarinamuhammad.co.uk/

Stephen Oram writes thought provoking stories that mix science fiction with social comment, mainly in a recognisable near-future. He is one of the writers for SciFutures and, as 2016 Author in Residence at Virtual Futures – described by the Guardian as “the Glastonbury of cyberculture” – he was one of the masterminds behind the new Near-Future Fiction series and continues to be a lead curator. Oram is a member of the Clockhouse London Writers and a member of the Alliance of Independent Authors. He has two published novels: Fluence and Quantum Confessions, and a collection of sci-fi shorts, Eating Robots and Other Stories. As the Author in Residence for Virtual Futures Salons he wrote stories on the new and exciting worlds of neurostimulation, bionic prosthetics and bio-art. These Salons bring together artists, philosophers, cultural theorists, technologists and fiction writers to consider the future of humanity and technology. Recently, his focus has been on collaborating with experts to understand the work that’s going on in neuroscience, artificial intelligence and deep machine learning. From this Oram writes short pieces of near-future science fiction as thought experiments and use them as a starting point for discussion between himself, scientists and the public. Oram is always interested in creating and contributing to debate about potential futures.

www.stephenoram.net

Allison Parrish is a computer programmer, poet, educator and game designer whose teaching and practice address the unusual phenomena that blossom when language and computers meet, with a focus on artificial intelligence and computational creativity. She is an Assistant Arts Professor at NYU’s Interactive Telecommunications Program, where she earned her master’s degree in 2008. Named “Best Maker of Poetry Bots” by the Village Voice in 2016, Allison’s computer-generated poetry has recently been published in Ninth Letter and Vetch. Her first full-length book of computer-generated poetry, “Articulations,” was published by Counterpath in 2018.

https://www.decontextualize.com/

Nye Thompson is an artist turned software designer turned artist. She creates data-gathering software systems to explore new technology paradigms, and has a particular interest in the machinic gaze and its underlying power dynamics. She has exhibited internationally including Tate Modern, The Barbican, The V&A, ZKM Karlsruhe, Ars Electronica and The Lowry. Her first solo show Backdoored.io – described by C4 News as “too shocking to broadcast” – became global clickbait and triggered an international government complaint. Her work has been featured on BBC, C4, CNN, the Guardian and Wired, and she was a guest presenter on BBC Radio 4’s ‘The Art of Now: Surveillance’. She has been called “the new Big Brother” (Vogue) and “a contemporary Jacques Cousteau” (Bob & Roberta Smith). She has received several Arts Council England and British Council awards. She was a Lumen Prize finalist in 2018 & 2019, and shortlisted for the 2019 Rapoport Award for Women in Art and Technology. Her work was recently acquired for the V&A Museum’s permanent collection.

http://www.nyethompson.co.uk

Cassie Thornton is an artist and activist who makes a “safe space” for the unknown, for disobedience and for unanticipated collectivity. She uses social practices including institutional critique, insurgent architecture, and “healing modalities” like hypnosis and yoga to find soft spots in the hard surfaces of capitalist life. Cassie has invented a grassroots alternative credit reporting service for the survivors of gentrification, has hypnotized hedge fund managers, has finger-painted with the grime found inside banks, has donated cursed paintings to profiteering bankers, and has taught feminist economics to yogis (and vice versa). She has worked in close collaboration with freelance curators and producers including Taraneh Fazeli, Magdalena Jadwiga Härtelova, Dani Admiss, Amanda Nudelman, Misha Rabinovich, Caitlin Foley and Laurel Ptak. Her projects, invited and uninvited, have appeared at (or in collaboration with) Transmediale Festival for Media Arts, San Francisco MoMA, West Den Haag, Moneylab, Swissnex San Francisco, Pro Arts Gallery & Commons, Dream Farm Commons, Furtherfield, Gallery 400, Strike Debt Bay Area, Red Bull Detroit, Elizabeth Foundation for the Arts, Flux Factory, Bemis Center for the Arts, Berliner Gazette and more. Feministeconomicsdepartment.com

Studio Hyte is a London based multidisciplinary design studio who place research and concept above medium. Working between graphic design, interaction and emergent forms of visual communication, we aim to create meaningful and thought provoking work. Formed of a small group of individual practitioners, Studio Hyte is the middle ground where all of our interests and practices meet. As such our collective practice and research covers a broad spectrum of topics including; language, inclusion & accessibility, egalitarian politics & alternative protest and technology & the human. With an emphasis on process, we often create critical narratives through our work in order to conceptualise through making. Collectively, our visual practice is a means through which we can plot out a conceptual landscape in order to understand and explore real-world scenarios. Studio Hyte works on self-directed research projects, commissions and client-led projects for a small pool of like minded organisations and individuals.

http://studiohyte.com

UBERMORGEN is an artist duo founded 1995 in Vienna by lizvlx & Hans Bernhard. Part of the Net.Art avant-garde of the 1990s and 2000s digital actionism & concept art, UBERMORGEN celebrate a radical-subversive approach to data & matter. UBERMORGEN own 175 websites/domains and they have been featured in 3000+ news reports & reviews. CNN called them ‘Maverick Austrian Business People’, NY Times called them ‘simply brilliant’. UBERMORGEN was featured at Centre Pompidou, MoMA/PS1, Sydney Biennale, MACBA Barcelona, New Museum New York, SFMoma, ICC Tokyo, Gwangju Biennale, Serpentine Galleries, Whitney Museum. Main influences: Rammstein, Samantha Fox, XXXTentacion and Pixibücher, Olanzapine & LSD, Kentucky Fried Chicken’s Coconut Shrimp Deluxe & Viennese Actionism. UBERMORGEN talk at international conferences, museums and symposia and they hold the professorship for Networks at the Academy of Media Arts in Cologne.

http://ubermorgen.com/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Open Calls, Festivals and Conferences

News From Where We Are: The Furtherfield Podcast | First broadcast Friday 10th April 2020 | We may be confined to our homes by the Coronavirus emergency but we still have access to thriving networked cultures from around the world.  ‘News From Where We Are’ is the Furtherfield podcast hosted by co-founder and co-artistic director Marc Garrett, a conversation with many voices from the ground | Coming soon in April | Join us and send 90-second audio updates | Interviews with Cassie Thornton, Cade Diem & Joseph DeLappe. Contributions from Jaya Klara Brekke, Régine DeBatty, Jeremy Height, and more. More info at https://buff.ly/33C3kYG | Every 2nd Friday, on Soundcloud – https://soundcloud.com/furtherfield

Upcoming: Art & Animals in the Age of AI and Bio-Engineering | Next month, Regine DeBatty will be giving online classes on the theme of Art & Animals in the Age of AI and Bio-Engineering with the School of Machines, Making & Make-Believe | How do artists, designers and activists use artificial intelligence, virtual reality, robotics, synthetic biology, the blockchain or gaming to probe and communicate techno-scientific developments? To investigate the shifting paradigms of the living, thinking world? To make us accept that time has come to co-evolve in a more sympathetic and mutually beneficial way with other living entities, whether “natural”, lab-grown or hybrid? | Mon, Apr 6, 2020, 7:00 PM – Mon, May 4, 2020, 9:00 PM CEST – https://tinyurl.com/w9y6d2v

Distant Movement(s) | A series of performances experimenting with online togetherness and the possibility to experience dance in front of a screen, while we close our eyes. Exploring, being attentive and dancing together are the key concepts of this artistic experience. The project originated in 2018 from a combination of two different approaches, both anchored in exploring bodily sensation. Daniel Pinheiro and Annie Abrahams are interested in the limits and possibilities of online collaboration and communication and use telematic performance as a tool to understand more about it – https://distantmovements.tumblr.com/dm

Peoples Bank of Govanhill | Join us for remote exchange and collective imagining | Drawing Workshop | Monday 13th April 3pm | Join artists Raman Mundair and Ailie Rutherford to collectively imagine a post-capitalist future DRAWING WORKSHOP | This moment of global crisis and the Covid pandemic is likely to transform capitalism as we know it. While this is a difficult time for all of us, times of crisis can also open up space for new possibilities to emerge. It is in these times that large collective shifts in consciousness are possible and major shifts in political and economic structures can happen. We are already seeing lower pollution levels, reduced consumption and new mutual care networks. What else do we imagine happening that didn’t seem possibly before? https://tinyurl.com/wzua7vu

OPEN CALL FOR ART! In response to COVID-19 | Amplifier is launching an emergency open call for artwork around the themes of Public Health & Safety or Mental Health & Well-being. Throughout the month of April, 30 artists will be selected to receive $1k awards, starting next week! I’ll be one of the guest curators for this project, alongside Nancy Spector and Hank Willis Thomas. You can submit and vote on artwork here: bit.ly/globalopencall. These symbols will stand long after the virus is gone as a testament to our resilience, join Amplifier in this historic moment by submitting! – https://tinyurl.com/yx3v3nmb

Michael Szpakowski | Visit his latest phtographs on Flicker. An artist, composer & writer. His music has been performed all over the UK, in Russia & the USA. He has exhibited work in galleries in the UK, mainland Europe & the USA. His short films have been shown throughout the world. He is a joint editor of the online video resource DVblog – https://www.flickr.com/photos/szpako/

#Covid Creatives Toolkit: Mutual aid for digital spaces | Set up by Kat Braybrooke | A set of carefully-curated mutual aid resources, ideas and pathways for creative practitioners (including artists, makers, curators, designers, hackers, educators, facilitators, etc) who find themselves needing to migrate their practice onto digital spaces and places. The kit’s 7 sections are intended to support different aspects of this journey, from digital gathering to digital well-being – https://tinyurl.com/reakdoz

Books, Papers & Publications

Digitize and Punish: Racial Criminalization in the Digital Age | Brian Jefferson | Brian Jefferson explores the history of digital computing and criminal justice, revealing how big tech, computer scientists, university researchers, and state actors have digitized carceral governance over the past forty years. He shows how digital technology has expanded the wars on crime and drugs, enabling our current state of mass incarceration and further entrenching the nation’s racialized policing and punishment. Brian Jefferson is associate professor of geography and geographic information science at the University of Illinois Urbana–Champaign | University of Minnesota Press – https://tinyurl.com/ugkj2dq

Museums Inside Out: Artist Collaborations and New Exhibition Ecologies | Mark W. Rectanus | Rectanus investigates how museums are blurring the boundaries between their gallery walls and public spaces. He examines how artists are challenging and changing museums, taking readers deep into new experiments in exhibition making while also offering insights about how museums currently exemplify the fusion of the creative and digital economies. Museums Inside Out introduces a new vocabulary to understand the place of artists in redefining and contesting the museum in the context of globalization and the creative economy | University of Minnesota Press – https://tinyurl.com/tbwmgmq

Embodied Computing: Wearables, Implantables, Embeddables, Ingestibles | Edited by Isabel Pedersen and Andrew Iliadis | Practitioners and scholars explore ethical, social, and conceptual issues arising in relation to such devices as fitness monitors, neural implants, and a toe-controlled computer mouse. The contributors examine technologies that range from fitness monitors to neural implants to a toe-controlled mouse. They discuss topics that include the policy implications of ingestibles; the invasive potential of body area networks, which transmit data from bodily devices to the internet; cyborg experiments, linking a human brain directly to a computer; the evolution of the ankle monitor and other intrusive electronic monitoring devices; fashion tech, which offers users an aura of “cool” in exchange for their data; and the “final frontier” of techno-supremacism: technologies that seek to read our minds | MIT Press – https://tinyurl.com/s6bjrt6

The filth and the fury: punk graphics – in pictures | Guardian | Andrew Krivine has been collecting punk memorabilia since 1977. His book Too Fast to Live Too Young to Die contains over 650 posters, flyers, record sleeves and adverts, charting a DIY ethos that changed graphic design for ever | The book is published on 2 April by Pavilion Books – https://tinyurl.com/ut4aqn4

Articles, Interviews, Blogs, Presentations, videos

Is Accelerationism a Gateway Aesthetic to Fascism? On the Rise of Taboo in Contemporary Art | By Dorian Batycka | What does cancel culture have to do with the rise of techno-futurism and accelerationist ideas in contemporary art? Art critic Dorian Batycka analyzes the recent uptick in accelerationist inspired artworks, examining their manifestation in exhibitions such as the 6th Athens Biennale and the 9th Berlin Biennale, asking to what extent ideas inspired by the accelerationist philosopher Nick Land, have led to proto-fascist ideas percolating within the realm of contemporary art. Download PDF – https://tinyurl.com/rxusqrk

Tales of a DisCO, Straight from the Dancefloor | By Timothy McKeon and Sara Escribano | Guerilla Translation | DisCOs are a commons-oriented, feminist, cooperative way for people to work together. A set of ideals and criteria for ensuring that patterns of oppression and violence that permeate our society are not replicated within intentional, cooperative spaces. DisCOs systematize fairness and the recognition of care work. They help to keep projects geared towards the common good, towards the Commons. DisCOs are essentially a system, but systems are best understood when implemented and that’s where Guerrilla Translation comes in. Our small translation collective is the first DisCO—the pilot project – https://t.co/foEgIV4C2I?amp=1

Excursion to an Alien World | Living with Plan B | Blog post by Aileen Deirig disussing life since living in a commune in Spain | “Calafou has been described as giving the impression of a post-apocalyptic scene, and post-capitalist is one of the self-descriptions. As I have been living in Calafou since the end of last August, this has become so normal that it can feel quite jarring to go to other places and find that they are still pre-apocalyptic and apparently haven’t got the memo yet that capitalism is dying. When I stepped out of a train last Monday evening and found myself in the midst of a brightly illuminated shopping mall, I felt I had landed uncomfortably on the wrong planet.” Read on – https://tinyurl.com/wxzozao

Mutual aid for those who have lost work | Pirate Care Network | pirate.care.syllabus  ▒▒▒ 🐙 | Outlined forms of mutual aid to help those who are precarious and currently have no source of income, those who are being laid off, and in general those who have not enough money. It includes propositions where to start if you want to mutualise money, resources and labour — a solidarity fund, a common wallet, shared purchases, a library of things, common.coin, time bank and labour related legal and union support. All this assumes strikes at the point of production, circulation and care work, rent strikes, and demands for a universal sick pay and a quarantine universal basic income – https://tinyurl.com/vgehfbm

Ann Pettifor on Coronavirus Capitalism | Interview with author and campaigner Ann Pettifor, getting her take on the economic consequences of Coronavirus. I specifically ask Ann about the prospects of a debt write down, and whether we may be able to achieve lasting change from the embers of this crisis to capitalism. Hope & Action’s new Vodcasts, explore the need for urgent economic change. Join filmmakers Dan Edelstyn & Hilary Powell as they debate ideas of how to attack the financial crisis with leading thinkers | Youtube – https://tinyurl.com/roctuw4

Ideas to resist | CCCB Lab | Some inspiration to lift our mood during the days of confinement we’re experiencing in certain parts of the world. A couple of weeks before confinement started we asked some of our collaborators to send us inspiring texts to offset the wave of bad news about the current state of the world. We wanted to publish a plural post to inspire hope and optimism, with essential questions, bright ideas and simple solutions. This is the result, in the midst of the global pandemic with consequences and lessons that will define the near future | Víctor Recort Berta Gómez Santo Tomás Albert Lloreta João França Joana Moll Tania Adam Lucas Ramada Prieto Toni Navarro Míriam Hatibi – http://lab.cccb.org/en/ideas-to-resist/

This Is Not the Apocalypse You Were Looking For | Laurie Penny | Pop culture has been inundated with catastrophe porn for decades. None of it has prepared us for our new reality. For years, angry young idiots have fantasised about a shit-hits-the-fan collapse of civilisation scenario, where men would be real men again, and women would be grateful. But in this crisis, our heroes are not soldiers -they are healers and carers | Wired – https://tinyurl.com/uoswgws

Socialism in a time of pandemics | International Socialism | Joseph Choonara’s analysis of the Covid-19 crisis looks at the history of epidemics, the origins of the coronavirus in capitalist development and agriculture, what the outbreak means for the world economy and how the left can respond. “Above all, a pandemic on this scale intensifies the pre-existing fault lines of capitalism. At the most basic level it poses a choice: defend profits or save lives. The indications, thus far, are that the former has been the overriding priority for those presiding over the system. This article explores how pandemics enmesh with the logic of capital and offers some potential responses from the left | https://tinyurl.com/r6owqay

The Political Possibility of Sound. Interview with Salomé Voegelin  | By Leandro Pisano | Digicult | What are the political potentials of listening? How does sound define the crossing of the territories of contemporaneity, of the differences in race, gender, social belonging? How can we, in the invisible depth of sound, define our belonging to the contemporary world, taking an active position in issues that concern ethics, subjectivity, the principles of collective and individual living? After attempting to define a series of possible philosophical and post-phenomenological approaches to sound art in the previous two books – Listening to Noise and Silence: Towards a Philosophy of Sound Art (Continuum, 2010), and Sonic Possible Worlds: Hearing the Continuum of Sound (Bloomsbury, 2014) – the Swiss writer and artist Salomé Voegelin continues her analysis on listening practices, in a new book entitled The Political Possibility of Sound: Fragments of Listening (Bloomsbury) whose themes juxtapose and which reflects on the encounter between political processes and the sounds we are constantly immersed in – https://tinyurl.com/t9xzszo

Pandemic Inequalities, Pandemic Demands | By weareplanc |  We need to recognise that ‘staying at home’ doesn’t mean the same thing to everyone. For some, homes are a sanctuary. For others, the home is another place of work, where cooking, cleaning and childcare take up the majority of their time and energy. There are many for whom the home is a place of danger, with time outside, if possible, being a respite from abuse. For people with mental or physical illness, for the elderly and disabled, the isolation they may face through being confined to the home can be deeply unhealthy, at times terrifying. Some people don’t have homes at all; being shunted from one sofa to another, sleeping in night shelters or out on the streets are dangerous “options” during this pandemic for those that have few already – https://bit.ly/2wJnynq

Is This a Dress Rehearsal? | Bruno Latour | The unforeseen coincidence between a general confinement and the period of Lent is still quite welcome for those who have been asked, out of solidarity, to do nothing and to remain at a distance from the battle front. This obligatory fast, this secular and republican Ramadan can be a good opportunity for them to reflect on what is important and what is derisory. . . . It is as though the intervention of the virus could serve as a dress rehearsal for the next crisis, the one in which the reorientation of living conditions is going to be posed as a challenge to all of us, as will all the details of daily existence that we will have to learn to sort out carefully. I am advancing the hypothesis, as have many others, that the health crisis prepares, induces, incites us to prepare for climate change. This hypothesis still needs to be tested – https://tinyurl.com/s2y9hcp

Image: An assemblage from an excellent collection of photographs taken by Michael Szpakowski. https://www.flickr.com/photos/szpako/

The FurtherList Archives
https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

TransLocal Cooperation Exhibition | 13 March – 19 April | An exhibition of works born of cooperation and knowledge exchange between Turkish, Greek, Serbian and British artists seeking translocal solidarity in a hyper-connected world. As our world has become hyper-connected it has enabled us to simultaneously occupy or travel through numerous physical and virtual locations. A result of this is that we increasingly each identify with more than one place or culture. This social and cultural aspect of globalisation is often described in terms of ‘translocality’, where the events, conditions, and attachments of one location can rapidly influence and connect with another | Furtherfield Gallery | Finsbury Park, London | Opening Event | Thur, 12 Mar, 18:00 – 20:00 | Booking Essential – https://cutt.ly/ntwYrtw

Cassie Thornton presents The Hologram: Collective Health as a “Beautiful Art Work” | A series of talks from the Love Machines season | Artist Cassie Thornton, of the Feminist Economics Department (the FED), will discuss The Hologram, a mythoreal collective peer-to-peer health project currently incubating at Furtherfield Gallery in London. The Hologram, based on the understanding that all our crises are connected and everyone is a little sick, is a viral four-person health monitoring and diagnostic system practiced from couches all over the world. This health distribution system is based on the experimental care models developed in the Social Solidarity Clinics in Greece during the height of the financial and migration crisis. The result is the construction of a robust network of multi-dimensional health, collectively oriented social practices, and trust that can outlive racial capitalism as an act of resistance. Furtherfield Commons, Finsbury Park London, UK | 10 March 2020, Tues 18 March 2020, Weds 13:30 – 17:00 | Booking Required – https://cutt.ly/ntwYddK

Dawn of the Transhuman Era | Tuesday, 17 March 2020 | Transhumanism argues that we should preserve and extend the unique properties that make us human by radically altering ourselves and the environment around us. Recently transhumanist thinking has seen a resurgence thanks to new technological developments that point towards the possibility that many of its promises will be realised. This raises a number of challenging issues that aspiring transhumanists must soon face: from how they will choose to manipulate or upgrade their body; to how they will approach the taboo of death – especially if, in principle, you could live forever | Join transhumanist Prof. Steve Fuller and bioethics researcher Francesca Minerva for FUTURES Podcast LIVE, Hosted by The Truman Brewery, FUTURES Podcast, Schwabe Verlag, Experimental Thought Co, and Luke Robert Mason – Eventbrite – https://bit.ly/2TBEOT0

Deffffffficiency | Solo exhibition by Joana Moll | 18 March 2020 – 04 April 2020 | Panke gallery, Berlin | Joana Moll is a Barcelona/Berlin based artist and researcher. Her work critically explores the way post-capitalist narratives affect the alphabetization of machines, humans and ecosystems. Her main research topics include Internet materiality, surveillance, social profiling and interfaces – https://cutt.ly/ctekvX2

Workshop: Subvertising for the Right to Housing | Hosted by Disruption Network Lab | Thursday, 26 March 2020 | With Steal This Poster (Subvertising Collective IT/UK) and Kunstblock And Beyond (DE) | Subvertising is the combination between subvert and advertising. During this workshop we will work with Steal This Poster (Rome/London), and Kunstblock (Berlin) to learn tactics and techniques of subvertising related to aggressive corporations in the context of housing eviction.Part of the Disruption Network Lab 19th conference: “EVICTED BY GREED: Global finance,  Housing & Resistance” (27-28 March, 2020, Studio 1, Kunstquartier Bethanien). Location: Supermarkt Berlin, Mehringplatz 9, 10969 Berlin – https://pretix.eu/disruptionlab/evicted/

The Festival of Alternative Art Education | Festival of Alternative Art Education, London | Sat 21st March | Fuelled by economic crisis, austerity and the liberalisation of higher education, the landscape of alternative art education features a multitude of diverse organisations that offer free or affordable art education. Bringing together alternative art schools, peer-support groups and collectives in a range of events, performances, discussions, installations, stalls and workshops on education, pedagogy, peer-support, co-operation, self-organisation, labour and precarity. Come along to participate, learn, play and meet representatives from the schools to find out what they do, how to get involved or how to start your own art school – https://bit.ly/3ai94ZF

Zanele Muholi | Tate Modern presents the first major mid-career survey of visual activist Muholi in the UK | 29 April – 18 October 2020 | Born in South Africa, Muholi came to prominence in the early 2000s with photographs that sought to envision black lesbian, gay, bisexual, trans, queer and intersex lives beyond deviance or victimhood. Muholi’s work challenges hetero-patriarchal ideologies and representations, presenting the participants in their photographs as confident and beautiful individuals bravely existing in the face of prejudice, intolerance and, frequently, violence. Muholi’s striking portraits will be on display in their upcoming exhibition at Tate Modern – https://bit.ly/2VEU97B

Books, Open Calls, Papers & Publications

Call Out | Let’s Create An Artist in Every Community (and let’s create it now)… | Stephen Pritchard | This article sets out how we could easily and relatively cheaply employ artists in everyday community and how such a simple, yet radical system would create just the sort of transformative cultural change that is at the heart of Arts Council England’s new 10-year strategy, Let’s Create. Create a working group to develop this idea and hopefully trial it as a participatory action research project somewhere. So get in touch if you’re interested – https://cutt.ly/5twO1Uy

Control Shift | Call out open for artworks, workshops and provocations | Deadline 15th March | An exciting new arts programme coming to Bristol (UK) in June 2020 exploring creative and critical approaches to technology, rooted in embodiment and materiality. Control Shift asks how we can reframe and rethink our relationships with technology. How could we conceive of new possibilities beyond neoliberal versions of computing? What might happen if there was more space for poetic or tactile engagements with the digital? Can we reconsider our connections, responsibilities and embodied entanglements with technology? – https://www.control-shift.network/

Call Out: Piet Zwart Institute Experimental Publishing (XPUB) | A two-year master focussed on the acts of making things public and creating publics in the age of post-digital networks. Calling all AI hiding blockchain comics, adults screaming hyper-binary screensavers, governments designing multi-DIWO architectures, viruses disrupting top-down traditions, hobbyists sending non-industrial software, teachers seeing copyrighted blogs, whistleblowers spamming shared files, celebrities criticizing homemade synthesizers, judges demanding AI carpets, individuals showing inter-anarcho-capitalist corruption, more here – https://www.pzwart.nl/experimental-publishing/

Applications Deadlines: 06.03.2020: NON-EU + EU priority | 24.04.2020: Final EU deadline

The new Neural issue | (co-edited with Nicolas Maigret, Maria Roszkowska) is hot from the press. Subscribe now! Because only subscribers will get a free extra Post-Growth Toolkit by Nicolas Maigret and Maria Roszkowska. You can also subscribe to the magazine Digital Edition accessing all issues since #29. Or you can buy the magazine from the closest of the almost 300 stores stocking it. A back issues pack is available – http://neural.it/issues/neural-64-post-growth/

Mycelium Network Society | An open, living, organic network. Observing the concept of nature’s distributed network in self-expanding mode, we seek your participation as a node, a node that cultivates locally and connects globally. Interlacing mosaics of mycelium infuse habitats with information-sharing membranes. The mycelium stays in constant molecular communication with its environment, devising diverse enzymatic and chemical responses to complex challenges. To become a node join Mycelium Network Society – http://mns.stwst.at/

Open Call: Summer Sessions 2020 | V2_Lab for Unstable Media | The Summer Sessions are short-term international art and technology residencies for emerging artists and designers. A network of cultural organizations all over the world sponsors and hosts the residencies. Every summer we offer early-career artists and designers support so they can take part in production residencies abroad. If selected, you will gain an opportunity to work in a highly productive atmosphere with support, feedback and expert supervision. Each Summer Sessions residency lasts approximately eight weeks and takes place between June and September. During this period you will develop your project from concept to presentable work, ready to show – https://cutt.ly/1twSy99

A Course in: Feminist Art and Exhibitions: History and Challenges | Online Course by Node Center, Berlin | By Anja Foerschner | Duration: Apr 08 – Apr 29, 2020, Enroll before: Apr 4, 2020 | This course will look at how feminist thinking has influenced the arts since the 1960s, both in Western as well as selected non-Western contexts. It will present the foundational feminist theories that furthered the radicalization of female artists and trace their manifestation in the visual arts. Due to its strong political content and often taboo-breaking visuality, feminist art continues to present its own set of challenges to curators and museum professionals. The course will introduce students to the most important exhibitions of feminist art and discuss their strategies, premises, and criticism. In addition, the course will present curatorial practices and exhibition formats that follow feminist premises – https://nodecenter.net/course/feminist-art

A DAO of One’s Own? Feminist strategies for P2P Organisations | White paper by Denise Thwaites | On P2Pmodels | Experiments in building and deploying Decentralized Autonomous Organisations (DAOs) have proliferated, marking a transition (in many cases) from software design and development towards alpha and beta testing stages. From a technical perspective this is a key moment in the evolution of such systems, as communities of users test and provide feedback on the functionality of these products. For those interested in the potential social impact of DAOs, the stakes of this moment are even higher: it is the period where community needs are defined beyond the theoretical user. It provides opportunities to challenge the form and functionality of these decentralized socio-technical infrastructures while they are still relatively plastic. For this reason, we must look closely at the composition of participants at this stage of DAO development, to consider whether their engagement can lay foundations for alternative social configurations, or further entrench existing social biases – https://cutt.ly/PtwYbcL

The Ghost In You by Jeremy Hight | On WTBC Radio | Is your life like a ghost… or is a ghost living in your life? Would either of you know it? In this novel, a teacher comes to grips with the emptiness of her life, while a ghost attempts to do the same. This novel explores the places where many of us live, inside and outside of our heads. Limited to 100 Print copies, with a translucent cover. Get yours today – https://cutt.ly/itri9Xs

Women Warriors: An Unexpected History | By Pamela D. Toler | Who says women don’t go to war? From Vikings and African queens to cross-dressing military doctors and WWII Russian fighter pilots, these are the stories of women for whom battle was not a metaphor. The woman warrior is always cast as an anomaly—Joan of Arc, not GI Jane. But women, it turns out, have always gone to war. In this fascinating and lively world history, Pamela Toler not only introduces us to women who took up arms, she also shows why they did it and what happened when they stepped out of their traditional female roles to take on other identities | Published by Beacon Press – https://cutt.ly/2twwAqO

Articles, Interviews, Presentations, videos

Silvia Federici: The joyful militancy of feminism | By Julius Gavroche | Interview conducted by Victoria Furtado and Mariana Menéndez | While throughout the world the fourth feminist strike is being prepared in hundreds of meetings, activities and assemblies, listening to Silvia Federici is inspiring. In a stop in her travelling about the world, sharing keys of understanding and giving courage, Silvia met with us at her home in New York to discuss current feminist struggles, the popular revolts of recent months, the tensions of feminism with the left and the highlights of her latest book – https://cutt.ly/utwOPn5

B-hind. Celebrating the internet of anal things| Regine Debatty reviews the product launch performance of B-hind: intimate innovation by Dani Ploeger | V2_, the Lab for the Unstable Media in Rotterdam, and In4Art, an organisation dedicated to “art-driven innovation”, challenged artists to select one of the works realised at V2_ over the course of its 40 year old history and to reimagine, reengineer and reenact it today. The first experiment in the series is by Dani Ploeger. The artist and cultural critic decided to revisit Stelarc’s Amplified Body, a performance that took place in 1994 and engaged with the relationship between humans, machines and the surrounding space and ultimately the role and functioning of the body – https://cutt.ly/EtwYJkz

Oceans between Sound | An album from intercultural tele-improvisation internet based music ensemble Ethernet Orchestra. A selection of live improvisations by the internet based music ensemble, Ethernet Orchestra. The album was recorded during located venue performances and online sessions between 2014-2019, featuring musicians from a diverse range of cultures, performing across international time-zones and physical locations in Brazil, the USA, Canada, UK, Germany and Australia. The music was inspired by the ebb and flow of network data as a metaphor for the world’s oceans and waterways separating the members of the ensemble, and their geographically dispersed lives | Published on the Pueblo Nuevo Netlabel – https://cutt.ly/7tebPQ6

For sale: Sponsored Influenza Pandemic Evacuation Rehearsal booklet by Heath Bunting & Kayle Brandon 2005/6 | “A flu pandemic would inevitably take the Cube Microplex and other entertainment venues out of business. We intend to sow the seeds of rebirth by preserving the values and methods embodied within our workers by providing effective advice and procedures for their physical survival. This report is a developmental first step in this DIY health programme.” Price 200.00 eur (plus packaging and postage)

Artist signed booklet from 2005 Pandemic Evacuation Rehearsal. http://duo.irational.org/siper/report/siper_document01.pdf
http://duo.irational.org/siper/

Bus Regulation: The Musical | Ellie Harrison | Video of performance | Inspired by the 1980s hit musical ‘Starlight Express’, the new performance / event re-enacts the history of public transport provision in Greater Manchester from the post-war period to the present day… on roller skates!Staged at Manchester Art Gallery for the closing celebration of the Get Together & Get Things Done exhibition on Saturday 28 September 2019, Bus Regulation: The Musical is produced in collaboration with the Better Buses for Greater Manchester campaign, the Association of British Commuters and local roller skaters – https://www.ellieharrison.com/busregulation/

The Smithsonian Puts 2.8 Million High-Res Images Online and Into the Public Domain | Open Culture | The Smithsonian has released 2.8 million images into the public domain, making them searchable, shareable, and downloadable through the museum’s Open Access platform. This huge release of “high resolution two- and three-dimensional images from across its collections,” notes Smithsonian Magazine, “is just the beginning. Throughout the rest of 2020, the Smithsonian will be rolling out another 200,000 or so images, with more to come as the Institution continues to digitize its collection of 155 million items and counting.” – https://cutt.ly/xtwY9Rm

Let’s Talk about Sex (and Race and Colonialism) | By Layla-Roxanne Hill | As Western societies continue to experience social, environmental and economic crises, our ideas and beliefs on what constitutes work and what kinds of work are valued are ever changing: whether it be the ways care and sexual labour are regarded, the role of exploitation and criminalisation, or imagining what a post-work terrain could look like. Combined with an ever-increasing awareness the impact automation technology like artificial intelligence (AI) and robotics will have on jobs, skills, and wages, the future of work continues to be one of the most debatable topics of 2019 – https://cutt.ly/ltwYNRX

Image: from Panke Gallery, Berlin, for Deffffffficiency. Solo exhibition by Joana Moll. 18 March 2020 – 04 April 2020.

The FurtherList Archives
https://www.furtherfield.org/the-furtherlist-archives/

This is an invitation to participate in focus group research that is also a game

How are attitudes to data transparency and consumer ethics shifting?

We would like to invite you to participate in our research study that takes the form of a game with many characters called Fictional Focus Group. 

If you decide to take part we you will join a role-play game with 10-15 other people. You will get to escape your lock-down reality and play the role of a unique character who faces all the complex challenges of contemporary life.

The event itself will involve group discussion about the tricky choices your characters make as consumers or providers of food, clothing and money services. The game reveals the possible consequences of their actions as their data is reused in unforeseen ways.

The event will last for about 3 hours including 2 hours in the game and two 15 minutes breaks. Due to Covid-19, we are hosting this event online, using Zoom.

There are two sessions available:
29 and 30th June 2020
13.30 – 16.30
(now to be run online due to Covid-19)

For any enquiries, please email info@furtherfield.org

About the project

Findings contribute to a report, Glass Houses: Understanding transparency in information economies 2020.

Glass Houses is a research project that aims to investigate an end-user’s perception, understanding, and expectation of transparency in their engagement with modern information society, and in particular the role technologies, such as distributed ledgers, play in such engagement. It is funded by EPSRC through their Digital Economy Theme. glass-houses.cs.ucl.ac.uk

UCL Glass Houses Research Team: Sarah Meiklejohn is an Associate Professor in Cryptography and Security at University College London (UCL). Kruakae Pothong is a Research Fellow in Distributed Ledgers at University College London (UCL).

Fictional Focus Group is a Furtherfield/DECAL project created by Ruth Catlow with the UCL Glass Houses research team, developed in collaboration with Max Dovey.

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

Data Dating | Exhibition Wednesday 15 January – Sunday 1 March 2020 | What does it mean to love in the Internet age? How are digital interfaces reshaping our personal relationships? What do new technologies imply for the future of the romantic sphere? How do screens affect our sexual intimacy? Are the new means of connection shifting the old paradigms of adult life? The advent of the Internet and smartphones has brought about a split in the romantic lives of millions of people, who now inhabit both the real world and their very own “phone world” | Artists: Addie Wagenknecht & Pablo Garcia, !Mediengruppe Bitnik, Ashley Madison, Angels at Work in London, VR Hug, Tom Galle, Moises Sanabria, John Yuyi, Antoine Schmitt, Olga Fedorova, Adam Basanta, Jeroen Van Loon, Thomas Israel | Watermans Art Centre, London – https://bit.ly/2unO6ZX

Querying the Archive | Hosted by MayDay Rooms | Thursday, 13 February 2020 | London | An on-going series of workshops around our archival platform leftove.rs, which will look at the different ways we can open up this online collection material and the technical processes between it. We want to think through that kind of strategies, queries and categories will help us navigate something that is both an database and resource of radical history. The first session we will be learning about the platform and mapping the collection by pooling our knowledge of radical histories of dissent to help us think about how we search, input and categories this large collection of material. https://leftove.rs

The Habitat of Time | Curated by Julie Louise Bacon | Arts Catalyst | Thu 20 February 2020 – Sat 14 March 2020 | The project focuses on the way that time as a medium shapes our perception of life, the structure of societies, and the vastness of the physical world. The artworks featured in the exhibition propose a rescaling of human time and expose its deep interrelations with the diversity of the more-than-human realm, moving through the geological, technological, biological and cosmic. In the 21st century, the instability of globalisation, the speed of digital technologies, and the transformation of knowledge are generating rapid shifts in time | Featuring: Eva Nolan, Thomson & Craighead, Robert Andrew, Lucy Bleach, James Geurts, Josh Wodak – https://bit.ly/2uo2Sjv

Pre-histories and Futures of Machine Vision | Friday, 28 February 2020 | V&A, London | How do machines see? From autonomous vehicles to deep fakes, machine vision is changing contemporary life. Join curators, artists and scholars to discuss the impact of AI technologies on the past, present and future of art. Explore early moments in the development of computer art and machine vision, from the mid-1960s onwards in the home of the UK’s most important historic computer art collection. Join contemporary artists, designers and curators considering the aesthetic and political implications of contemporary computer vision and machine learning technologies. Speakers include digital scholars Zabet Patterson (Stony Brook) and Joel McKim (Birkbeck), V&A curators Douglas Dodds and Natalie Kane, and contemporary artists Anna Ridler and Alan Warburton | 10.30 – 17.00 | Hochhauser Auditorium, V&A South Kensington – https://bit.ly/371PYVM

QUANTUM: IN SEARCH OF THE INVISIBLE | From March 5 until May 31, 2020 | An international art exhibition exploring the world of quantum physics, through works created by artists resulting from their encounters with researchers at CERN, Geneva | Featuring ten commissioned artworks by internationally renowned artists, which rethink scientific research and facts to explore states of being and the very possibilities of reality. These works question how much we really know about the world around us, and how we may begin to discover new aspects by taking a different perspective | Brussels, Belgium – https://www.imal.org/en

Three Acres And A Cow | Hosted by Three Acres And A Cow and 3 others | ‘Three Acres And A Cow’ connects the Norman Conquest and Peasants’ Revolt with current issues like Brexit, fracking, the housing crisis and food sovereignty movement via the Enclosures, English Civil War, Irish Land League and Industrial Revolution, drawing a compelling narrative through the radical people’s history of England in folk song, stories and poems. Part TED talk, part history lecture, part folk club sing-a-long, part poetry slam, part storytelling session… Come and share in these tales as they have been shared for generations. Featuring Robin Grey and Rachel Rose Reid | 12 March 2020 – http://threeacresandacow.co.uk

Workshop: Subvertising for the right to housing | March 26, 2020 @ SUPERMARKT BERLIN | With Steal This Poster (Subvertising Collective IT/UK) and others. These workshops show us how subvertising offers a creative way to rewrite the narrative about the housing market in the streets where gentrification operates. Outdoor advertising is the most emblematic form of consumerist propaganda. It privatises sections of public spaces with the purpose to conditioning mass behaviours imposing specific narratives. How can we untangle those narrations? And how can we take over those spaces subtracted from the public realm for private interests? | registrations open soon | sign up for the newsletter – https://bit.ly/2OqppD2

EVICTED BY GREED: Global Finance, Housing & Resistance | Uncovering how ghostly shell companies and real estate speculation evict real people from their homes – and what to do about it | Investigations on how how speculative finance drives the global and local housing crisis, and gathers experts & activists from around the world to share and find  counter-strategies | The Conference, March 27-28, 2020, Studio 1, Kunstquartier Bethanien | Disruption Network Lab – https://bit.ly/2S2SEya

Books, Open Calls, Papers & Publications

Open Call – Science Gallery London | Inviting expressions of interest for projects to become part of the forthcoming AI & Ethics season. Whether your application is art, scientific inquiry, or a combination of these, we are looking to work with individuals and groups who are critically exploring ethical issues around the development and implementation of artificial intelligence (AI), particularly (though not exclusively) within the context of healthcare | Open from 31st January 2020 to 23rd February 2020 – https://bit.ly/2Ut377q

Open Call – URgh! zine #1 on Alternative Art Education | DEADLINE Friday, 21 Feb 2020 | Submissions are open for the first issue of URgh! We welcome contributions that explore and document alternative art education within self-organised, DIY, peer-led art schools and collectives, to extend the existing research and amplify the movement. A new zine on precarious labour dreaming up alternative economies at the coalface of the art educational creative industrial complex. The first issue will be launched on Saturday, 21 March 2020 at the Festival of Alternative Art Education 2020 at  Conway Hall. https://videomole.tv/urgh-zine/

Art Meets Radical Openness 2020 – OPEN CALL: Of Whirlpools and Tornadoes | 20th – 23rd of May 2020 | Deadline: Monday 24.02.2020 | AMRO is a biennial community festival in Linz that explores and discusses new challenges between digital culture, art, everyday life, education, politics and activism. The 2020 edition of the AMRO festival is characterized by reflections upon the “centripetal” and “centrifugal” dynamics of acceleration visible in contemporary society and the ways artistic practice, activism and radical thinking can engage with it – http://radical-openness.org/en

Technological Sovereignty: Democratising Technology and Innovation Green Paper | Within DiEM25, by crowdsourcing collective knowledge have identified three key ways to achieve Technological Sovereignty. They try to define the issues, and provide short, medium and long term solutions, based on two processes: Regulation and Renewal. And we need to establish the conditions for social innovation and democratic societal transformation – https://internal.diem25.org/en/vote/205/public

Culture, Technology and the Image: Techniques of Engaging with Visual Culture | Edited by Jeremy Pilcher | Culture, Technology and the Image explores the technologies deployed when images are archived, accessed and distributed. The chapters discuss the ways in which habits and techniques used in learning and communicating knowledge about images are affected by technological developments. The volume discusses a wide range of issues, including access and participation; research, pedagogy and teaching; curation and documentation; circulation and re-use; and conservation and preservation | Intellectbooks – https://bit.ly/2v9CFoF

Hacking Diversity: The Politics of Inclusion in Open Technology Cultures | By Christina Dunbar-Hester | Hacking, as a mode of technical and cultural production, is commonly celebrated for its extraordinary freedoms of creation and circulation. Yet surprisingly few women participate in it: rates of involvement by technologically skilled women are drastically lower in hacking communities than in industry and academia. Hacking Diversity investigates the activists engaged in free and open-source software to understand why, despite their efforts, they fail to achieve the diversity that their ideals support | Prince University Press – https://bit.ly/2SlvCBl

Call for Papers – Media Theory, Media Fiction, and Infrastructures Beyond the Earth | Today, established space agencies are struggling with national funding, and numerous countries are starting ambitious space programs, and private companies and individuals are building innovative space plans and technologies. The current socio-political configuration offers thinkers and practitioners new opportunities by which to intervene in how we envision and inhabit the cosmos. Media Theory, Media Fiction, and Infrastructures Beyond the Earth is a two-day workshop May 7-8, 2020 at University of Toronto, Mississauga that will investigate space exploration and inhabitation from the point of view of media studies | University of Toronto Mississauga, USA – https://bit.ly/383z623

Call for proposals – (Infra)Structures | 4 – 5 June 2020 | Centre for Postdigital Cultures annual conference | Coventry University, UK | Proposals for its 3rd annual conference on infrastructures | This conference takes interest in infrastructures as an invisible system of meaning-making and a mode of structuring people and knowledge, in the institutional contexts and conditions of this structuring, as well as in possible models of intervening in these very structures. By doing so, we hope to interrogate the potential of making infrastructure visible – remarkable – as a means of speaking to power. We are interested in exploring what new ways of understanding, developing, reconfiguring or hacking infrastructures might be possible if we focus on their radical potential – https://bit.ly/31rd1rC

Articles, Interviews, Presentations, videos

Poetry v. the Body Politic: writing a political movement | Excerpts from a dialogue on the relationship between poetry and politics in Iran today, between Poetry International Archives Iran editor Abol Froushan and Ali Abdolrezaei, a major Iranian poet and leader of a grassroots political movement that has been spreading in Iran since the uprising of January 2018, when the multimedia Colleges of Persian Poetry and of Fiction became a political movement. What incubated as a literary movement calling for democracy of the text and literary styles transformed into a movement for democracy and freedom from the Islamic Republic and its political and economic stranglehold on Iranians – https://bit.ly/2Sn6bPJ

Interview with Helen Knowles by Regine Debatty | Trickle Down, A New Vertical Sovereignty | A prison in Liverpool, an Ethereal Summit in New York city, a prestigious Russian art auction at Sotheby’s, a market in North Manchester. These places and the communities that spend time there have little in common. What is more, they sit at opposite ends of the spectrum of financial power. That’s exactly what appealed to Helen Knowles. Helen Knowles is currently exhibiting the result of this long research at Arebyte Gallery in London – https://bit.ly/2S16mkR

Rowland Atkinson reviews Thomas Piketty’s eagerly awaited new book Capital and ideology in the city | “In all nations and at all times societies require some system or series of defences of the disparities that exist within them. Different kinds of societies have achieved this in their own distinctive ways and in fact much of this more than 1,000 page work delves into the long history of such arrangements. Piketty calls these narratives and systems of thinking inequality regimes. There is power at work in the narratives, ideas and legitimising frameworks deployed by elites and which are shared more broadly within society as a whole.” https://bit.ly/2UtAE1j

OBIETTIVO BOLOGNA REPORTAGE BY ARIANNA FORTE | The itinerant tour of the project DATAPOIESIS runs into Bologna, historically one of the most active and aware Italian cities in urban policies. Datapoiesis in the city, took place from the 24 to 26 of January 2020, coordinated by Singlossa with local partner MaisonVentidue. Obiettivo, was the first datapoietic artwork, and trigger for reflecting on a new kind of processes capable of bringing awareness and social activation using public data in a conscious way and to face complex global phenomena such as poverty from different points of view – https://datapoiesis.com/home/?p=2348

Image from: Data Dating, Exhibition. Wednesday 15 January – Sunday 1 March 2020 at Watermans Art Centre, London.

The FurtherList Archives
https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

Panel Discussion: My Mind, Your Weapon | Hosted by arebyte | Sat 11 Jan 2020 | Join artist Sarah Selby in a discussion around the impact of behavioural targeting on democracy, diversity and autonomy with panelists: Ves Popov, Laurie Love, Kadine James and Rod Dickenson. The panel will focus on fostering curiosity, facilitating discussion and provoking critical thinking around often inaccessible issues surrounding the processes and applications of big data – particularly with regards to data bias, the Internet of Things and Smart Cities – https://bit.ly/2tlGoyU

WILDBIYOO 2020 Artist Residency in the jungle, Goa, India | The tribe goa | 13 Jan 2020 – 2 Feb 2020 | Wildbiyoo is dedicating January 2020 to the arts to summon the world’s most progressive thinkers and creatives to join us in reckoning with the greatest existential crisis of our times. The mission of the month is to investigate how creatives can facilitate new dialogue, inspire social and political transformations and reimagine our relationship to nature in response to climate breakdown | More details on FB – https://bit.ly/2Qh4pA1

Afterall Journal Reading Group: Disobedient Video | Hosted by Arts Catalyst and Afterall | Wednesday, 22 January 2020 | Arts Catalyst hosts the second session in a new series of collaborative reading groups presented by Afterall, for which curator Lauren Houlton will lead a discussion of Afterall Journal article ‘Disobedient Video in France in the 1970s: Video Production by Women’s Collectives’. To mark each new issue of the journal, Afterall is inviting a UK-based reading group to identify a text from the current issue and pair it with external readings and films | FB link – http://tiny.cc/s3ghhz

Trickle Down, A New Vertical Sovereignty – Helen Knowles | Hosted by arebyte and FutureEverything | Thurs 23 Jan 2020, 18:00-21:00 | New Vertical Sovereignty, a new body of work by UK based artist Helen Knowles, is a tokenised four-screen video installation and generative soundscape attached to the blockchain, which explores value systems and wealth disparity. The artwork is composed of auction scenes, performances and choral interludes by different communities such as prisoners, blockchain technology employees, market sellers, and Sotheby’s auction bidders, looking to re-imagine our vertically stacked digital ecosystem to horizontally distribute wealth – https://bit.ly/2F7ThPt

Sonic Electronics with Fixateur Externe/Bubble People/Onin | Hosted by Laura Netz | Sat 25 Jan 2020 | Sonic Electronics is an experimental event | We propose an anti-techno-capitalist approach to music genres like ambient, drone, techno, experimental, electronics, acousmatic, live coding, noise, vaporwave, glitch, dark, new wave, postpunk,….. | Artists: Fixateur Externe  / Bubble People (Per Jas) / Onin (James L Malone and Joe Wright) / Medial Ages (Laura Netz) | FB link – http://tiny.cc/n8ghhz

Soft Power 04: an exhibition in a spreadsheet | Hosted by Micheál O’Connell, Andrea Slater and Daniella Norton | Fri 31 Jan 2020, 18:30-23:59 | A fourth exhibition by the Soft Power people, this time in a spreadsheet. Look at it at home, or on your device, or wherever. Drink some wine and chat to friends about what you witness. The link will be supplied with those ‘GOING’ on the date (Thursday 31st October) at 7pm. “We will be limiting numbers Going to this (file) Opening event to a maximum of 60.” For updates sign up to Mocksim’s mailing list http://www.mocksim.org/contact.htm

Queer techno rave INFERNO take over the ICA’s Theatre, Bar and Cinema with an all-night programme of music, queer porn and performance art. Brought to you by performance artist and DJ Lewis G. Burton and producer and musician Sebastian Bartz under their DJ alter-ego Venice Calypso, INFERNO marries the camp with the underground, pop with techno, and the very good with the very bad | Fri, 31 Jan 2020 – https://bit.ly/2S0ntDT

Copy That? Surplus Data in an Age of Repetitive Duplication | Private view of the 2020 art exhibition from the Open Data Institute (ODI), Copy That? Surplus Data in an Age of Repetitive Duplication. The exhibition will be unveiled in the company’s Shoreditch offices on Tuesday 4 February 2020. Artists are Mr Gee, Alistair Gentry and Ben Neale, Edie Jo Murray & Harmeet Chagger-Khan

The evening kicks off with an in-conversation to celebrate the publication of Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement, edited by Victoria Bradbury and Suzy O’Hara, which features a chapter on Data as Culture. The panel will be facilitated by Dr. Suzy O’ Hara. Participants are: Hannah Redler-Hawes (ODI), Marc Garett (Furtherfield), Inini Papadimitriou (FutureEverything) – https://bit.ly/39xkk4C

Books, Open Calls, Papers & Publications

Beyond Hashtags: Racial Politics and Black Digital Networks | Critical Cultural Communication | By Sarah Florini | Beyond Hashtags explores these everyday practices and their relationship to larger social issues through an in-depth analysis of a trans-platform network of black American digital and social media users and content creators. In the crucial years leading up to the emergence of the Movement for Black Lives, black Americans used digital networks not only to cope with day-to-day experiences of racism, but also as an incubator for the debates that have since exploded onto the national stage. Published by: NYU Press – https://bit.ly/2r1Bt5l

Networked Content Analysis: The Case of Climate Change | By Sabine Niederer | With a foreword by Klaus Krippendorff | Climate change is one of the key societal challenges of our times, and its debate takes place across scientific disciplines and into the public realm, traversing platforms, sources, and fields of study. The analysis of such mediated debates has a strong tradition, which started in communication science and has since then been applied across a wide range of academic disciplines | Published by the Institute of Network Cultures, Amsterdam, 2019 – https://bit.ly/2SIZyZT

“V[R]erses”: An XR Story Series | A V[R]erse is a microstory. Each story consists of a storybox that can be experienced in 3D via a WebVR enabled mobile device, desktop PC and in Virtual Reality. Each V[R]erse is created by different digital literature authors [text] and Mez Breeze [development + design, model + concept creation, audio]. Designed and Developed by Mez Breeze Design, Supported by Mezangelle. Includes authors/artists: Annie Abrahams,  Davin Heckman, Jeremy Hight, Mark Marino, Scott Rettberg | Online – https://bit.ly/343fFDH

The Memory Police (Fiction) | By Yolo Ogawa | “An elegantly spare dystopian fable . . . Reading The Memory Police is like sinking into a snowdrift: lulling yet suspenseful, it tingles with dread and incipient numbness . . . Ogawa’s ruminant style captures the alienation of being alive as the world’s ecosystems, ice sheets, languages, animal species and possible futures vanish more quickly than any one mind can apprehend.” The New York Times Book Review | Penguin Random House USA – https://bit.ly/35k16wp

Museums Inside Out: Artist Collaborations and New Exhibition Ecologies | By Mark W. Rectanus |  An ambitious study of what it means to be a museum in the twenty-first century | In Museums Inside Out, investigates how museums are blurring the boundaries between their gallery walls and public spaces. He examines how artists are challenging and changing museums, taking readers deep into new experiments in exhibition making while also offering insights about how museums currently exemplify the fusion of the creative and digital economies. Expected publication: February 1st 2020 by University of Minnesota Press – https://bit.ly/2QdrEee

The Red Years: Forbidden Poems from Inside North Korea | Bandi | Translated by Heinz Insu Fenkl | Authored by one of North Korea’s most acclaimed dissident writers, this is the first collection of Bandi’s poetry to be published in English | Though North Korea holds the attention of the world, it is still rare for us to hear North Korean voices, beyond those few who have escaped. Known only by his pen name, the poet and author ‘Bandi’ stands as one of the most distinctive and original dissident writers to emerge from the country | Zed Books – https://bit.ly/2SNr88i

Liberal Arts Perspectives on Globalism and Transnationalism | Unabridged, 1 Jan 2020 | By Hyun Wu Lee, ‎Mark van de Logt  | As international trade and economic activities expand, online technologies spread, and restless populations shift across national boundaries, reactionary movements have sprung up around the globe. These reactionary forces, which include nationalism and populism, have exposed many blind-spots of ongoing globalization projects. To understand the frictions between transnational enterprises and local resistance more fully, as well as analyze the human cost of immigration and the threats posed by online technologies, scholars from around the world gathered in Doha, Qatar, for the Sixth Annual Liberal Arts International Conference (2018) |  Cambridge Scholars Publishing – https://bit.ly/368xdjH

Articles, Interviews, Presentations, videos

BEYOND THE “BLOKECHAIN”: THE CRYPTOFEMINIST AGENDA | Video | This session aims to open your mind. Andy Morales Coto tickles your imaginative bones by offering visual prompts to help us redesign the world’s economic future. Ruth Catlow explores the spaces of convergence between the Commons and P2P movements along with the world of cooperatives and the Social and Solidarity Economy. Denise Thwaites offers a feminist analysis of DAO cultures and the emergent affective economies they instate. And Ailie Rutherford shows how feminist economics can be put into practice on a daily basis by presenting her real and existing The People’s Bank of Govanhill | Speakers: Andy Morales Coto, Ruth Catlow, Denise Thwaites, Ailie Rutherford | Moderator: Rachel Falconer | Institute of Network Cultures | https://vimeo.com/376668856

Only 2% of global art auction spending is on work by women, study finds (2019) | A new study has found that despite perceived signs of progress, the art world remains overwhelmingly male-dominated | According to a report assembled by In Other Words & artnet News, the last 10 years has found a lack of growth for female representation in art with just 2% of global art auction spending on work by women. This figure is also unevenly distributed, with five artists making up 40.7% of this figure and Yayoi Kusama in particular accounting for 25% alone. A new report finds women’s work still underrepresented in the art world, with only 11% of art purchased by institutions female-made | Guardian – https://bit.ly/39wDJCQ

CRISPR Cheat Sheet: The Most Important Gene Editing Stories of 2019: Human trials, bird flu, gene editing in space, and more | By Emily Mullin | Medium | On May 4, a SpaceX Falcon 9 rocket launched a Dragon spacecraft to the International Space Station. Among its cargo was an experiment involving the CRISPR gene-editing system, which astronauts aboard the ISS used to successfully edit DNA in space. They made targeted cuts to the yeast genome that mimicked genetic damage caused by cosmic radiation, one of the biggest health risks that long-term spaceflight poses to humans. They say the ISS experiment could yield clues about how cells repair their DNA in space – https://bit.ly/2ZHZY4v

Raul Vaneigem: Here we are! At the beginning of everything! | Dec 24, 2019 | The sudden attacks of freedom on the suffocating capitalist hydra, constantly make the epicenter of the seismic disturbances fluctuate. The territories of the whole world, affected by the system of private benefits are exposed to the outburst of insurrectional movements. Consciousness is forced to run after successive waves of events, reacting to constant, paradoxically predictable and unexpected shocks. Two realities struggle against each other in the face of the violence. One is the reality of lying. Taking advantage of technological progress, you try to manipulate public opinion for the benefit of established power. The other is the reality of daily life of the population – https://bit.ly/2QdnanP

I believe Google fired me for organising – but tech workers won’t give up the fight | By Kathryn Spiers | 20 December 2019 | Last week I was fired by Google for informing my colleagues of their rights. I created a pop-up that appeared when Google employees visited the website of the union-busting firm the company recently hired, telling them they had the right to organise. Hours later, I was suspended. Google’s decision to retaliate against its own workers isn’t just an issue for Googlers, but for the entire tech industry, including other large companies like Amazon and Facebook – https://bit.ly/2sridPu

Image: Bring Me My Firetruck, by Mr Gee. Part of the Copy That? Surplus Data in an Age of Repetitive Duplication, exhibition at the Open Data Institute, London, Feb 2020.

FurtherList Archives https://www.furtherfield.org/the-furtherlist-archives/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Permanent archive of all the FurtherLists.

FurtherList No.28 Nov 5th 2021
https://www.furtherfield.org/furtherlist-no-28-nov-5th-2021/

FurtherList No.27 Oct 1st 2021
https://www.furtherfield.org/furtherlist-no-27-oct-1st-2021/

FurtherList No.26 Sept 3rd 2021
https://www.furtherfield.org/furtherlist-no-26-sept-3rd-2021/

FurtherList No.25 July 4th 2021
https://www.furtherfield.org/furtherlist-no-24-july-4th-2021-2/

FurtherList No.24 June 4th 2021
https://www.furtherfield.org/furtherlist-no-24-june-4th-2021/

FurtherList No.23 April 2nd 2021
https://www.furtherfield.org/furtherlist-no-23-april-2nd-2021/

FurtherList No.22 March 5th, 2021
https://www.furtherfield.org/furtherlist-no-22-march-5th-2021/

FurtherList No.21 January 8th 2021
https://www.furtherfield.org/furtherlist-no-21-january-8th-2021/

FurtherList No.20 December 4th, 2020
https://www.furtherfield.org/furtherlist-no-20-december-4th-2020/

FurtherList No.19 April 3rd 2020
https://www.furtherfield.org/furtherlist-no-19-april-3rd-2020/

FurtherList No.18 March 6th 2020
https://www.furtherfield.org/furtherlist-no-18-march-6th-2020/

FurtherList No.17 February 7th 2020
https://www.furtherfield.org/furtherlist-no-17-february-7th-2020/

FurtherList No.16 January 3rd 2020
https://www.furtherfield.org/furtherlist-no-16-january-3rd-2020/

FurtherList No.15 Nov 29th 2019
https://www.furtherfield.org/furtherlist-no-15-nov-29th-2019

FurtherList No.14 Oct 26th 2019
https://www.furtherfield.org/furtherlist-no-14-oct-26th-2019

FurtherList No.13 Sept 27th 2019
https://www.furtherfield.org/furtherlist-no-13-sept-27th-2019

FurtherList No.12 Sep 20th 2019
https://www.furtherfield.org/furtherlist-no-12-sep-20th-2019

FurtherList No.11 September 6th 2019
https://www.furtherfield.org/furtherlist-no-11-september-6th-2019

FurtherList No.10 August 30th 2019
https://www.furtherfield.org/furtherlist-no-10-august-30th-2019

FurtherList No.9 August 23rd 2019
https://www.furtherfield.org/furtherlist-no-9-august-23rd-2019

FurtherList No.8 August 16th 2019
https://www.furtherfield.org/furtherlist-no-8-august-16th-2019

FurtherList No.7 Aug 9th 2019
https://www.furtherfield.org/the-furtherlist-future-fair-special-no-7-aug-9th-2019

FurtherList No.6 July 30th 2019
https://www.furtherfield.org/the-furtherlist-no-6-july-30th-2019

The FurtherList No.5 July 5th 2019
https://www.furtherfield.org/the-furtherlist-no-5-july-5th-2019

FurtherList No.4 June 21st 2019
https://www.furtherfield.org/the-furtherlist-no-4-june-21st-2019

FurtherList No.3 June 14th 2019
https://www.furtherfield.org/the-weekly-furtherlist-no-3-june-14th-2019

FurtherList No.2 June 7th 2019
https://www.furtherfield.org/the-weekly-furtherlist-no-2-june-7th-2019

FurtherList No.1 May 31st 2019
https://www.furtherfield.org/the-weekly-furtherlist-no-1-june-3rd-2019

Main image: Bad Shibe. Story by Rhea Myers and Illustrations by Lina Theodoru. Wall installation. NEW WORLD ORDER exhibition, at Furtherfield 20 May – 25 June 2017. Photo by Pau Ros. https://www.furtherfield.org/new-world-order/

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

The Big Four | Bob Bicknell-Knight and Rosa-Maria Nuutinen | Exhibition from 15th November – 14th December 2019 | Second Floor at Harlesden High Street, 60-72 Short’s Gardens, Holborn, London WC2H 9AH. The Big Four is an exhibition that considers the technological impact that humans have on the planet, considering the Big Four tech companies (Google, Amazon, Facebook, and Apple) and how humans and new forms of technology continue to assist in major environmental change. The exhibition consists of new drawings, paintings and sculptural installations from Bob Bicknell-Knight and Rosa-Maria Nuutinen | FB page/link – https://bit.ly/2XWCQhA

Heath Bunting – Intimacy Encryption Workshop | ARTFUTURA 2019 – PROCESSING THE FUTURE – WORKSHOP (Festival of Digital Culture & Creativity) | Sun 1 Dec 2019 11:30 am – 1:30 pm | In a time of surveillance capitalism, privacy requires some radical methods. A workshop in how to communicate secretly over any media using nothing more than sharing some special time together. Used very effectively by former fluffy groups such as Irish Republican Army and Palestine Liberation Organization. Heath Bunting is a contemporary British artist and his work is based on creating open and democratic systems by modifying communications technologies and social systems. Location – IKLECTIK, Londond, SE1 7LG – https://bit.ly/2qUiJUI

Constitution for a co-operative art school | Tuesday 3rd December 6:00 pm – 9:00 pm | Come along to contribute your ideas to a draft constitution for a co-operative art school. Using a series of questions as guidelines, we will collectively generate, articulate, debate and decide the values, principles, processes and working methods of an art school that is organised, structured and governed along co-operative values of autonomy, democracy, equality and solidarity. https://bit.ly/37K3lv7

DISRUPT THE SYSTEM NOT THE CLIMATE: Surveillance, Climate Change & Global Conflict | Friday 6 December, 19:30 at ACUD MACHT NEU, Veteranenstr 21, 10119 Berlin  (U8 Rosenthaler Platz) | DNL’s closing event of 2019, which wraps up the 2019 conference series ‘The Art of Exposing Injustice’, as well as the first year of the Activation community programme. The talks will address respectively counter-surveillance techniques and the right to privacy as well as how climate change is intertwined with political conflicts. After the talks, the privacy-electropunk band “Systemabsturz” will perform live! The programme of the evening is curated by Tatiana Bazzichelli & Lieke Ploeger. https://www.disruptionlab.org/meet-ups

Landscape Symposium 2019: Staying with the trouble: Critical and creative approaches to the climate and biodiversity crises | Friday 6 Dec 2019 | Our Symposium for 2019 will explore another of our Research Strategy themes, Critical and Creative Landscape Thinking. With a varied group of collaborators (see below), we will form a conversational space to apply this to the climate and biodiversity crises. The Symposium title is from Staying With the Trouble, Donna J. Haraway (c) 2016, Duke University Press – borrowed with very kind permission! – https://bit.ly/2Y47HZF

Opening: Raised by Google, by Sarah Selby | A new body of work by Bristol based artist Sarah Selby. Sarah was the final selected artist for hotel generation 2019, areyte Gallery’s annual young artist development programme. Raised by Google explores the impacts of current data practices on our seemingly autonomous lives, investigating to what degree our opportunities and experiences are influenced by the underlying systems of a data-driven society. Opening Thursday 5 December, 6-9pm | 6 Dec 2019 – 11 Jan 2020 | Part of arebyte’s 2019 programme home – https://bit.ly/34wYWcX

Surfing with: Dani Ploeger | Hosted by Art Claims Impulse (Berlin) | Monday, 9 December 2019 | ACI invites you to an exciting evening. Dani Ploeger, Media Performing Artist, who has set himself the goal of confronting the borders of high-tech consumption and their dynamics will accompany you for two hours into his “Internet world” *Also transmitted in livestream. Please check our website on 09.12.2019, 18:30h. https://bit.ly/2Dta3Yx

Paper Struggles & Public Library and the Property Form | Hosted by Post Office research group | AN EXHIBITION AND SEMINAR | EXHIBITION ‘PAPER STRUGGLES’ OPENING: Monday, 9 December, 18.30-21.00 | Continues: Tuesday 10 and Wednesday 11 December, 11.00-21.00 | SEMINAR ‘PUBLIC LIBRARY AND THE PROPERTY FORM’: Tuesday 10 December, 10.30-13.30, Guest speakers: Balász Bodó & Nanna Bonde Thylstrup | Seminar registration: http://tiny.cc/public_library **Post Office Research Group**, Centre for Postdigital Cultures | Coventry University | https://postoffice.media

Figurations: Persons In/Out of Data Conference | Panel Event 9.30am – 6pm, Monday 16 and Tuesday 17 December, 2019 | We’re drowning in an ocean of data, or so the saying goes. Data’s “big”: there’s not only lots of it, but its volume has allowed for the development of new, large-scale processing techniques. Our relationship with governments, medical organisations, technology companies, the education sector, and so on are increasingly informed by the data we overtly or inadvertently provide when we use particular services. This conference brings together an interdisciplinary group of researchers to explore how the person—or persons, plural—are figured in/out of data. Our proposition is that it can help us think and study our increasingly datified present. Professor Stuart Hall Building, Goldsmiths, University of London – https://bit.ly/2R5tr5V

Trans\/code: Jonathan Reus Maya Fridman Marije Baalman Miri Lee | This evening we will present the outcome of a short-term “flash residency” period for developing performative work that explores the potential for livecoding practice to overlap with other performative disciplines. The event brings together livecoding performers/researchers with accomplished performance practitioners to prototype a new performance concept over the course of two workdays and to perform this work during an experimental concert evening | 11th Dec 2019 | Hosted by iii, The Hague, Netherlands | FB link – https://bit.ly/35M2mJ7

Books, Open Calls, Papers & Publications

Art Hack Practice: Critical Intersections of Art, Innovation and the Maker Movement | Editors, Victoria Bradbury, Suzy O’Hara | Bridging art and innovation, this book invites readers into the processes of artists, curators, cultural producers and historians who are working within new contexts that run parallel to or against the phenomenon of ‘maker culture’. The book is a fascinating and compelling resource for those interested in critical and interdisciplinary modes of practice that combine arts, technology and making. It presents international case studies that interrogate perceived distinctions between sites of artistic and economic production by brokering new ways of working between them. It also discusses the synergies and dissonances between art and maker culture, analyses the social and collaborative impact of maker spaces and reflects upon the ethos of the hackathon within the fabric of a media lab’s working practices | Publisher: Taylor & Francis Inc – https://bit.ly/33tLd5y

If I Only had a Heart: a DisCO Manifesto: Value Sovereignty, Care Work, Commons and Distributed Cooperative Organizations | The DisCO Manifesto is a deep dive into the world of Distributed Cooperative Organizations. Over its 80 colorful pages, you will read about how DisCOs are a P2P/Commons, cooperative and Feminist Economic alternative to Decentralized Autonomous Organizations (or DAOs). The DisCO Manifesto also includes some background on topics like blockchain, AI, the commons, feminism, cooperatives, cyberpunk, and more | http://disco.coop/manifesto/

The Beautiful Warriors. Technofeminist Praxis in the Twenty-First Century | Edited by Cornelia Sollfrank | The book brings together seven current technofeminist positions from the fields of art and activism. In very different ways, they expand the theories and practices of 1990’s cyberfeminism and thus react to new forms of discrimination and exploitation. Gender politics are negotiated with reference to technology, and questions of technology are combined with questions of ecology and economy. The different positions around this new techno-eco-feminism understand their practice as an invitation to take up their social and aesthetic interventions, to join in, to continue, and never give up | Contributions from Christina Grammatikopoulou, Isabel de Sena, Femke Snelting, Cornelia Sollfrank, Spideralex, Sophie Toupin, hvale vale, Yvonne Volkart – http://www.minorcompositions.info/?p=976

The Critical Makers Reader: (Un)learning Technology | Editors: Loes Bogers & Letizia Chiappini | Copy editor: Luke Munn | A decade ago many gushed at the possibilities of 3D printers and other DIY tech. Today makers are increasingly shaking off their initial blind enthusiasm to numerically control everything, rediscovering an interest in sociocultural histories and futures and waking up to the environmental and economic implications of digital machines that transform materials. An accumulation of critique has collectively registered that no tool, service, or software is good, bad, or neutral—or even free for that matter. We’ve arrived at a crossroads, where a reflective pause coincides with new critical initiatives emerging across disciplines | Published by the Institute of Network Cultures, Amsterdam, 2019 – https://bit.ly/2DryPZ7

The Unknowers: How Strategic Ignorance Rules the World | By Linsey McGoey | An intriguing investigation, shattering the hackneyed notion that knowledge is power.Deliberate ignorance has been known as the ‘Ostrich Instruction’ in law courts since the 1860s. It illustrates a recurring pattern in history in which figureheads for major companies, political leaders and industry bigwigs plead ignorance to avoid culpability. So why do so many figures at the top still get away with it when disasters on their watch damage so many people’s lives? | Published by Zed books – https://bit.ly/2DsK2Zt

Vital Forms: Biological Art, Architecture, and the Dependencies of Life | Biological Art, Architecture, and the Dependencies of Life | By Jennifer Johung | Using numerous case studies, Jennifer Johung explores how art and architecture are reimagining life on cellular and subcellular levels. In the process, she maps the constantly evolving dependencies that exist between objects, bodies, and environments. From Oron Catts and Ionat Zurr’s Tissue Culture and Art Project, which developed “semi-living worry dolls,” to Patricia Piccinini’s imagined Still Life with Stem Cells, each chapter pairs a branch of contemporary biological inquiry with the artists who are revolutionizing it | Published Dec 2019, University of Minnesota Press – https://bit.ly/35JHEcJ

DIGITAL ART THROUGH THE LOOKING GLASS: New strategies for archiving, collecting and preserving in Digital Humanities | Oliver GRAU, Janina HOTH and Eveline WANDL-VOGT(eds.) | With contributions by: Frieder Nake, George Legrady, José R. Alcalá Mellado /Beatriz Escribano Belmar, Anne-Marie Duguet, Howard Besser, Giselle Beiguelman, Wendy Coones, Sarah Kenderdine, Marianne Ping-Huang, Raphael Lozano Hemmer, Annet Dekker, Janina Hoth, Laura Leuzzi, Diego Mellado, Oliver Grau, Goki Miyakita/Keiko Okawa, Sabine Himmelsbach, Francesca Franco, Patricia Falcão | | NEW PUBLICATION (free e-book download on Academia) – https://bit.ly/35Js2G9

Deadly Biocultures: The Ethics of Life-Making | By Nadine Ehlers and Shiloh Krupar | Deadly Biocultures examines the affirmation to hope, target, thrive, secure, and green in the respective biocultures of cancer, race-based health, fatness, aging, and the afterlife. Its chapters focus on specific practices, technologies, or techniques that ostensibly affirm life and suggest life’s inextricable links to capital but that also engender a politics of death and erasure. The authors ultimately ask: what alternative social forms and individual practices might be mapped onto or intersect with biomedicine for more equitable biofutures? | Published Dec 2019, University of Minnesota Press – https://bit.ly/2DuV9kF

Articles, Interviews & Presentations

Investigation into Amazon Echo devices wins 2019 Beazley Design of the Year award | Written by Jacopo Prisco, CNN | The award and accompanying exhibition is held each year at London’s Design Museum to showcase original and innovative new designs in various fields. The all-digital winning investigation, created by Kate Crawford and Vladan Joler, looks at the amount of human labor, data and resources required to support the lifespan of a single Echo product, visually illustrating the real-world impact of voice assistants. https://cnn.it/2rAnRxS

Was Humanity Simply Not Ready for the Internet? A 1990s cyber enthusiast considers whether he’s to blame for our digital woes | By Douglas Rushkoff | Steve Jobs as much as told us we were making a pact with the devil. He knew perfectly well what he was doing when he named his company Apple: He was giving people access to the forbidden fruit—the tree of knowledge—and fully disclosing that fact. Thanks to computers and, soon after, the internet, regular people everywhere would have access to everyone and everything – https://bit.ly/2OwYhCO

Rereading Debord | A look at today’s hyperconnected society of social media, cognitive capitalism and algorithms through the lens of the work of Guy Debord | By Ingrid Guardiola | This preference for images as part of commodity fetishism has become accentuated with social media in a world of virtual realities connected through mobile technology. The proxy or representative on the screen has ended up usurping the place of the original. It is no longer a question of managing images, rather we organise our own image using the filters and facial contouring offered by an endless array of apps to tune ourselves up. Even the bodies used as the benchmarks for cosmetic surgery have shifted from a universal look (that of the stars of the moment) to the virtual self; people want to look like the face offered to them by Snapchat or Facetune, they want to show the best version of themselves in a selfie, to mummify their virtual self – http://lab.cccb.org/en/rereading-debord/

Extinction Rebellion Is Creating a New Narrative of the Climate Crisis | By Charlotte Du Cann | In London, activists are taking to the streets to eschew hopelessness in favor of repair. The shape of their rebellion is not the orderly stream of protesters flowing down the streets with placards. It’s a wild, impromptu mix — of circus performers and a funeral procession, of 400 trees left outside Parliament for legislators to plant and 40 “rebel writers” reading in Trafalgar Square, of a mothers and babies “nurse-in” outside Google’s headquarters. It’s a marriage, a game of cricket and a ceilidh (a gathering with dancing and music) on Westminster Bridge, and a singer in a baroque band singing Henry Purcell’s “Remember Me” at the end of Downing Street – https://nyti.ms/2CFzVQy

Image by Kelsey. arcade fire performs at starlight theatre on april 26th, 2014. Also, was the main image for You Say Decentralized, I Say Potato: The DisCO Manifesto, by Stacco Troncoso. 

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

Playmode | Exhibition at MAAT Lisbon, Sep 2019 – feb 2020 | Curated by Filipe Pais and Patricia Gouveia | It is said that play has saved entire peoples, who, in order not to succumb to hunger, resorted to playing games for hours at a time. While the Lydians, that distant people from Anatolia, invented games as a mode of surviving, play from the beginning has been an invention linked to a vital need — to stay alive and withstand the darkness, immobility and extinction.

The artists understood early on the transformative power of play and began integrating it into their works for various purposes – escaping reality, social construction and transformation, subversion or as a criticism of game and play mechanisms themselves – https://www.filipepais.com/playmode

The Long Term You Cannot Afford. On The Distribution of The Toxic | At SAVVY-Contemporary, Berlin, Germany | 19 Oct 2019 – 1 Dec 2019 | This mixed exhibition unpacks the kaleidoscopic meanings of the toxic, both as matter and as metaphor: In his paintings, Boris Anje captures the essence of the excessive and toxic consumerism of a small minority of the world’s population | The toxic trade-off inherent in exploitative and abusive processes of extraction, production, and disposal lie at the heart of the changing nature of the ecosystems to which we now belong – with millions of metric tons of synthetic materials, pesticides, heavy metals, and chemicals released and circulated every year. Structural inequalities on a global scale permit for some lives to remain relatively untouched by toxic proliferation through systems of “externalisation” [2] whilst many reside in high concentrations and lethal exposure on a daily basis out of mere necessity of survival. The new age of toxicity is “a condition that is shared, but unevenly so, and which divides us as much as it binds us.” – http://tiny.cc/y8ryez

Soft Power 04: an exhibition in a spreadsheet | Hosted by Micheál O’Connell, Andrea Slater and Daniella Norton | Thursday, 31 October 2019 | A fourth exhibition by the Soft Power people, this time in a spreadsheet. Look at it at home, or on your device, or wherever. Drink some wine and chat to friends about what you witness. The link will be supplied with those ‘GOING’ on the date (Thursday 31st October) at 7pm. For updates sign up to Mocksim’s mailing list http://www.mocksim.org/contact.htm

24/7: A wake-up call for our non-stop world | 31 Oct 2019 – 23 Feb 2020 | Somerset House |Embankment Galleries, South Wing | An essential exhibition for today, exploring the non-stop nature of modern life. Many of us feel we’re working more intensively, juggling too many things, blurring our public and private lives, pushing the limits of our natural rhythms of sleep and waking.

24/7 takes visitors on a multi-sensory journey from the cold light of the moon to the fading warmth of sunset through five themed zones and contains over 50 multi-disciplinary works that will provoke and entertain | Inspired by Jonathan Crary’s book of the same name, and curated by Sarah Cook, 24/7& holds up a mirror to our always-on culture and invites you to step outside of your day-to-day routine to engage, reflect and reset – http://tiny.cc/44f7ez

Launch event for Rabbrexit – A Game of Chance / editions tdwm | Hosted by Cecilia Wee and YiMiao Shih | Thursday, 31 October 2019 (London) | On the date of the Brexit deadline, we’re having a little launch party for “Rabbrexit – A Game of Chance” and the birth of editions tdwm. Editions tdwm is delighted to present its first project: a limited edition set of playing cards “Rabbrexit – A Game of Chance”, featuring illustrations by YiMiao Shih, designed with Arjun Harrison-Mann.

Rabbrexit – A Game of Chance reworks images from YiMiao Shih’s exhibition Rabbrexit Means Rabbrexit at the House of Illustration in London (2019), where YiMiao created a parallel universe in which the UK voted not for Brexit but ‘Rabbrexit’: the expulsion of rabbits from the country – http://tiny.cc/p3oyez

Become Ungovernable 2: a day of resistance skill sharing | The Antiuniversity, as part of a coalition of autonomous left groups, invites you to a day of practical and informative workshops, where we will learn from each other simple visual intervention methods that anyone can pick up, grow confidence to use a variety of tools and learn about ways to stay safe when organising on the streets and online. In preparation for the planned attack on our city and communities on 31 Oct (Brexit day), we planned a day of practical resistance skill sharing.

The far right, bolstered by a racist and xenophobic government, is growing in confidence. The response to Boris Johnson’s hard-right vision for society and threat to our basic rights must be equally confident. Some actions will take place through whatever is left of the parliamentary mechanism, others will take place on the streets. Hosted by Antiuniversity, Green Anti-Capitalist Front, Plan C, Feminist Anti-Fascist Assembly, and Women’s Strike Assembly | FB page – http://tiny.cc/1qoyez

NEoN Digital Arts Festival. Multiple Venues in Dundee City, Scotland. Nov 6 – 8 2019. An expanded 3-day symposium entitled, Re@ct: Social Change Art Technology. NEoN Re@ct involves over 30 international speakers over three days addressing a diversity of issues and practices engaging activist digital art. Many artists involved in digital arts have historically been prompted to react and respond to local, national, global, social and political crises (i.e. around issues of environmentalism, gender equality, exploitation, colonialism, militarism, emancipation). Re@ct will be a platform to critically examine the relevance and impact of past and present practices, theories and strategies – to engage an uncertain future through an exploration of the creative potential of digital art. Reigister free to the full symposium – http://tiny.cc/y5lyez

Citizens of Nowhere | Alicja Rogalska: 2019 Stuart Hall Library Artist-in-Residence | Hosted by Iniva | 6 November 2019 | Join 2019 Stuart Hall Library Artist-in-Residence Alicja Rogalska for a screening and discussion about her work developed during the residency alongside two other videos. The three works are concerned with issues of citizenship, immigration and identity, viewed through the lenses of classification methods and systems, legal fictions in immigration law and the lived experiences of statelessness. The screening will be followed by a discussion with invited guests and a Q&A.

The works screened will include: What If As If (2017), The Aliens Act (2019) and Citizens of Nowhere (2019). Total running time of the videos will be 40 mins | Evenbrite bookings here – http://tiny.cc/uiqyez

Books, Open Calls, Papers & Publications

Expanded Internet Art: Twenty-First-Century Artistic Practice and the Informational Milieu By Ceci Moss | Charting the rise of a multidisciplinary approach to online artistic practice in the past decade, the text discusses recent currents in contemporary artistic practice that parallel the explosion of the internet through advances such as social media, smart phones, and faster bandwidth. Internet art is no longer determined solely by its existence on the web; rather, contemporary artists are making more art about informational culture using various methods of both online and offline means. It asks how artists, such as Seth Price, Harm van den Dorpel, Kari Altmann, Artie Vierkant and Oliver Laric, create a critical language in response to the persuasive influence of informational capture on culture and expression, where the environment itself becomes reorganized to be more legible as information | Bloomsbury Academic – http://tiny.cc/ktg7ez

The Cyborg Matrix | Open call for artists, is now online at http://theCyborgMatrix.com !! Make an account and create your own profile. Or type in your name or nickname for a short visit. Doe you want to add you art to the space, go to http://cyarco.com/theCyborgMatrix/ or send us an email at cyborgMatrix@cyarco.com. see you in cyberspace!!

Automation, Artificial Intelligence, and Labour Protection | Comparative Labor Law & Policy Journal, Vol. 41, No. 1, 2019 | A collection of articles on “Automation, Artificial Intelligence, and Labour Protection” edited by Valerio De Stefano (KU Leuven). This collection gathers contributions from several labour lawyers and social scientists to provide an interdisciplinary overview of how new technologies, including smart robots, artificial intelligence and machine learning, and business practices such as People Analytics, management-by-algorithm, and the use of big data in workplaces, far from merely displacing jobs, profoundly affect the quality of work. The authors argue that these issues depend, and can be affected by, policy choices – since they are not just the “natural” result of technological innovations – and call for adequate regulation of these phenomena. Contributing authors are Antonio Aloisi, Ilaria Armaroli, Fernanda Bárcia de Mattos, Janine Berg, Miriam Cherry, Emanuele Dagnino, Valerio De Stefano, Elena Gramano, Matt Finkin, Marianne Furrer, Frank Hendrickx, Parminder Jeet Singh, David Kucera, Phoebe Moore, Jeremias Prassl, and Uma Rani. This article introduces this collection and gives an overview of the issues discussed by the authors – http://tiny.cc/s4zyez

Digital Sociology: The Reinvention of Social Research | By Noortje Marres (2017) | This provocative new introduction to the field of digital sociology offers a critical overview of interdisciplinary debates about new ways of knowing society that are emerging today at the interface of computing, media, social research and social life.

Digital Sociology introduces key concepts, methods and understandings that currently inform the development of specifically digital forms of social enquiry. Marres assesses the relevance and usefulness of digital methods, data and techniques for the study of sociological phenomena and evaluates the major claim that computation makes possible a new ‘science of society’. As Marres argues, the digital does much more than inspire innovation in social research: it forces us to engage anew with fundamental sociological questions. We must learn to appreciate that the digital has the capacity to throw into crisis existing knowledge frameworks and is likely to reconfigure wider relations | Polity press – http://tiny.cc/pqg7ez

Articles, Interviews & Presentations

Future Cities as a Network of Waterholes connected by Songlines | Medium | By Steven Liaros | “Irene Watson provides a detailed discussion of the indigenous worldview in Raw Law: Aboriginal Peoples, Colonialism and International Law (2015). Also referred to as relational philosophy, Watson compares and contrasts this with non-indigenous philosophy. This comparison is summarised in Table 1 in which I have included additional descriptions in brackets that express this contrast using other common terms.” – http://tiny.cc/rywyez

Brexit Culture | Feature article on ArtRabbit | By Sandy Di Yu | “Research has been conducted by the Arts Council about the economic and operational impacts of Brexit, but the content of culture has yet to be formally surveyed. While we can only speculate like everyone else what the full-fledged impact of Brexit on cultural production will be in the coming years, the era since the 2016 referendum has already seen a flurry of events that indicate growing precariousness in our time. Right-wing populism has gained more than a foothold in political discourse. Conspiracies run rampant about celebrity sex traffickers and their ties to the global elite. Anxiety over climate change, although leading to inspiring global movements, is still being met with dismissal by political leaders.” – http://tiny.cc/ujtyez

Can Musical Machines Be Expressive? Views from the Enlightenment and Today? by Steven Kemper and Rebecca Cypess | October 2019, Leonardo 52:5 release | How can music produced by automated technologies be expressive? Transitive theories of expression dominated eighteenth-century ideas of automated music, and many contemporary designers of robotic instruments adhere to these ideas, increasing sonic nuance to make their instruments seem more like expressive human performers. A listener-centered understanding of expression—an “intransitive” perspective—allows us to see automatic instruments as capable of expression despite the fact that no human performer is present – http://tiny.cc/m9nyez

Media Art History: Berlin, Cyber City (1989-91) VR – MR installation by Monika Fleischmann & Wolfgang Strauss | Berlin, Cyber City (1989-91) commemorates the 30th anniversary of the fall of the Berlin Wall 1989. VIDEO. The performative VR city simulation system “Berlin – Cyber City” was created as a reaction to the fall of the Berlin Wall. The intention was the staging of an interactive space for debate on the future of the city. To do this, the VR paradigm – the real-time movement in an immersive environment for a single user – should be extended into a communication space for several users. A participative Mixed Reality table combined with a 3D environment and Virtual Reality tools invites people to discuss the past and the future of the former divided city – http://tiny.cc/q2nyez

Neural 63, Surveillance Surveyed | Issue #63, Summer 2019 | interviews with Pip Thornton, Joana Moll, Mendi and Keith Obadike, Owen Mundy | articles, Surveying Surveillance Capitalism, Decode: Data Cooperatives, Our voices granted to machines, and much more – http://neural.it/2019/10/neural-63-surveillance-surveyed/

Image by: Brad Downey. House of Cards #3. Public Work. 2007, Berlin, Germany. Duration: 4 days. Anonymous installation. Material: paving stones – http://tiny.cc/vkf7ez | Currently featured in Playmode exhibition, Lisbon.

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

Counting Craters on the Moon | Solo exhibition by Kyriaki Goni | Curated by Daphne Dragona | Aksioma | Project Space Komenskega 18, Ljubljana | 2–25 October 2019 | As a result of advances in machine learning, our understanding of today’s world is ever more mediated by machines. What challenges does deep learning bring to human-based knowledge? What do machines see and do differently than humans? How can artificial intelligence enhance new forms of experience and understanding? To address these questions, in Counting Craters on the Moon, Kyriaki Goni purposely turns her gaze to a distant and uncanny territory: the Moon and its surface. The Moon, according to the artist, constitutes a fascinating example and offers an interesting analogy. Lacking an atmosphere, it operates as a data center which stores in its body the memory of our solar system and allows predictions for the future – http://tiny.cc/cgabdz

Acts of Quiet Resistance | 5 October 2019 | Hosted by Foodhall / Sheffield and outsidefilm | Acts Of Quiet Resistance (Ian Nesbitt + Michael Ransley  / 2019 / 70 mins) is a documentary steeped in the slow cinema tradition. Five years in the making, it continues a thread in Ian’s work of collaboratively made films, blurring the line between subject and filmmaker. “For fans of Shirley Collins, Richard Linklater, campfires and Robert Bresson, but this film is so beautifully sideways it sweeps away comparisons really.” Chiz Williams, Cube Microplex | FB link – http://tiny.cc/de5adz

Arts Lab Northampton and Liverpool Arts Lab team up to present ‘Howl’ | Northampton’s Alistair Fruish has taken on Allen Ginsberg’s classic poem, once subject to an obscenity trial, to address the major obscenity of our time; the destruction of the ecological systems that sustain our planet. Visceral, confrontational and very timely, ‘Howl’ was brought to life by the design work of Liverpool’s Slim Smith. Printed on A4 280gm textured cream card. http://tiny.cc/3sk9cz All proceeds will go to the Regenerative Agroforestry Impact Network – http://tiny.cc/77abdz

New Suns: A Feminist Literary Festival | 5 Oct 2019 | Barbican, London | A bookfair and day of talks, workshops and screenings, exploring contemporary feminism and technology. ‘For the master’s tools will never dismantle the master’s house’ – Audre Lorde | Inviting audiences to explore new and continuing debates in feminist approaches to technology. This year’s festival takes inspiration from science fiction writer Ursula K. Le Guin’s essay The Carrier Bag Theory of Fiction, which subverts the dominant narrative of technologically driven ‘progress’.  

The day will include workshops, talks and screenings exploring technofeminism, storytelling, sonic ritual, gender identity, reproductive justice and indigenous knowledge with writers, artists, mystics, poets and academics. In the spirit of the 1980s international feminist bookfairs, there will also be over thirty stalls to explore across Level G, and selected events for free – http://tiny.cc/d86adz

Genetic Automata, Larry Achiampong and David Blandy | 15th oct 2019 | Hosted by Site Gallery (Sheffield) and Arts Catalyst | Genetic Automata forms the first part of an ambitious new body of film-based works that attempt to address this complex history of classification and segregation. Referencing the history of the theory of evolution, and the relationship between Darwin and his taxidermy teacher John Edmonstone, a freed slave, the work takes the form of a video installation combining animation, spoken word and text interspersed with microscopic topographies of varied shades of skin, digital renditions of skin from video games, and film footage of taxidermied bird life from Darwin’s bird skin collection at the Natural History Museum – http://tiny.cc/m45adz

Books, Open Calls, Call for Papers & Publications

Open Call: Rot | In the midst of this hubris of humans becoming humus, we might find tools for living in a rotten age. Across the world, artists, activists, and academics are busy learning to give voice to the sympoetic; bat populations translate into flickering shadows, music composed for moth’s ears, an opera of 176 golden snails, a butoh dance about shrimp deranged by antidepressant medication overflowed into oceans. This is a genre of creative work interested in finding new ways to interrogate the underbelly of today’s ‘wicked problems.

Rot invites artists, scientists, activists, and writers with poorly disciplined curiosities to submit work that digs into this compost heap. We are especially interested in supporting dialogue around works in process; field notes, half-completed projects, the tangled, in-between moments where cross-contaminations and co-creations occur. We would especially like to hear from people who are underrepresented in the fields of art and arts publishing – in particular people who identify as BAME, disabled, LGBT, or low income – http://tiny.cc/5p3cdz

New Myths: Recordings from the Missing Channel, curated by Canan Batur | Conceived as a series of soundscapes/sonic think tanks to assess, develop and propose new social languages and methods to understand, and create unlikely relationships between; the systems of representation, the emancipatory aspect of sound and the social constructs of identity. It takes its foundation from the idea that music is a myth, and myths’ ability to suggest – with primal narrative power- the conflicting forces and ideas that lie at the foundation of society.

Over the course of five months, New Myths will upload contributions by Tarek Lakhrissi, markiscrycrycry, James Massiah, Momtaza Mehri, Harun Morrison, Precious Okoyomon, Claudia Pages, Hannah Perry, Tabita Rezaire and Rowdy SS to 1.1 Basel’s online platform and SoundCloud with the purpose of delving into the multitude of voices, the rhythm of erosion and emergence, and the collusion and contradiction – http://www.1-1.digital/show/new-myths/

Conflictual Aesthetics: Artistic Activism and the Public Sphere | Editor Oliver Marchart | A new wave of artistic activism has emerged in recent years in response to the ever-increasing dominance of authoritarian neoliberalism. Activist practices in the art field, however, have been around much longer. As Oliver Marchart claims, there has always been an activist undercurrent in art. In this book he traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and “biennials of resistance.” What emerges is a conflictual aesthetics that does not conform with traditional approaches to the field and that activates the political potential of artistic practice | Sternberg Press 2019 – http://tiny.cc/z5bbdz

Call for Papers: Special Issue on Sound, Image and Interaction | EAI Endorsed Transactions on Creative Technologies | For the last two decades, there has been a growing interest in the study of sound from a Human-Computer Interaction (HCI) perspective. This coincides with the shift to a third wave of HCI towards applications in broader cultural contexts. Researchers have paid special attention to the integration of other sensory modalities with sound. This Special Issue “Sound, Image and Interaction”, aims to address emerging issues in research related to the creation of interactive sonic experiences, particularly focusing on the role that image plays in these scenarios. We are interested in submissions related to connections between sound, image and/or interaction, and the topics of interest listed – https://escripts.eai.eu/publication/257

Climate Machines, Fascist Drives, and Truth | By William E. Connolly | Duke University Press Books (23 Aug. 2019) | In this new installation of his work, William E. Connolly examines entanglements between volatile earth processes and emerging cultural practices, highlighting relays among extractive capitalism, self-amplifying climate processes, migrations, democratic aspirations, and fascist dangers. In three interwoven essays, Connolly takes up thinkers in the “minor tradition” of European thought who, unlike Cartesians and Kantians, cross divisions between nature and culture. He first offers readings of Sophocles and Mary Shelley, asking whether close attention to the Anthropocene could perhaps have arrived earlier had subsequent humanists absorbed their lessons – http://tiny.cc/3t0cdz

Articles, Interviews & Presentations

Harness the Power of a Fluid Identity with 3 Simple Strategies | By Marloes de Valk September | Institute of Network Cultures | Why aren’t there stronger regulations protecting our privacy, our democracy? Seemingly off topic but very similar: why aren’t there stricter regulations protecting us from anthropogenic climate change? In an attempt to find answers to these questions, I’ve been looking into strategies used by different industries to delay regulation: democratic intervention in the private market in order to protect citizens and the world on which their lives rely – http://tiny.cc/o4rfdz

Feminism and the Social Solidarity Economy: a Short Call to Action | The following text is a translation of Marian Díez‘s impassioned closing speech at the recent convergence meeting of the World Social Forum for Transformative Economies. The closing event was filled with strong presentations, but we chose Marian’s for its overview of the sheer scope and variety of the Social Solidarity Economy in Spain and, secondly, to highlight the need for intersectional complementarity among post-capitalist movements. This article is also closely linked to our translation of A Charter for the Social Solidarity Economy – http://tiny.cc/gm4adz

David Olusoga: Blackness, Britishness + the Windrush Generation | 8 Oct 2019 | Hosted by Firstsite, Colchester, UK | To coincide with the opening of Super Black, an exhibition co-curated with members of Colchester’s Black African and Caribbean communities, David Olusoga OBE, a British-Nigerian historian, broadcaster, film-maker and award-winning author, is coming to Firstsite to give a unique talk about the history of British African-Caribbean people, and what it means to be black in Britain today.

Every ticket sold raises money to show free exhibitions of award winning artists, and helps Firstsite fund local creative community projects – including free lunches and activities for families during the school holidays. https://firstsite.uk/whats-on/david-olusoga-talk/

Video Doc: The Sex Pistols Riotous 1978 Tour Through the U.S. South: Watch/Hear Concerts in Dallas, Memphis, Tulsa & More | Open Culture | The Sex Pistols “started out as an elaborate Situationist-inspired performance art piece dreamed up by megalomaniac manager Malcolm McLaren,” wrote Jonathan Crow in a post here at Open Culture about one of the band’s storied, disastrous final shows in Dallas of 1978. After beginning as the creation of McLaren and partner Vivienne Westwood, however, they “evolved beyond just being a stunt.” The statement is objectively true by music history standards. The band’s earliest gigs were directly responsible for almost every major band that took British punk in subsequent post-punk, goth, new wave, dub, etc. directions, including the Buzzcocks, Siouxsie and the Banshees, The Clash, Joy Division, Wire, and too many others to list – http://tiny.cc/rb8adz

Complexity, uncertainty & scalability: How Assemble’s Granby 4 Streets won 2015 Turner Prize | By Stephen Pritchard (originally written in 2016) | “Did Assemble really play such a big part in Granby 4 Streets?  How ‘community-led’ was the project? What was the role of the Community Land Trust? How did Assemble come to win the Turner Prize 2015?  Who were the private social investors and what did they do to help make the project happen? The intention here is to blow open the façade behind Granby 4 Streets, Assemble and the Turner Prize 2015 win. Pritchard argues that the media and art world picture of Assemble is overly simplistic and masks a far more complex and uncertain set of events that, ultimately, relied on ‘mystery’ private social investors to force local government to act in support of the project and to lever money from national grant funders.” http://tiny.cc/dqq4cz

Extra Squeezed… (extra stuff)

Publishing and Administrative Assistant job at Ognota books | We are hiring for a Publishing and Administrative Assistant. Abilities to divine the future, travel in the astral plane and to write funding applications are a major advantage. We particularly welcome applicants with strong earth placements – http://tiny.cc/5potcz

Image credit: Leila Nadir and Cary Adams, from the series Microbial Selfie (2017) 

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

EMBODIMENT / Capture Performance Focus (CPF): IRELAND | Until – 31 Oct 2019 | curated by Helen Carey and Michaela Stock | Young Irish artists of the Fire Station Artists’ Studios to Vienna in collaboration with Austrian artists. The exhibition highlights an inter-cultural dialogue. The central enquiry of the exhibition is around being in the world, and the different ways people inhabit space both conceptual and temporal, manifesting cultural differences and similarities. Ideas explored include how contemporary art explores the shifting of what might be stable ideas for nationality, for gender and how history and experience makes meaning fluid – http://tiny.cc/hwetcz

The Art of Activism Exhibition Launch | Hosted by Friends of the Earth and the print space | You’re invited to join The Art of Activism at our launch night on 19 September, for a first look at the exhibition. You’ll find artworks from the activist & creative community inspired by the whimsical, darkly humorous placards that people make for demonstrations alongside artists including Jeremy Deller and Katharine Hamnett plus more to be announced. The evening is free of charge, but please register for a ticket to avoid disappointment.

Other events in relation to the Launch.

Thursday 26 September | The Art of Activism. Exploring how activism and art intersect.

Wednesday 2 October | 1000 Days of Protest. Celebrating 1000 days of fighting Fracking in Lancashire.

Thursday  10 October  | Climate – what next? Following on from the global climate strike, what does the next stage of the fight look like? http://tiny.cc/vsctcz

Republic of Learning | By MAKE @Story Garden, Central Saint Martins | Friday 20th September 2019 – 10.30am to 1pm | A monthly event bringing together the local community to discuss and explore issues surrounding climate change. Republic of Learning is a monthly event bringing together the local community to discuss and explore issues surrounding climate change. Through creativity, science and conversation we hope to better understand both the global and local impact of climate change, generating an open forum for experts and non-experts to share knowledge, experiences and ask questions of each other.

Our first event will coincide with the Global Climate Strike, an international strike ahead of the UN emergency climate summit, in which young people around the world ask as many people as possible to join them on the streets to protest the government’s lack of action on the Climate Crisis – http://tiny.cc/m9rtcz

YOKO ONO: LOOKING FOR… (Pieces from ‘Grapefruit’ and other works) | Opening: 26 Sep 2019 | 19 Sep 2019 – 1 Nov 2019 | Alison Richard Building, Cambridge, UK | Showcasing Yoko Ono’s work in the city of Cambridge for the first time ever, the exhibition YOKO ONO: LOOKING FOR… will evolve throughout the year 2019, featuring installations, interventions, performances, film screenings and a symposium, taking place at various venues and public sites – http://tiny.cc/c6etcz

Confessions of a Digital Gun for Hire | Hosted by Open Rights G. | September 23, 2019 | Hear a digital marketing expert blow the whistle on deceitful tactics used by digital advertisers and show us how we can “opt out” of the corporate surveillance economy. We’ll also receive an update about Open Rights Group’s AdTech complaint against Google and the Interactive Advertising Bureau. This event is a great way to learn easy and practical ways to protect yourself online from companies that aggressively target and track you across the Internet. Bring your laptops and mobile phones so you can use what you learn immediately – http://tiny.cc/m3htcz

Mr Processor, do you understand life? | Hosted by Aksioma and Cirkulacija2 (Slovenia) | 24 September 2019 | New improvements in machine learning have yet again turned artificial intelligence (AI) into a hot topic. Contextually, the old myth of the Technological Singularity, which first emerged with the early cybernetic thinking and science fiction, has been revived, making us scared about a possible, ever closer, future in which the development of an upgradable intelligent agent could lead to a “runaway reaction” of self-improvement cycles, resulting in a powerful superintelligence that would far surpass all human intelligence – bringing humanity to an end. Is this the only possible outcome of the development of self-awareness in machines? Couldn’t these machines, as often humans do, employ its self-awareness to indulge in stupidity and bad behaviours? Laying claim to art’s freedom to imagine, rather than predict, Slovenian artist Boštjan Čadež’s work Mr Processor, do you understand life? explores this scenario, sardonically commenting on our current, pathological relationship with machines – http://tiny.cc/qigtcz

The Victorian Pleasure Garden | Hosted by London Fortean Society | Wednesday, 25 September 2019 | Historian Lee Jackson, author of Palaces of Pleasure, recounts the history of London’s 19th-century pleasure gardens, from the faltering last days of Vauxhall to Chelsea’s infamous Cremorne Gardens, Highbury Barn and the Eagle Tavern (of “Pop Goes the Weasel” fame). The rise and fall of the Victorian pleasure garden tells us a good deal about the growth of commercial mass entertainment in the industrial age. It’s a story packed with dramatic spectacle, from fake icebergs to burning men, tightrope walkers and human frogs, prostitution and the Polka, parachuting monkeys, and the power of money – FB link – http://tiny.cc/48atcz

Homo Sensorium at DDW Brainwave Wedding Lab | By Baltan Laboratories | Eindhoven, Netherlands | Dates: 19, 20, 25, 26 Oct 2019 | The Wedding lab is a temporary testing ground where love and technology converge. This High Tech wedding experience developed by Baltan Laboratories together with artists Lancel/Maat, investigates future forms of marriage in a technological society. The lab launches a new wedding ritual for a sustainable social future.

When kissing, the wedding couples’ brain activity is measured with EEG sensors. The two patterns of the wedding kiss are materialized and 3d printed in two unique (wedding) rings. The rings encapsulate a code, representing their marriage contract, stored in a Blockchain system, no longer determined by restrictive social mores and local legislation – http://tiny.cc/1cctcz

FutureFest Late: The future of storytelling | Hosted by FutureFest | Thursday, 24 October 2019 | Join us at the Barbican conservatory for an evening of talks, installations and an interactive performance. We’ll be discussing the ingredients of storytelling with writer and critic Olivia Laing, exploring how stories might be told in the future through installations from the Royal College of Art, and immersing ourselves in an animal love story with performance artist David Finnigan. Your FutureFest Late ticket will include a talk, a pop-up installation, an immersive performance and a complimentary drink and canapés – http://tiny.cc/8zbtcz

Books, Call for Papers & Publications

The Horrors of the Atomic Age Through Artists’ Eyes | Clayton Schuster reviews Gabrielle Decamous’s book Invisible Colors: The Arts of the Atomic Age |  How art makes visible what had been invisible—the effects of radiation, the lives of atomic bomb survivors, and the politics of the atomic age. The effects of radiation are invisible, but art can make it and its effects visible. Artwork created in response to the events of the nuclear era allow us to see them in a different way. In Invisible Colors, Gabrielle Decamous explores the atomic age from the perspective of the arts, investigating atomic-related art inspired by the work of Marie Curie, the bombings of Hiroshima and Nagasaki, the disaster at Fukushima, and other episodes in nuclear history – http://tiny.cc/zqhtcz

Entreprecariat (Onomatopee) out soon! | By Silvio Lorusso | Entrepreneur or precarious worker? These are the terms of a cognitive dissonance that turns everyone’s life into a shaky project in perennial start-up phase. Silvio Lorusso guides us through the entreprecariat, a world where change is natural and healthy, whatever it may bring. A world populated by motivational posters, productivity tools, mobile offices and self-help techniques. A world in which a mix of entrepreneurial ideology and widespread precarity is what regulates professional social media, online marketplaces for self-employment and crowdfunding platforms for personal needs. The result? A life in permanent beta, with sometimes tragic implications – http://tiny.cc/dfitcz

PODCAST: ‘Radicals in Conversation’ | Art the Arms Fair with Peter Kennard | by Pluto Press | On 10th September one of the world’s largest arms fairs returns to London. The Defence and Security Equipment International (DSEI) will feature hundreds of exhibitors, including many of the world’s biggest arms manufacturers – BAE Systems, Lockheed Martin, Raytheon, Northrop Grumman and many more besides. Also attending, at the invitation of the UK government, will be countless national delegations, including those from authoritarian regimes, countries in conflict and countries identified as having major human rights concerns – http://tiny.cc/najtcz

What about Activism? | Steven Henry Madoff (Ed.) | With the global rise of a politics of shock driven by authoritarian regimes that subvert the rule of law and civil liberties, what paths to resistance, sanctuary, and change can cultural institutions offer? What about activism in curatorial practice? In this book, more than twenty leading curators and thinkers about contemporary art present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy. What unfolds in these pages is a vast range of ideas—a tool kit for cultural producers everywhere to engage audiences and face the fierce political challenges of today and tomorrow – http://tiny.cc/uvjtcz

Articles, Interviews & Presentations

From Surveillance Capitalism to Glitch Capitalism | Interview with DISNOVATION.ORG — 2019 | Schloss Post | The work of DISNOVATION.ORG is characterized by producing critical works about the cult of technological innovation and disseminating radical counter-narratives. For the web residencies by Solitude & ZKM on the topic »Rigged Systems« curated by Jonas Lund, the working group developed the project Profiling the Profilers as a response to information asymmetry in digital profiles. The work seizes the means of data analytics to create a series of psychological, cultural and political profiles of the most data-extractivist Big Tech companies of our time. In our interview with DISNOVATION.ORG, we spoke about their working processes and their thoughts on the role of copy culture, free access, and media piracy – http://tiny.cc/shdtcz

Ingrid LaFleur – There Are Black People In The Future | Interview by Ruth Catlow | Transcribed by Anna Monkman | Ingrid LaFleur is on a mission to ensure “equal distribution of the future”. The curator of Manifest Destiny in Detroit, she also recently stood for mayor with an Afrofuturist manifesto. Detroit has long played a critical role in the history of ‘domestic and global labor struggles.’

And now its quest for social justice has an avant-entrepreneurial dynamic, working across art, politics and technology. Activists respond to the city’s (often highly racialized) political failures to provide basic utilities with impressive social innovation. The recent boot-strapping community mesh networks for instance, was a response to the fact that 40 percent of Detroit residents have no access to the Internet at all. The alliances and networks formed in this project are now providing the social grounding for peer-to-peer technical education and experimentation with emerging decentralisation technologies. DACTROIT (an EOS project) is now exploring how payment for this infrastructure might be made through a community token.

Catlow, first interviewed LaFleur in July shortly before Detroit Art Week and the opening of Manifest Destiny at Library Street Collective Gallery – http://tiny.cc/6uqtcz

The Art of Being Black in White Spaces – Lesson #1: “You black (and that’s a problem).” | By Ruth Terry | Learning the Art of being black in white spaces is a lifelong process that begins with a single lesson: “You black (and that’s a problem).” I got lesson number one out of the way in kindergarten when Daniel, the other black kid in my class, informed me, “You black!” I went home sobbing. “But Mom, I’m brown! I’m brown!”. White spaces can be defined as having an “overwhelming presence of white people and… absence of black people,” writes sociologist Elijah Anderson, though most are no longer explicitly anti-black. They are, however, fluid. Everything from desegregation and civil rights to upward social mobility and media portrayals of black people have recast the borders of white spaces and, in doing so, defined new ways that blackness is unacceptable within them – https://bit.ly/2micBDB

A Swiss house built by robots promises to revolutionize the construction industry | By Anne Quito | Switerland September 12, 2019 | “Erecting a new building ranks among the most inefficient, polluting activities humans undertake,” reports Qz. “The construction sector is responsible for nearly 40% of the world’s total energy consumption and CO2 emissions, according to a UN global survey. A consortium of Swiss researchers has one answer to the problem: working with robots.” Over four years, 30 different industry partners joined a team of experts at ETH Zurich university for a cutting-edge “digital fabrication” project: building the DFAB House. Timber beams were assembled by robots on site, it used 60% less cement, and it features some amazing ceilings printed with a large-scale 3D sand printer – http://tiny.cc/go7scz

Transgenic Male Mosquito Experiment Failed in the Worst Way | “What seemed like a very straight forward and safe genetic modification to male mosquito, mixing in genes that would end up creating non-viable offspring, seems to have gone wrong as indicated in a paper published in Nature’s Scientific Reports journal (an open access journal). It was expected that most offspring would die quickly, but instead, the few that survived managed to mate with the native population and transfer the mixed in genes. After an initial reduction of Aedes aegypti mosquitoes, they have bounced back and now have genes from the two other mosquito species used to create the original GM males.” (Sourced from Slashdot.org) The article/abstract – http://tiny.cc/d87scz

Big Brother at the border | By Rachael Jolley | Index on Censorship | Jolley argues that travel restrictions and snooping into your social media at the frontier are new ways of suppressing ideas. Travelling to the USA this summer, journalist James Dyer, who writes for Empire magazine, says he was not allowed in until he had been questioned by an immigration official about whether he wrote for those “fake news” outlets. Also this year, David Mack, deputy director of breaking news at Buzzfeed News, was challenged about the way his organisation covered a story at the US border by an official – http://tiny.cc/czdtcz

Extra Squeezed….. extra stuff)

Publishing and Administrative Assistant job at Ognota books | Publishing and Administrative Assistant | We are hiring for a Publishing and Administrative Assistant. Abilities to divine the future, travel in the astral plane and to write funding applications are a major advantage. We particularly welcome applicants with strong earth placements – http://tiny.cc/5potcz

Main image: Bubble up in Blue, 2012, by Amanda Coogan. Part of EMBODIMENT / Capture Performance Focus (CPF): IRELAND, 2019.

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

Expanded Realities Exhibition | Sep 5 — Sep 10 2019 | At Festival Hub Studio | The Expanded Realities programme seeks to find new pathways for storytelling at the intersection of art and technology. With the digital increasingly ever-present and algorithmic living becoming the norm, artists and filmmakers are grasping the opportunity to challenge our understanding of “reality” and offer audiences a space to enhance, expand and re-evaluate their experience of the world around them. The exhibition includes a number of interactive installations as well as a 360 Cinema showcasing a selection of virtual reality films. This year’s installations all seek to push the boundaries of our understanding of interaction, connection and space within the digital landscape – http://tiny.cc/b718bz

The DRHA 2019 Conference – Radical Immersions: Navigating between virtual/physical environments and information bubbles | 8 – 10 September & The group exhibition runs 6-20 September | The exhibition http://tiny.cc/nu18bz engages critically with ideas, practices and beliefs of immersion in relation to digital culture and new media. It will run in parallel with this year’s Digital Research in the Humanities & Arts (DRHA) conference, which will address the same theme and take place in the conference. Keynote Speakers: Prof Matthew Fuller (Goldsmiths University of London) Dr Maria Chatzichristodoulou (aka Maria X; London Southbank University). Radical Immersions is convened by Dr Dani Ploeger and Dr Elena Papadaki. The conference will take place at Watermans Arts Centre in West London and is hosted by The Royal Central School of Speech and Drama, University of London – http://www.2019.drha.uk/

Last chance to apply! Call for participants: Collective Conditions | From 1 July to 10 September | Collective Conditions is a worksession which experiments with the generative potential of codes of conduct, complaints procedures, bug reports and copyleft licenses. We understand these socio-technical protocols as artistic and activist media and are curious about the role they can play in the (different) imagination of complex collectivities. By ’complex collectivity’ we mean, for example, non-normative human constellations, or collectives where participants with radically different needs, backgrounds and agencies come together. ’Complex collectivity’ can be self-chosen, or be the result of structural forces such as laws, racism, technology, wars, austerity, queerphobia and ecological conditions – http://tiny.cc/g218bz

Citizens of Evidence: Independent Investigations for Change | The Art of Exposing Injustice – Part 3 | Hosted by Disruption Network Lab and Supermarkt | Sept 20—21 2019 | Berlin | Workshop at Supermarkt & Tempelhofer Feld · Sept 22 | Exploring the investigative power of grassroots communities and citizens to expose injustice, corruption and power asymmetries. In the context of the debate about deliberate disinformation, fake news, and spreading of false facts, does it still make sense to speak about “evidence” as providing direct proof of the truth of facts? How can journalists, storytellers and activists provoke awareness by disclosing hidden information, when the boundary between the meaning of what is fake and what is real is becoming progressively blurred? | Curated by Tatiana Bazzichelli. In cooperation with: Transparency International – http://tiny.cc/m748bz

Book Launch of ‘Free, Fair, and Alive: The Insurgent Power of the Commons’ | Mon, 16 September 2019 | By UCL Institute for Global Prosperity | The Institute for Global Prosperity, UCL is delighted to host the launch of ‘Free, Fair and Alive: The Insurgent Power of the Commons’, a book by David Bollierand Silke Helfrich. The event will be introduced by Ruth Catlow, Co-Founder and Artistic Director of Furtherfield and DECAL Decentralised Arts Lab, followed by presentations from authors David Bollier and Silke Helfrich, and finishing with a response from Dr Feja Lesniewska, Senior Teaching Fellow on Climate Change and Energy Law and Policy at the School of Interdisciplinary Studies, SOAS, and Research Fellow at the Science, Technology, Engineering and Public Policy department at UCL – http://tiny.cc/k208bz

Control voltage 6: Fiend/Masal/Justin Paton/The Spermaceti Organ | Thursday, 12 September 2019 | Westcliff, Essex, UK | Four Great Electronic acts join us for another night of audio visual delight. Best PA in town and a brand new projector bring you a full sensory experience. FIEND – Brendan O’Hares one man Post Rock masterclass – what more can you wish for. Masal – Ozlem Simsek & Alien Music UK – just for this performance Masal are ditching the computer and presenting two long-form improvised pieces one nice and one nasty. THE SPERMACETI ORGAN – Southend scene stalwart Steve O’Malley has finally crossed the Rubicon and has stepped up as a performer, improvised electronics to kick off the night. Justin Paton – Brings us some live acid – a real treat for the feet. FB link – http://tiny.cc/em48bz

STATISTA Presentation Week | 12–16 September 19 | Opening: 11 September 19, 7 pm | Venue: Haus der Statistik, Karl-Marx-Allee 1, 10178 Berlin | The complete program of events will be available at www.allesandersplatz.berlin. Within the vast empty spaces of the Haus der Statistik near Alexanderplatz, STATISTA is testing whether working in the spirit of the Commons is an option even within today’s context of city development. With the aid of ten distinct playing fields, STATISTA generates artistic prototypes for a civil society built on collective principles. Including neighbourhood initiatives, a cryptocurrency reflecting the wellbeing of bees, a facade design built for ecological inclusivity, and an international conference. Temporary usage, in this case, does not lead to gentrification, but to a form of urban renewal that is to the benefit of all – https://www.kw-berlin.de/en/statista-presentation-week/

OPEN SCORES. How to program the Commons | Curated by Creating Commons (Shusha Niederberger, Cornelia Sollfrank, Felix Stalder) | For the exhibition, artists have developed a SCORE relating to their practice. A SCORE can have different meanings: It can be a general instruction, a working instruction, a performance instruction or an operating instruction. In any case, it is meant to lead to a realization of an intended action and as such is an interface between a human actor and an object/material/machine. And a SCORE can also be linked to a technical HOWTO document, in that it contains information on how to perform a specific task. Within the exhibition, the newly developed SCORES add an aesthetic layer while pointing to the socio/political impact of the presented projects. The exhibition features interviews conducted as part of the research project as well as a temporary library on the subject of digital commons. Furthermore, there will be a program of talks, screenings, and workshops.

21 September 2019 – 12 October 2019 | Wed. til Sat 15:00 ~ 19:00 and for special events | VERNISSAGE : Saturday, September 21st 2019 20:00 TEMPLATES, Music Performance, Johannes Kreidler 21:00 Let’s make a salad. Homage to Alison Knowles 22:00 DJ Gigsta 23:30 DJ ROLUX-FOX – https://www.panke.gallery/exhibition/open-scores/

Exhibition – Rewriting The Future | Sophia Al Maria, Sonya Dyer, Ursula Mayer, Victoria Sin | 27 Sep 2019 – 26 Jan 2020 | Site Gallery, Sheffield, UK | Feminist artists and writers have long been presenting new angles on gender, power, ecology and community and this exhibition explores some of those narratives. In an age where wealth controls our systems of power and the world is ruled by patriarchal societies, feminist speculative perspectives can offer new insights, predictions and even possible alternatives. The exhibition will be accompanied by a digital publication compiling new speculative fiction writing from some brilliant feminist minds. Curated by Angelica Sule – http://tiny.cc/vu28bz

Books, Call for Papers & Publications

The Controversial Archive: Negotiating Horror Images in Syria | by Enrico De Angelis | ‘The Controversial Archive: Negotiating Horror Images in Syria’ is part of the upcoming INC Theory on Demand book titled ‘The ArabArchive: Mediated Memories and Digital Flows” edited by Donatella Della Ratta, Kay Dickinson, and Sune Haugbolle – http://tiny.cc/tcg9bz

The Authoritarian Personality | Verso Books | By Theodor Adorno, Else Frenkel-Brunswik, Daniel J. Levinson, and R. Nevitt Sanford With Betty Aron, Maria Hertz Levinson, and William Morrow Introduction by Peter E. Gordon | What makes a fascist? Are there character traits that make someone more likely to vote for the far right? The Authoritarian Personality is not only one of the most significant works of social psychology ever written, it also marks a milestone in the development of Adorno’s thought, showing him grappling with the problem of fascism and the reasons for Europe’s turn to reaction. Over half a century later and with the rise of right-wing populism and the reemergence of the far-right in recent years, this hugely influential study remains as insightful and relevant as ever – http://tiny.cc/krg9bz

Articles, Interviews & Presentations

Post-Platform Desires: Build 1, 2, 3 New | By Geert Lovink | The text is written as an introduction to a week-long discussion on the empyre email list in which I participate, with the topic STAY UNFINISHED, YOURS SINCERELY, moderated by Shulea Cheang. The debate happens in conjunction with STAY UNFINISHED, the 5th edition of Stadtwerkstatt‘s 48 hour showcase extravanganza held in association with Ars Electronica (Linz), curated by Tanja Brandmayr, Shu Lea Cheang and Franz Xaver – http://tiny.cc/54f9bz

The Vernacular of Space Through Images of the Moon | By Jonathan Atkins on Hyperallergic | The Met’s exhibition shows us that our cosmos is divided between the pictured, and the real, and that the character of the pictorial asserts a powerful influence over our conception of the actual. “The images were beguiling and beautiful less often for the visual experience — the landscapes of Mars or Venus are in these pictures stubbornly ordinary — than for the knowledge I vested in them, or perhaps for the color they brought to my knowledge. These were places, actual locales, from which no compass could point you home.” – http://tiny.cc/46e9bz

Margaret Atwood Expands the World of “The Handmaid’s Tale” | Review by Jia Tolentino | In the New Yoker | In “The Testaments,” the novelist examines the kinds of complicity that are required for constructing such a frightening future. Women wore this uniform to the protest in Texas, and they have since worn it to protests in England, Ireland, Argentina, Croatia, and elsewhere. When “The Handmaid’s Tale” was published, in 1985, some reviewers found Atwood’s dystopia to be poetically rich but implausible. Three decades later, the book is most often described with reference to its timeliness – http://tiny.cc/rah9bz

How Porn Performers Fall Victim to Twitter Impersonators | By Lux Alptraum | Medium | Adult entertainment workers count on social media to connect with fans, but the platform’s opaque rules leave them vulnerable to impersonators | “A few weeks ago, a porn performer friend of mine tweeted out a seemingly simple request. Someone had created a Twitter account impersonating her, one that not merely used her name and image, but copied her bio verbatim, creating a page that could easily be mistaken for the real thing at first glance. She wanted her friends and followers to report it.” – https://tinyurl.com/y2rpqsk5

Wire Formation: eerie images of Dhaka’s appetite for electricity | Guardian | Photographer Sounak Das walks the city’s streets at night, which are devoid of the people whose demands for electricity create tangled, sculptural structures – http://tiny.cc/vkh9bz

Main image: Predictive Art Bot by disnovation.org – Installation, 2017 | Recently exhibited at Radical Immersions exhibition at Watermans Arts Centre 2019.

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events, Exhibitions, Festivals and Conferences

THE ATMOSPHERICS 9 (A Blue Million Miles) | Jeremy Welsh & Trond Lossius,Aug 23 – Sept 29, 2019 | The Atmospherics is one of the ongoing collaborative projects of Trond Lossius and Jeremy Welsh. Through field recordings they capture unique qualities from different natural landscapes and urban areas. The recorded audio and video material is then filtered, edited, modified and mixed to highlight some characters or to mute others. The intention is not to document the sites, but rather to build a database of audiovisual material that is combined in different ways in their installations, where each assembly becomes a “temporary place”, constructed of impulses from different geographical areas. https://teks.no/event/atmospherics-9/

XEN – Assemblage #10 Technoshamanism | Hosted by XenoEntities Network, Aug 31st 2019 | Panel discussion about INDIGENOUS HEALTH / BRAZIL: “Mutirão Pataxó: Task Force for Health!” with Fabiane M. Borges & Rafael Frazão in conjunction with XEN presents: Anti-hijacking Dream Lab presented by XenoEntities Network in collaboration with Maria F. Scaroni | The invitation is extended to anyone interested in what is happening now to the indigenous population in Brazil | free entry – Uferstudios Für Zeitgenössischen Tanz, Studio 11 | Berlin, Germany | FB – Link – http://tiny.cc/9dlibz

The Old Waterworks Relaunch | Hosted by The Old Waterworks | Reopening our doors and kicking off with a relaunch event on Saturday 31 August, 12-6pm! “Throughout the day our new library is accessible to browse, a collaboration with GRRRL ZINE FAIR and The Agency of Visible Women. TOW’s risograph printer will be up and running for you to print your own poster, and a drop in zine making workshop will be running on the day too.” Southend-on-Sea, Essex, UK | FB link – http://tiny.cc/smkibz

Sonic Electronics with Territorial Gobbing / High Pit / LauraNetz | Hosted by Laura Netz and Theo Gowans | Sonic Electronics is an experimental event which happens 1st Wednesday monthly The Others – Stoke Newington. “We propose an anti-techno-capitalist approach to music genres like ambient, drone, techno, experimental, electronics, acousmatic, live coding, noise, vaporwave, glitch, …..” Sonic Electronics is an inclusive event to the LGBT community, female artists, no discrimination on gender, races, MH, disability | FB link – http://tiny.cc/6llibz

Jan Robert Leegte – Clear Obscure | 07.07–​01.09.2019 | Jan Robert Leegte’s ex­hi­bi­tion Clear Obscure fills the Ge­nieloods with draw­ings and per­for­mances. The draw­ings refer to the prac­tice of chiaroscuro from the Re­nais­sance pe­riod. The com­puter per­for­mances range from doc­u­ment per­for­mances and syn­thetic wilder­nesses to recita­tions from be­hind the wall of the black box. As ar­chi­tec­ture the in­stal­la­tion mir­rors the en­vi­ron­ment of Fort bij Vijfhuizen, cre­ating an im­mer­sive land­scape of mul­tiple per­spec­tives, frag­ments and times – http://tiny.cc/4ojibz

Opening: The Underlying by Ami Clarke | Exhibition hosted by arebyte gallery | The Underlying, a new body of work by London based artist Ami Clarke, including Derivative (Virtual Reality, 6 mins), Lag Lag Lag (video interface with live sentiment analysis), and The Prosthetics (prosthetic optics, blown glass). The contractual condition of both finance, and insurance, reveals the negative effects of capitalism on the environment, through a relationship with the past, that indicates that the future is coming up increasingly short. Thursday, 19 September 2019 | FB link – http://tiny.cc/ou8jbz

CITIZENS OF EVIDENCE: Independent Investigations for Change | Exploring the investigative impact of grassroots communities and citizens to expose injustice, corruption and power asymmetries. The Art of Exposing Injustice – Part 3. In the context of the debate about deliberate disinformation, fake news, and spreading of false facts, does it still make sense to speak about “evidence” as providing direct proof of the truth of facts? How can journalists, storytellers and activists provoke awareness by disclosing hidden information, when the boundary between the meaning of what is fake and what is real is becoming progressively blurred? Curated by Tatiana Bazzichelli. In cooperation with Transparency International |  #dnl17 #Citevidence · Berlin · september 20—21 · 2019 – http://tiny.cc/1a7jbz

RE: Infrastructures | Exploring the collective care and maintenance of alternative networking practices—new protocols, peer-to-peer connections, offline-first computing, and community-based governance. Our Networks is a conference about the past, present, and future of building our own network infrastructures. The event brings together enthusiasts, hardware and software hackers, researchers, organizers and more to collectively explore creative and critical engagements with the Internet and alternative infrastructures  September 20–22, 2019 Toronto Media Arts Centre, Toronto, Ontario – https://ournetworks.ca/

Books, Call for Papers & Publications

How to Make a Mask | By Pedro Barateiro | Edited by João Mourão and Luís Silva | How to Make a Mask borrows its title from a 2011 performance by the Portuguese artist Pedro Barateiro in which he reflects upon the role of the individual within the sociopolitical situations of the collective through references ranging from psychological tests to the history of theater. It is now apparent, after all these years, that such new forms of communication and interaction are easily manipulated, facilitating new forms of political control. Along with the artist’s own writings and visual material, this volume features new essays by Ana Teixeira Pinto and Anders Kreuger, an epilogue by Pieternel Vermoortel and Els Silvrants-Barclay, and an extended note by the editors João Mourão and Luís Silva | Sternberg Press – http://tiny.cc/6pnibz

Call for Papers! Reflecting Black: 400 Hundred Years of African American Life and History | Thursday, October 24, 2019 | The Symposium aims to promote cutting-edge research in Africana studies produced by scholars and emerging scholars. During the symposium, we will also discuss effective transdisciplinary pedagogical strategies and creative methods that faculty might employ to enrich the educational experiences of students of color, especially transfer and first-generation college students – http://tiny.cc/xtekbz

Peter Kennard: Visual Dissent | This fully illustrated anthology showcases key images from Peter Kennard’s work as Britain’s foremost political artist over the last fifty years. The book centres around Kennard’s images, photomontages and illustrations from protests, year by year, which provoked public outrage; including Israel/Palestine protests, anti-nuclear protests, responses to austerity, climate destruction, and more. Each image is accompanied by captions detailing not only the events in question, but Kennard’s approach to the work, including the genesis of the images and the techniques employed. Pluto Press – http://tiny.cc/6n9obzh

The Art of Direct Action: Social Sculpture and Beyond | Karen van den Berg, Cara M. Jordan, Philipp Kleinmichel (Eds.) | One of the most significant shifts in contemporary art during the past two decades concerns artists and collectives who have moved their artistic focus from representation to direct social action. This publication shows why this transition might change our understanding of artistic production at large and make us reconsider the role of art in society. The book gathers internationally recognized artists, scholars, and experts in the field of socially engaged art to reflect upon historical developments in this field and explore the role that German artist Joseph Beuys’s concept of social sculpture played in its evolution | SternbergPress – http://tiny.cc/ulpibz

Matter and Form, Self-Evidence and Surprise: On Jean-Luc Moulène’s Objects | By Alain Badiou | Foreword by Miguel Abreu | Translated by Robin Mackay | The eminent French philosopher “dialecticizes” five of the artist Jean-Luc Moulène’s objects with five conceptual formations from the history of Western philosophy. Badiou’s musings go on to pair a broken and repaired plastic chair with Victor Hugo; a terrible hand made of concrete with the Freudian unconscious; and a large-scale “red and blue monster” with rudimentary mechanisms of the Cartesian cogito, the famous “I think, therefore I am,” with unexpected inversions and variations – http://tiny.cc/e0nibz

Articles, Interviews & Presentations

UK’s first-ever permanent rainbow crossing unveiled in London | By Vic Parsons on Pink news | For the first time, a permanent rainbow crossing in solidarity with the LGBT+ community has been installed on a street in London. The crossing – which is actually four separate rainbow crossings, across four lanes of major roads – has been unveiled in Lambeth, a south London borough, and was officially opened on August 16 – http://tiny.cc/l4ekbz

India: Digital Platforms, Technologies and Data in the 2014 and 2019 Elections | When Tactical Tech’s Data and Politics research team began to investigate how personal and individual data was being utilised in modern, digitally-enhanced political campaigns, we were quickly struck by the unbalanced coverage, particularly in the media, of the methods and strategies of data acquisition, analysis and utilisation by political campaigns across countries and different political contexts – http://tiny.cc/zzekbz

A cycle of renewal, broken: How Big Tech and Big Media abuse copyright law to slay competition | Cory Doctorow | As long we’ve had electronic mass media, audiences and creators have benefited from periods of technological upheaval that force old gatekeepers to compete with brash newcomers with new ideas about what constitutes acceptable culture and art. Those newcomers eventually became gatekeepers themselves, who then faced their own crop of revolutionaries. But today, the cycle is broken: as media, telecoms, and tech have all grown concentrated, the markets have become winner-take-all clashes among titans who seek to dominate our culture, our discourse and our communications | Boing Boing – http://tiny.cc/t5iibz

I Am a Meme Now — and So Are You | By Timothy Kreider | Maybe wisdom is accepting that you don’t get to decide who you are | The culture of unabashed appropriation on the internet only makes more literal the loss of ownership to which any artist has to resign themselves. Any time you publish a piece of writing, or release a work of art into the world, you relinquish control over it. People get to interpret it however they want, projecting their experience and biases onto it, twisting it to fit their own history and issues, sometimes misunderstanding it entirely. Medium – https://humanparts.medium.com/i-am-a-meme-now-and-so-are-you-3bae8ecf9971

New evidence emerges of Russian role in Ukraine conflict | Forensic Architecture, a London-based research group, has collected and catalogued evidence of Russian military involvement in the battle of Ilovaysk in August 2014, including the presence of a model of tank used only by the Russian armed forces at that time. The evidence will be appended to a case to be ruled on by the European court of human rights (ECHR) and has been released on a publicly viewable online platform | Shaun Walker, Guardian – http://tiny.cc/1i4fbz

Market Forces video documentation | Film of the Market Forces event on Thursday 18th July 2019 hosted by Swap Market at Bike for Good, Govanhill, Glasgow | The event looked at the relationship of artists project to issues of gentrification and rent increase. With talks from Stepehen Pritchard, Raman Mundair, Peel Eezy, Living Rent and an introduction from artists in residence for Southside Central: Alex Wilde, Ailie Rutherford and Alaya Ang – https://vimeo.com/354722263

‘It’s an act of defiance’: the rise of all-female festival lineups | Sarah Marsh | Major music festivals such as Reading and Leeds continue to feature mostly male artists, but a number of events are fighting back by removing men from the billing altogether. This year, a number of festival organisers are attempting to redress the issue by having only women on stage. Those with all-female lineups include Native festival in Kent, Loud Women Fest in north London, and Boudica festival in Coventry | Guardian – http://tiny.cc/pziibz

Concrete Science Fiction Riot: Why Do We Ignore The 70s French Underground? | By Warren Hatter | English-speaking music fans don’t clumsily refer to “underground and progressive German music of the 70s”, because we have a handy shorthand: Krautrock. No such luck if you’re looking to refer collectively to a body of work that is just as challenging and impressive overall: the French avant-garde/progressive underground of the same period | The Quietus – http://tiny.cc/3j5fbz

Main image “Drawings” Jan Robert Leegte – Clear Obscure. Pastel on paper, 2019. Shown at Kunstfort bij Vijfhuizen 2019.

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change

Events & Exhibitions

SCRATCH! George Barber | TACO! presents SCRATCH! | An exhibition of over 15 works made between 1983 and 2012 by the influential British Video artist George Barber. Though George Barber’s work is as varied and fluid as it is non conformist and irreverent, this exhibition focuses exclusively on a specific approach in his production oeuvre, – that of Barber’s use of appropriation. The exhibition is accompanied by a programme of events including screenings, talks and experimental music | see — https://taco.org.uk/George-Barber-SCRATCH

Unpredictable Series presents AV Night | Wednesday, 21 August 2019 | Unpredictable Series presents AV Night dedicated to various audiovisual performances, combining digital and analogue approaches with improvisation in each set. The evening will feature: The first time trio: Matt Black, Blanca Regina and Reuben Sutherland | FB invite – http://tiny.cc/ryk6az

MTCD – A Visual Anthology of My Machine Life | A lecture performance, in which the artist Teresa Dillon walks through key machines that have marked her life – it begins with an incubator, which has significantly affected her life, but not just hers; for most machines in her life, almost all of us remember their first use: the internet, for example, an android robot, or a mobile phone. She talks about machines, but also about people and places and relationships – therefore, it is not a performance about machines, but rather about us | 2 dates · 25 Aug – 26 Aug 2019 – http://tiny.cc/v6k6az

Porn The Theory – Fantasy The Practice | By Stewart Home & Itziar Bilbao Urrutia — 30 August 2019, 7-10PM | Public · Hosted by Cable Depot and Darling Pearls & Co | The exhibition invites us to re-consider obsolete gender politics in the arts as well as in the sex industry. Porn The Theory (2019) – 06’42’’ – is a re-enactment of the butter scene from Last Tango In Paris (1972). In it Stewart Home plays the part originally assigned to the actress Maria Schneider (1952-2011) while Itziar Bilbao Urrutia plays composite of the male roles: Marlon Brando (1924-2006) and Bernardo Bertolucci (1941-2018) FB link – http://tiny.cc/b7l6az | Exhibition Continues : 31 August – 1 September 2019

Susan Hiller at Matt’s Gallery presents Ghost / TV | An exhibition of objects and video by Susan Hiller that continues her investigations into the numinous, the ephemeral, and the personal. At the time of her passing in January 2019, Hiller was due to start planning her fifth exhibition with Matt’s Gallery, following on from Work in Progress in 1980, An Entertainment in 1991, The Last Silent Movie in 2008, and Channels in 2013 – shows which introduced some of her most groundbreaking and iconic works. The exhibition had to be postponed, and Ghost / TV has been developed since then in close collaboration with Susan Hiller’s son, Gabriel Coxhead. 25 September–27 October 2019 | Private View: Sunday 22 September 2019 — http://tiny.cc/6kh8az

Live Code Summer School | European live coding summer school! Learn to quickly+easily make algorithmic patterns with Hydra (for visuals) or TidalCycles/FoxDot (for music). Hang out with other nice people in the fine city of Sheffield, one of the crucibles of electronic music, with the rugged Peak District national park a stone’s throw away. 30th Aug (around 5pm-7pm) & 31st Aug – 1st Sep (10am-5pm both days) – a two-day intensive course in TidalCycles or Hydra, from the ground up. Full info and registration: https://livecode-summerschool.github.io/

LYDIA LUNCH Presents: SO REAL IT HURTS | Lydia Lunch & special guests come together to mark the London launch of her most recent book, So Real It Hurts. An occasion for senseless celebration | “So Real It Hurts is the perfect title for this collection. It’s a mission statement. A few bleeding slices straight from the butcher shop. A sampler from an enormous archive of work that will, no doubt, be pored over by grad students, book lovers, film historians, music nerds and straight-up perverts a hundred years from now.” | At the Horse Hospital, London  Friday, 13 September 2019 7:30 pm 11:30 pm – http://tiny.cc/mvu6az

Books

Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Created Cryptocurrency | By Finn Brunton | The incredible story of the pioneers of cryptocurrency takes us from autonomous zones on the high seas to the world’s most valuable dump, from bank runs to idea coupons, from time travelers in a San Francisco bar to the pattern securing every twenty-dollar bill, and from marketplaces for dangerous secrets to a tank of frozen heads awaiting revival in the far future. Along the way, Digital Cash explores the hard questions and challenges that these innovators faced: How do we learn to trust and use different kinds of money? What makes digital objects valuable and more – http://tiny.cc/3rn6az

ORGANIZE | By Timon Beyes, Lisa Conrad, and Reinhold Martin | A pioneering systematic inquiry into—and mapping of—the field of media and organization | The dialogical form of the essays in Organize provides a concise and path-breaking view on the recursive relation between technological media and social organization. Bringing together leading media thinkers and organization theorists, the book interrogates organization as an effect and condition of media, and establishes and maps “media and organization” as a highly relevant field of inquiry | University of Minnesota Press – http://tiny.cc/r2t6az

Josephine Berry – Art and (Bare) Life: A Biopolitical Inquiry | By Joesphine Berry | Art and (Bare) Life: A Biopolitical Inquiry analyzes modern and contemporary art’s drive to blur with life, and how this is connected to the democratic state’s biologized control of life. Art’s ambition to transform life intersects in striking ways with modern biopower’s aim to normalize, purify, judge, and transform life-rendering it bare – http://tiny.cc/mak6az

Guidebook for an Armchair Pilgrimage | Phil Smith & Tony Whitehead (text) ~ John Schott (photography) | In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for nuns wanting to make a pilgrimage in the imagination, whilst confined to their religious houses. The Guidebook followed Fabri’s example: first walking together over many weeks – not to reach a destination but simply to find one – then, in startling words and images, conjuring an armchair pilgrimage for the reader… along lanes and around hills, into caves and down to the coast. Triarchy Press – http://tiny.cc/0yw6az

Digital Sound Studies | Editor(s): Mary Caton Lingold, Darren Mueller, Whitney Trettien | The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities | Duke press – http://tiny.cc/n5o6az

Animals and Women: Feminist Theoretical Explorations (1995) | Editor(s): Carol J. Adams, Josephine Donovan | A collection of pioneering essays that explores the theoretical connections between feminism and animal defense. Offering a feminist perspective on the status of animals, this unique volume argues persuasively that both the social construction and oppressions of women are inextricably connected to the ways in which we comprehend and abuse other species. Furthermore, it demonstrates that such a focus does not distract from the struggle for women’s rights, but rather contributes to it | Duke press – http://tiny.cc/8ep6az

Articles & Interviews

Last Night A Distributed Cooperative Organization Saved My Life: A brief introduction to DisCOs | By Stacco Troncoso and Ann Marie Utratel | A set of organisational tools and practices for groups of people who want to work together in a cooperative, commons-oriented, and feminist economic form. DisCO is also an alternative to another form called the Decentralized Autonomous Organizations, or DAO. By design, DAOs can earn their own money, and contract and pay for services — they can actually create and wield their own economic power, according to the interests of their programmers – http://tiny.cc/xnj6az

Murray Bookchin’s libertarian technics | The first in a series of critical introductions to thinkers and concepts that inform discussion of the climate crisis, looking at Murray Bookchin’s ideas about technology. For Bookchin, the profit motive constrains and limits human creativity to that which can be commodified – http://tiny.cc/yl1xaz

The Artistic Achievements of Native Americans Through the Ages | By Eric Vilas-Boas | The Metropolitan Museum of Art’s series of talks and tours on Art of Native America: The Charles and Valerie Diker Collection helps visitors better contextualize artwork by Indigenous creators across the centuries. It was a big deal when the Metropolitan Museum of Art began displaying work by Indigenous artists in its American Wing in 2018. […] The acquisition and subsequent 2018 exhibition sought to correct that discrepancy in the Met, as well as locate work by Indigenous artists firmly within the context of “American art.” | Hyperallergic – http://tiny.cc/nqp6az

Peaches on her post-human sex toy art show: ‘It’s disturbing – but a lot of fun’ | Benoit Loiseau | The pop provocateur has created an artwork in which an army of ‘fleshies’, or masturbation devices, seek sexual liberation. She talks us through its deeper meanings | The work was one of 100 that appeared in Calle’s show Take Care of Yourself, which premiered at the Venice Biennale. Then in 2013, Yoko Ono invited Peaches to re-enact her seminal 1964 performance Cut Piece, letting audience members snip away at the singer’s clothes until they had entirely gone. Now, 20 years after unleashing her sex-positive signature song Fuck the Pain Away, Peaches finally has an exhibition of her own | Guardian – http://tiny.cc/2yq6az

Futures of Habermas’s Work | By Matthias Fritsch | THE 90TH BIRTHDAY of Germany’s most important living philosopher provides a welcome opportunity to reflect on the mark his work will have left. What legacy will his work leave for humanity? What aspects of his immense corpus will endure for future generations? I will single out three areas in response to these questions as we celebrate Habermas’s birthday – http://tiny.cc/9xa8az

Why Posting Selfies With Street Art Could Get You Sued | By Helen Holmes | Observer | We already know that copyright infringement and intellectual property law dictates that original artistic work may be used for another purpose only when permission is granted by the creator. When permission isn’t granted, things can get hairy. Apparently, a new precedent is being set: social media influencers with big followings are being sued for posting content where the influencer in question is posing in front of artwork, without having asked the artist first – http://tiny.cc/0or6az

Extra Squeezed extra stuff)

Metal Liverpool (UK) Are hiring new staff | Administrator &  Projects Manager | Visit here for more details – http://www.metalculture.com/vacancies/

Image: Susan Hiller: Ghost / TV | Matt’s Gallery 25 September–27 October 2019

A list of Furtherfield recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events & Exhibitions

Paloma Polo: The earth of the Revolution | Arts Catalyst | Thu 11 July 2019 – Sat 3 August 2019 | The second phase in the Towards the Planetary Commons exhibition programme will see artist Paloma Polo’s The earth of the Revolution (2019) premiered for the first time. Emerging from Polo’s research in the Philippines, cultivated over three years, and during which time the artist located herself at the heart of the ongoing democratic struggles in the region – a struggle in which marginalised countryside communities are actively fighting for democratic and progressive transformations, emancipation and the common good – this new work offers viewers a glimpse into the political practices that underlie the revolution – http://tiny.cc/gaofaz

Algorave | Herbert Art Gallery & Museum, Coventry, UK| 16 August 2019 | Organised by Antonio Roberts | An evening of futuristic electronic rhythms, brought to you by some of the leading lights of the Algorave movement. Experience the exciting and unpredictable phenomenon of algorithms brought to life as music and visuals. Featuring Maria Witek, Innocent, Rosa Francesca and Carol Breen. Tickets only £5! Book here – http://tiny.cc/d2nfaz

Europa Endlos | In collaboration with CPH:DOX | 21 mar – 11 aug 2019 | In 2019 Kunsthal Charlottenborg puts Europe and the EU on the agenda with a group exhibition presented in collaboration with CPH:DOX, one of the world’s most important documentary film festivals | The exhibition presents installation, sculpture, film and photography by the international artists Monica Bonvicini (1965, Italy), Jeremy Deller (1966, Great Britain), Daniil Galkin (1985, Ukraine), Sara Jordenö (1974, Sweden), Šejla Kamerić (1976, Bosnia-Hercegovina), Bouchra Khalili (1975, Morocco), and some older exponents such as Jimmie Durham (1940, USA), the artist duo Fischli Weiss with Peter Fischli (1952, Switzerland) and David Weiss (1946 – 2012, Switzerland) as well as the pioneers Olafur Eliasson (1967, Iceland/Denmark) and Wolfgang Tillmans (1968, Germany). All the selected art works deal with current topics regarding Europe today and EU’s role in the future, some with an activist approach, others in a more documentary style – http://tiny.cc/q2kfaz

At the 58th International Art Exhibition – La Biennale di Venezia, the Danish-Palestinian artist Larissa Sansour presents Heirloom, an otherworldly rumination on memory, history and identity. Comprising of a two-channel science-fiction film, a sculptural installation and an architectural intervention, the exhibition invites the viewer into a dark universe. “The film, entitled ‘In Vitro’, is staged in the town of Bethlehem decades after an eco-disaster. The dying founder of a subterranean orchard is engaged in a dialogue with her young successor, who is born underground and has never seen the town she’s destined to replant and repopulate. Inherited trauma, exile and collective memory are central themes.” – https://www.danishpavilion.org/

Trying out divinatory strategies for Making | Hosted by Access Space, Heffield | 6-9.30, Friday 2nd August | Access Space Artist in Residence, Hestia Peppe, is holding a residency event and all are welcome. Hestia is a doctoral candidate at Sheffield Hallam University. Her research concerns divinatory methodologies for arts practice. Book on FB – http://tiny.cc/6gqfaz

Faith Ringgold exhibition at Serpentine Galleries | London, United Kingdom, 6 Jun 2019 – 8 Sep 2019 | Focusing on different series that she has created over the past 50 years, this Serpentine survey will include paintings, story quilts, tankas and political posters. It will be the first solo exhibition of Ringgold’s work in a European public institution – http://tiny.cc/9ckfaz

Books

This is Not Propaganda: Adventures in the War Against | By Peter Pomerantsev | ‘The world’s most powerful people are lying like never before, and no one understands the art of their lies like Peter Pomerantsev.’ Oliver Bullough, author of Moneyland: The Inside Story of the Crooks and Kleptocrats Who Rule the World. As Pomerantsev seeks to make sense of the disinformation age, he meets Twitter revolutionaries and pop-up populists, ‘behavioural change’ salesmen, Jihadi fan-boys, Identitarians, truth cops, and much more. Forty years after his dissident parents were pursued by the KGB, he finds the Kremlin re-emerging as a great propaganda power. His research takes him back to Russia – but the answers he finds there are surprising – http://tiny.cc/lopfaz

Cult of the Dead Cow: How the Original Hacking Supergroup Might Just Save the World | by Joseph Menn | The shocking untold story of the elite secret society of hackers fighting to protect our privacy, our freedom — even democracy itself Cult of the Dead Cow is the tale of the oldest, most respected, and most famous American hacking group of all time. Though until now it has remained mostly anonymous, its members invented the concept of hacktivism, released the top tool for testing password security […] Today, the group and its followers are battling electoral misinformation, making personal data safer, and battling to keep technology a force for good instead of for surveillance and oppression. Cult of the Dead Cow shows how governments, corporations, and criminals came to hold immense power over individuals and how we can fight back against them – http://tiny.cc/07ofaz

Nationalism on the Internet: Critical Theory and Ideology in the Age of Social Media and Fake News | By Christian Fuchs | In this timely book, critical theorist Christian Fuchs asks: What is nationalism and what is the role of social media in the communication of nationalist ideology? Advancing an applied Marxist theory of nationalism, Fuchs explores nationalist discourse in the world of contemporary digital capitalism that is shaped by social media, big data, fake news, targeted advertising, bots, algorithmic politics, and a high-speed online attention economy – http://tiny.cc/dujfaz

Articles & Interviews

Nonument symposium part 2: How artists deal with old monuments that polarize opinions | By Regine Debatty | Second part of an overview of the Nonument Symposium dedicated to hidden, abandoned and forgotten monuments of the 20th century which took place last June at CAMP, Prague’s Centre for Architecture and Metropolitan Planning. http://tiny.cc/zyhfaz

Digital design and time on device; how aesthetic experience can help to illuminate the psychological impact of living in a digital culture | By Vanessa Bartlett | Aesthetic techniques are increasingly used by marketeers to create enticing digital products. In this paper, I work with the aesthetic experiences of one audience group to consider the psychological impact of living in a culture where digital devices are deliberately designed to influence behaviour. I argue that aesthetic encounters can help with understanding the impact of the interplay between visual stimulus, affect and digital culture, in ways that may support situated understandings of mental distress in a digital age. I show how audiences respond to the artist-led research project (and exhibition) Are We All Addicts Now? – http://tiny.cc/9gjfaz

Downloads preparations for two talks on PDF | By artist Annie, Abraham’s | The first #PEAE (Participatif Ethology in Artificial Environments) is about her relation to electronic literature and struggles defining artworks. In the second Diffractive Reading in the Reading Club, Abraham’s describes how she became to consider the Reading Club as an example of a diffractive reading practice – https://aabrahams.wordpress.com/2019/07/29/elocork/

“Inter Alia: Aliens and AI” 2019 | By Rita Raley and Russell Samolsky. The premise of this paper is that the disquieting sense that AI possesses, or is possessed of, an external intelligence, one that operates autonomously, unpredictably, and, in our deepest fears, mutinously, is projectively displaced onto extra-planetary aliens. Our paper offers an analysis of Trevor Paglen’s satellite work, The Last Pictures, as well as Eduardo Kac’s Inner Telescope and Lagoogleglyph series. We conclude with a speculative imagining of an AI-archaeologist encountering in the distant future the orbital ring of dead satellites, one of which contains Paglen’s curated image archive. Free PDF Download here – https://escholarship.org/uc/item/8453532n

Daniel Rourke via Twitter, offers three decolonising reading lists, made by others, he has saved over the years (big thanks to Daniel):

Human, Social, and Political Sciences Tripos (2018-2019) at Cambridge | What follows is a general list of important decolonial texts, a brief history of decolonization of HSPS at Cambridge, some advice on how to tackle the course, and most importantly, a set of decolonial reading lists for POL1, POL2, SOC1, and SAN1 based on the 2018-2019 reading lists. Compiled by recent graduates and current students, the lists aim to provide a set of critical perspectives with which incoming first year students can re-situate the canonical (“set”) – http://tiny.cc/9hifaz

Decolonizing technology: A reading list | By Beatrice Martini | Western culture has long been defining how the world came to existence, its history, and how it works from a perspective which is centred on a Western and white point of view. While this specific paradigm has been the dominant position of power, others have been hegemonized by it, their cultures and experiences dismissed and excluded – http://tiny.cc/trifaz

Decolonising Science Reading List: It’s The End of Science As You Know It | By Chanda Prescod-Weinstein | You’ll find texts that range from personal testimony to Indigenous cosmology to anthropology, to history to sociology to education research. All are key to the process of decolonising science, which is a pedagogical, cultural, and intellectual set of interlocking structures, ideas, and practices. This reading list functions on the premise that there is value in considering the ways in which science and society co-construct. It is stuff that I have read all or part of and saw some value in sharing with others – http://tiny.cc/q4ifaz

Extra Squeezed (Jobs other opportunities & extra stuff)

Art+Feminism has recently become a 501(c)3 non-profit, and is hiring an Executive Director to help further the vision we’ve developed over the past six years. FT, with salary range 60-75k. Job description below. Application review will begin immediately. Apply by the August 13th deadline for full consideration. Please post widely and forward the description onto anyone you think would be interested in the role: http://www.artandfeminism.org/executive-director/

Main image from – Daniil Galkin, Tourniqet, 2013. Šejla Kamerić, EU / Others, 2000. Installation view, Europa Endlos, Kunsthal Charlottenborg, 2019. Photo by Anders Sune Berg.

A list of Furtherfield recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Exhibitions, Events & Conferences

Kiss My Genders | A group exhibition at the Hayward Gallery celebrating more than 30 international artists whose work explores and engages with gender fluidity, as well as non-binary, trans and intersex identities | features works from the late 1960s and early 1970s through to the present moment, and focuses on artists who draw on their own experiences to create content and forms that challenge accepted or stable definitions of gender | 12 Jun 2019 – 8 Sep 2019 – https://tinyurl.com/y3txhcl7

Rafael Lozano-Hemmer’s Atmospheric Memory opens this Saturday for its World Premiere at MIF19, 6-21 July | An array of ‘Atmospheric Machines’ mine the air for turbulence caused by speech, then transform it into trails of vapour, ripples on water, epic 360-degree projections. These artworks are presented alongside a section of a Babbage Analytical Engine, a rare object in the prehistory of computing from the Science Museum Group’s collection – https://tinyurl.com/yxt2kk6c

Event Two | An exhibition by the Computer Arts Society and FLUX Events in collaboration with the Royal College of Art, the Electronic Visualisation and the Arts conference (EVA), Interact Digital Arts and Lumen Art Projects. Featuring talks by Lumen Art Projects and FLUX Events. 12th – 17th July 2019 Royal College of Art, Kensington Campus, London – https://tinyurl.com/yxd379g9

Peripheries: Electronic literature and new media art | A week-long exhibition of cutting-edge expression in electronic literature and media art as part of University College Cork’s hosting of the internationalElectronic Literature Organization conference and festival in Cork. Featuring artists: Betül Aksu, Graham Allen, John F. Barber & Greg Philbrook, Natasha Boškić / Mohamad Kebbewar / Mary McDonald, Mez Breeze & Andy Campbell, Richard A. Carter, John Cayley & Joanna Howard, Qianxun Chen, Hilda Daniel, Tina Escaja, Brenda Grell, Chris Hales, Brian James, Alinta Krauth, Paul O’Neill, Sabrina Rubakovic, Anastasia Salter, Colm Scully, Lyle Skains, Joel Swanson, Daniel Temkin, Pip Thornton, Theadora Walsh, Marcelina Wellmer | 11 – 17 July 2019 – https://tinyurl.com/yyvd8trc

Birth Rites Collection Summer School | A unique 5-day programme of lectures, workshops and exchange. It is generated through engaging directly with the artworks in the collection which are installed across the historic Guy’s campus, King’s College London, and hosted by the Department of Midwifery. If you are a midwife, academic, artist, medic, health professional, art historian or policy advisor, you will arrive on the course with your skill set and leave with a bespoke multi-media pack of visual, textual, auditory and filmic material, to be used thereafter in your own future work | 15-19th July 2019 Guy’s Campus, Kings College London, UK – https://tinyurl.com/y32cfbkq

A Strange Weave of Time and Space | Exhibition at Site Gallery | Sheffield UK, 12 Jul 2019 – 28 Jul 2019 | An exhibition and research project exploring notions of aura and authenticity in the post-digital context | The works selected circle the complex relations between the auratic, (Walter Benjamin’s term for the authentic, original artefact, singular in space and time) and the technologically reproduced, dispersed and viewed art object prevalent in the current post-digital period.  Including moving image, sculpture, drawing, audio and 3D printed objects. Curated by Jeanine Griffin. https://tinyurl.com/y5cnncfv

Vector Festival 2019 Toronto, July 11-14, 2019 | InterAccess is thrilled to announce the theme of Vector Festival 2019, Speculative Ecologies: Media Art at the Anthropocenic Precipice. Curated by Katie Micak and Martin Zeilinger, this year’s festival explores the ways in which contemporary media art reflects—and reflects on—mass-scale environmental shifts. The 2019 festival program will include works by over 30 local and international artists in more than 8 locations across Toronto and online – http://vectorfestival.org/

Radical Networks Deadline Extended | A conference that celebrates a free and open internet, with hands-on workshops, speakers, and a gallery exhibiting artworks centered around radio and networking technology. What: We invite anyone interested in presenting a workshop, lunchtime meetup, talk, panel, performance or film screening, tour / field trips or artwork to be exhibited | The deadline for submitting your proposal is now July 9, 2019 – https://radicalnetworks.org/

Symposium: “The sculptural in the (post-) digital age” | 1 July 2020 (Central Institute for Art History, Munich) | Submission deadline: 21 July 2019 | A number of theoretical approaches discuss the implications of so-called ‘Aesthetics of the Digital’, referring above all to screen-based phenomena. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies – https://tinyurl.com/yyomlbxa

UFO-Urban Flying Opera Swarms of Painting Drones | Following the success of write&erase robot Scribit, CRA unveils the world’s first crowdsourced graffiti, designed by thousands of people and painted by a swarm of drones in the city of Torino, Italy. The UFO-Urban Flying Opera project is promoted by Compagnia di San Paolo, ideated and curated by CRA, and coordinated and produced by Fondazione LINKS, in collaboration with Tsuru Robotics | Visited Youtube Video – https://tinyurl.com/y6y7almm

Digital Conversations: Celebrating Ten Years of the New Media Writing Prize | As part of their Digital Conversations series and the season of events accompanying the Library’s Writing: Making Your Mark exhibition, in partnership with Bournemouth University, if:book uk, and sponsored by the Eccles Centre for American Studies at the British Library; they are celebrating ten years of the New Media Writing Prize, by hosting a panel consisting of writers, Christine Wilks, Kayt Lackie and Amira Hanafi, on Thursday 18 July in the British Library Knowledge Centre – https://tinyurl.com/y574l5a5

Books

Rage Inside the Machine: The Prejudice of Algorithms, and How to Stop the Internet Making Bigots of Us All | By Robert Elliott Smith | Having worked in the field of artificial intelligence for over 30 years, Smith reveals the mounting evidence that the mechanical actors in our lives do indeed have, or at least express, morals: they’re just not the morals of the progressive modern society that we imagined we were moving towards. Instead, as we are just beginning to see – in the US elections and Brexit to name but a few – there are increasing incidences of machine bigotry, greed and the crass manipulation of our basest instincts – Bloomsbury Business (27 Jun. 2019) – https://tinyurl.com/y5oct3xg

Insurgent Empire: Anticolonial Resistance and British Dissent | By Priyamvada Gopal | Insurgent Empire shows how Britain’s enslaved and colonial subjects were not merely victims of empire and subsequent beneficiaries of its crises of conscience but also agents whose resistance both contributed to their own liberation and shaped British ideas about freedom and who could be free. This book examines dissent over the question of empire in Britain and shows how it was influenced by rebellions and resistance in the colonies from the West Indies and East Africa to Egypt and India. It also shows how a pivotal role in fomenting dissent was played by anti-colonial campaigners based in London at the heart of the empire. Publisher: Verso Books 2019 – https://tinyurl.com/y579t24y

Vital Forms: Biological Art, Architecture, and the Dependencies of Life | By Jennifer Johung | Shows how the intersection of biotech, art, and architecture are transforming the world we live in. Examining cutting-edge developments in biotechnological research—including tissue-engineering, stem cell science, regenerative medicine, and more—Vital Forms brings biological art and architecture into critical dialogue | The University of Minnesota Press 2019 – https://bit.ly/2KK5nCl

Harriet Bart: Abracadabra and Other Forms of Protection | A comprehensive look at the prolific and dynamic career of this international feminist conceptual artist. The book, which accompanies the first retrospective exhibition of her work at the Weisman Art Museum in 2020, features poetry and prose contributions by significant writers, artists, and curators who have been influenced by her art. Laura Wertheim Joseph, Editor. Foreword by Lyndel King 2019 | University of Minnesota Press – https://tinyurl.com/y4edoy7q

Articles & Interviews

Ledger – Human Centric Values Technology Enterprises, Youtube video | LedgerProject VentureBuilder | The Builder Programme LEDGER chose the 16 most human-centric and innovative projects among a pool of 291 applicants. LEDGER, a European Commission funded project looking for people working on decentralized technologies to give back citizens control over their data, held its Jury Day on Tuesday 28 May in Amsterdam | A must watch for those who to build better relations with technology, community & the climate – https://tinyurl.com/y6eduxbf

Situationism Now – Understanding Guy Debord in a Contemporary Political Context | by Caitríona Devery, 2017 Should we still be reading Guy Debord or encouraging others to read him politically for the first time in a contemporary context?  In popular culture parlance, Debord’s name will always be associated with the political moment of May ’68, the general strike and the student riots which spread from the campus of Nanterre (led by philosophy and sociology lecturers Jean Francois Lyotard and Henri Lefebvre) – http://politicalscience.ie/?p=1065

Rec, Barcelona’s social currency – Description / Objectives | Barcelona Digital City | Economic resource to create a citizen exchange system that is complementary or equal to the euro | This social currency acts as a complementary form of payment, but does not replace the national currency. It gives us the opportunity to measure the impact of consumption on the city. It is estimated that 5,000 people are now using one of the 70 social currencies in Spain – https://tinyurl.com/y2y8oh8t

Freshly Squeezed (extra News…)

Augmented Reality Art Commission, NEoN Digital Arts Festival: REACT | Deadline for submissions: 31 July 2019, For exhibition beginning: 4 November 2019 | Artist Fee £2000 (inclusive of research and production costs and any licensing fees) From 4 – 10 November 2019 the NEoN Digital Arts Festival in Dundee, Scotland will be focused on the theme “REACT”, exploring how artists use digital systems to effect change within our social and political realities. We are now seeking proposals for a commissioned project utilising AR and mobile technologies inspired by NEoN’s theme – https://tinyurl.com/y5n6kote

Image by John.F.Barber and Greg Philbrook, Sound Spheres, still 2018 web based interactive installation. Exhibited at Peripheries: Electronic literature and new media art 2019.S

A list of Furtherfield recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change.

Events & Exhibitions

POSTCENTRAL | Group show | NOME is pleased to present POSTCENTRAL, a group show curated by Navine G. Khan-Dossos, featuring works by Zach Blas, Jesse Darling, Marjolijn Dijkman, Antye Guenther, Lynn Hershman Leeson, Kirsten Stolle, Addie Wagenknecht, and Xiyadie | The work of the artists assembled in POSTCENTRAL touches on the question of where “the body” can be found and where it might be heading, with a focus on non-naturalist ideas of women’s and queer bodies as spaces of futurity and potential. As Donna Haraway foretold in 1985, the exhibition stands “for pleasure in the confusion of boundaries and for responsibility in their construction | June 22 – July 26, 2019 – https://bit.ly/2Iu7r01

Satellite Devotion, a new installation by Tabita Rezaire | Hosted by arebyte 2 July – 24 August 2019 | The Center for Moon Studies and Practices is an ever-evolving anchor for Moon knowledge to understand and experience the vastness of her influence and nourish our relationship with the Earth’s sole* natural satellite. In a quest to share Moon wisdoms across time and space, a 12 video-channel dome presents a constellation of Moon teachings from astrophysics to cosmology, astrology, agriculture, healing, history, magic, meditation, theology and spatial politics – https://bit.ly/2Zom8Y2

Toggler | A new website feature allowing commissioned artists to explore, demonstrate and celebrate the potential of creativity in website design. As websites become increasingly standardised to ensure familiarity and ease of use for online visitors, Toggler allows artists to champion the role of curiosity and creativity in exploring other possibilities for presenting content online. The first artists commissioned are Luke Harby, Violet Forest, Sam Francis Read, Antonio Roberts and Tobias Zehntner – https://bit.ly/2KWzTJB

New Writings: Re-Enter the Dragon with Stewart Home | The artist and cult author discusses his new book, with a look at the cinematic copy-cats of Bruce Lee and the Sleazy Joys of Lowbrow Cinema. Brucesploitation films riff on tropes associated with Bruce Lee, sometimes using actors who copy and clone the phenomenally successful kung-fu master’s name or look. Home will talk through the finer points of this sprawling sub-genre as he joins BFI curator William Fowler in conversation | Reuben Library at Bfi Southbank, SE1 8 London, UK – https://bit.ly/2ZxVmMM

AI TRAPS Meetup: Reshape the future – Revealing & transforming algorithmic inequality | Part of the DNL Activation programme | Following up on their upcoming Disruption Network Lab conference ‘AI Traps: Automating Discrimination’, with a closer look at how AI & algorithms reinforce prejudices and biases of its human creators and societies, in this meetup we focus on possible strategies for exposing and transforming algorithmic inequality | Wednesday 26 June, 19:00 at  STATE Studio, Hauptstr 3, 10827 Berlin (U7 Kleistpark) – Entrance is free – https://bit.ly/2KpgOjB

High Weirdness: with Erik Davis, Jeremy Gilbert and Debra Shaw | Hosted by Culture, Power, Politics and 2 others | Since the 1990s, Erik Davis has been charting the multiple interfaces between consciousness-expansion, technological trickery, drug cultures and social change | Erik’s  new book High Weirdness: Drugs, Esoterica and Visionary Experience in the Seventies is a study of the spiritual provocations to be found in the work of Philip K. Dick, Terence McKenna, and Robert Anton Wilson. High Weirdness charts the emergence of a new psychedelic spirituality that arose from the American counterculture of the 1970s – https://bit.ly/2ZDTORD

Platform Parasite: A Personal Voyage by Cosmos Carl | Hosted by Banner Repeater and Cosmos Carl – Platform Parasite | Platform Parasite: A Personal Voyage is a pilot episode of a new series by Cosmos Carl commissioned by Banner Repeater. Platform Parasite: A Personal Voyage includes contributions from Snorri Ásmundsson, Gnax Type, Art+Feminism, Alex Frost, Kate Mackeson, Angels Miralda, Joseph Ridgeon, Jorik Amit Galama, Emilia Bergmark, NX Panther, Harry Meadley, Styrmir Örn Guðmundsson, Laura Yuile featured on the parasitical online art platform Cosmos Carl. Opening: 26th April 6.30-9pm, exh: 26th April – 29th June – https://www.bannerrepeater.org/

Books

Vital Forms: Biological Art, Architecture, and the Dependencies of Life | By Jennifer Johung | Shows how the intersection of biotech, art, and architecture are transforming the world we live in. Examining cutting-edge developments in biotechnological research—including tissue-engineering, stem cell science, regenerative medicine, and more—Vital Forms brings biological art and architecture into critical dialogue | The University of Minnesota Press 2019 – https://bit.ly/2KK5nCl

Articles & interviews

The Bank of Facebook | By Rachel O’ Dwyer | A response to Facebook’s announcement that it’s releasing a digital currency and wallet | Marshall McLuhan argued that money is communication. This rings particularly true at a time when so many platforms are entering the payments space | Institute of Network Cultures Wed, 19 Jun 2019 – https://bit.ly/2x6KKs0

Regine Debatty reviews Digital Cash. The Unknown History of the Anarchists, Utopians and Technologists Who Created Cryptocurrency, by Finn Brunton, assistant professor in the Department of Media, Culture, and Communication at New York University. Brunton reveals how technological utopians & political radicals created experimental money to bring about their visions of the future: protecting privacy or bringing down governments, preparing for apocalypse or immortality – https://bit.ly/2MSqC7I

An AI Completes an Unfinished Composition 115 Years After Composers Death | By Suchi Rudra | It’s never too late to finish what you’ve started, even if AI does the job for you | This November, the Prague Philharmonic will perform the third and final movement of “From the Future World,” an AI-completed composition based on an unfinished piano piece by the famous composer Antonín Dvořák, 115 years after his death. Emmanuel Villaume will conduct – https://bit.ly/2XWnTva

How Ethical Is Facial Recognition Technology? By Yaroslav Kuflinski | In this article, we’ll explore the issues that surround facial recognition in depth and look at how these technologies can be made safer for everyone. Photo by Steinar Engeland on Unsplash The Potential of Facial Recognition Technology – https://bit.ly/2MNQAsX

What Happens When a US Border Protection Contractor Gets Hacked? The government wants all the data it can get from you at the border. But what happens when a hacker shows they can’t store it safely? A hacker known as “Boris the bullet dodger” hacked a license plate reader company called Perceptics. Now, less than a month later, CBP issued a statement confirming a data breach at one of its contractors – https://bit.ly/2Fhu1Xs

Environment reporters facing harassment and murder, study finds | By Juliette Garside and Jonathan Watts | Tally of deaths makes it one of most dangerous fields for journalists after war reporting | Thirteen journalists who were investigating damage to the environment have been killed in recent years and many more are suffering violence, harassment, intimidation and lawsuits, according to a study – https://bit.ly/2IOWMMa

Extra Squeezed

Superflux are looking for a freelance visual / graphic designer (print + digital) to come on board and work with them on a 🔥 worldbuilding project. Drop them a line with portfolios👇🏼⚡️📢 || Designers and strategic thinkers, researchers and artists; exploring, imagining and prototyping different possible futures – hello@superflux.in

Two Fully Funded PhD Scholarships to Study the Geographies of Homelessness, Veganism, Unschooling, or Heavy Metal Music at the University of Newcastle, in Australia. Two Domestic (Australia) or one International PhD scholarships will be awarded to study at the Centre for Urban and Regional Studies under the direction of Professor Simon Springer in the Discipline of Geography and Environmental Studies – https://bit.ly/2In3ZnK

Image from Satellite Devotion, a new installation by Tabita Rezaire at arebyte gallery | Opening Tuesday 2 July – 24 August 2019.

A weekly list of Furtherfield recommendations that we are sharing with others. It reflects the expansive and dynamic culture we enjoy, straddling the fields of art, technology and social change.

Events & Exhibitions

Solo show H4ppy D33p W3b (Happy Deep Web) by Systaime aka Michael Borras, at Watermans Arts centre, London. Systaime is the creator of The French Trash Touch movement, which mixes low and high culture and pop culture with internet folklore, like memes, emojis or GIFs. He offers an explosive mashup of internet aesthetics, where information, images and comments are remixed in an audiovisual spectacle that exposes the language of the internet | 12 June – 28 July 2019 – https://bit.ly/2KfGQWy

Antiuniversity Festival is back 15 Jun – 22 Jun 2019, for the fifth time with events across the UK and internationally. This year’s programme is absolutely bursting with radical education, militant feminism, anarchist tendencies, autonomous organising, shit hot politics, critical analysis and progressive discussions about care and culture and gender and class | Full programme – http://www.antiuniversity.org/

Aaron Bastani in conversation with Dr. Richard Barbrook on his new book ‘Fully Automated Luxury Communism: A Manifesto‘ 2019. This event is hosted by Newspeak House, the London College of Political Technologists. Tue, 25 June 2019 | Virtual Futures partners with Verso Books | Book here – https://bit.ly/31p7Xnv

Take the Money and Run: Power, Money and Counter-Power | Wednesday 19 June, 19.00 – 21.00 | The light recently shone on the sources of money that supports arts organisations – from fossil fuels to deadly pharmaceuticals – has illuminated some corners of the ‘hidden abode of production” (Marx) to valuable effect. Live Art Development Agency (LADA), London | Book here – https://bit.ly/2WBGkUk

West Den Haag – Summer School 2019 Spinoza: Passionate Action | Human Being is a Measure | With: Ewa Majewska (PL), Florence Freitag (DE) , Baruch Gottlieb (CA) and Cassie Thornton (US). In order to keep the discussions and experiences substantive and immersive, this Summer School is limited to 30 participants. There is a fee of € 175 per participant, which includes lunches as well as a reader. The program will be held in English. To apply, please e-mail theo@westdenhaag.nl before 26 June 2018 with a short introduction and a 100-word motivation. If successful, you will receive a confirmation of registration and instructions for payment within the week – https://bit.ly/2IHDg4l

About all things languages of all sorts | lingagens an online ReadingClub ***** session. Duration 20 min | Lai-TzeFan, Abdulmohsen Alonayq, Sören Pold and Andréa Catrópa will rearite a text originally written by Erika Fülöp. June 20, 8:15pm (UTC+01:00) – https://bit.ly/2WktGsM

Books

Vital Forms: Biological Art, Architecture, and the Dependencies of Life | By Jennifer Johung | Shows how the intersection of biotech, art, and architecture are transforming the world we live in. Examining cutting-edge developments in biotechnological research—including tissue-engineering, stem cell science, regenerative medicine, and more—Vital Forms brings biological art and architecture into critical dialogue | The University of Minnesota Press 2019 – https://bit.ly/2KK5nCl

Archives | Authors – Andrew Lison, Marcell Mars, Tomislav Medak, Rick Prelinger, Wendy Hui Kyong Chun, Götz Bachmann, Mercedes Bunz, and Timon Beyes | How digital networks and services bring the issues of archives out of the realm of institutions and into the lives of everyday users. Archives have become a nexus in the wake of the digital turn—electronic files, search engines, video sites, and media player libraries make the concepts of “archival” and “retrieval” practically synonymous with the experience of interconnected computing –  The University of Minnesota Press, 2019 – https://bit.ly/2WBWjli

Fucking Law: The search for her sexual ethics | By Victoria Brooks | An urgent call for everyone, not just academics and researchers, to find inventive ways to question the ethics of sexuality. Since a sex life is full of so many diverse moments of joy and suffering, for each and everybody, the book attempts to bridge a gap between philosophical and non-philosophical questioning | Zero Books, 2019 – https://bit.ly/31CMxDs

Articles & interviews

Gadgets, Power and the New Modes of Political Consciousness | By Joss Hands | What impact does our relentless fixation on gadgets have on the struggle for new kinds of solidarity, political articulation and intelligence? Joss Hands, author of Gadget Consciousness: Collective Thought, Will and Action in the Age of Social Media, explores the new political and social forces that are emerging in the age of social media – https://bit.ly/2KJp4Kx

Physical Tactics for Digital Colonialism | Video documentation of artist Morehshin Allahyari and her performance-lecture from February 28th 2019. Commissioned and co-presented by New Museum affiliate Rhizome, presenting her concept of digital colonialism in relation to the technologies of 3-D scanning and 3-D printing. https://vimeo.com/337394969

Allahyari also talks to Hrag Vartanian via Hyperallergic on the subjects of ownership of data, forgotten stories, issues surrounding digital colonialism and her scifi project on a podcast – https://bit.ly/2ZnBJa3

The Data Sublime | Giles Lane, writes about his experience at Act Otherwise as a participant at Blast Theory’s annual two day seminar, ‘Act Otherwise – The Invisible Hand: On Profiling and Personalisation.’ He dscusses issues around the generation and use of “Big Data” in artworks and by artists as well as more generally in culture and society – https://bit.ly/2IbjTS3

Forgiven Not Forgotten? A long and detailed challenge to the modern cult of memory | Book review by Christopher Hale on History Today, of ‘Reckonings: Legacies of Nazi Persecution and the Quest for Justice’ by Mary Fulbrook, recent winner of the Wolfson History Prize 2019, Oxford University press – https://bit.ly/2wOgulR

Doctored video of sinister Mark Zuckerberg puts Facebook to the test | Last month Facebook declined to remove a manipulated video of Nancy Pelosi even after it was viewed millions of times, and now a doctored video of Mark Zuckerberg delivering a foreboding speech has been posted to Instagram, in a stunt that put Facebook’s content moderation policies to the test | Guardian – https://bit.ly/2F72doC

The Past, Present, and Future of AI Art | AI art has a long history that is often overlooked | By Fabian Offert & Andrey Kurenkov | “AI art”, or more precisely art created with neural networks, has recently started to receive broad media coverage in newspapers (New York Times), magazines (The Atlantic), and countless blogs. It has also led to the popularization of an ever-growing list of philosophical questions surrounding the use of computers for the creation of art – https://bit.ly/2wKD7Y3

Waves to Waveforms: Performing the Thresholds of Sensors and Sense-Making in the Anthropocene | By Richard Carter | This paper details the technical and conceptual background for the developing art project Waveform, a creative-critical meditation on the role of digital sensors in monitoring and representing environmental change. It explores the origins and functioning of the global sensory architectures used to detect and assess these changes, deconstructing the connotations of omniscience, abstraction, and control associated with the ‘top-down’, data-driven mappings they generate – https://bit.ly/2MHs8K4

Extra Squeezed

Looking for a MoneyLab intern | The Institute of Network Cultures is looking for an intern with production and research skills for the organisation of MoneyLab #7: Feminist Finance and overall project management support of the MoneyLab project, NL | Internship period: September 1 until December 15 2019 – https://bit.ly/2WJhKWv

transmediale | Work with us! For the preparations of #transmediale2020 we are looking for interns who would like to gain experience in the administration, communication, and production of the festival. https://bit.ly/2MpGv5k

Main image by Michael Borras aka Systaime | NETICONES 2019.

A weekly list of Furtherfield recommendations that we are sharing with others. It reflects the expansive and dynamic culture we enjoy, straddling the fields of art, technology and social change.

Events  & Exhibitions

Larry Achiampong & David Blandy: The Grid | Copperfield: Exhibition opens 5 June, 6 – 9pm / Runs until 20 July & Seventeen: Exhibition opens: 27 June, 6 – 9pm/ Runs until 3 August. The Grid is a single exhibition over two sites in London simultaneously; Copperfield and Seventeen – http://bit.do/eTVUX

About all things languages of all sorts | lingagens an online ReadingClub ***** session. Duration 20 min | Lai-TzeFan, Abdulmohsen Alonayq, Sören Pold and Andréa Catrópa will rearite a text originally written by Erika Fülöp. June 20, 8:15pm (UTC+01:00) – https://bit.ly/2WktGsM

I, I, I, I, I, I, I, Kathy Acker | The first UK exhibition dedicated to the American writer Kathy Acker (1947–1997), and her written, spoken and performed work. ICA 1 May – 4 August 2019 – https://bit.ly/2UGEqpv

End of the World Trade: On the Speculative Economies of Art and Extraction | Mute contributors Josephine Berry and Marina Vishmidt are organising and/or presenting at the following conference: End of the World Trade: On the Speculative Economies of Art and Extraction, 21 Jun 2019 – 22 Jun 2019 – https://bit.ly/2wF9Vle

Upcoming Sessions – Culture, Power and Politics — Spring / Summer 2019 Series | All Seminars 18:30 -20:30 (These are all Tuesdays except June 19th, which is a Wednesday) | Ridley Road Market Bar, 49 Ridley Road, Dalston, London, E8 2NP | All free, all welcome, no advance booking – http://bit.do/eTVTX

Plastic-Free Hackney will be talking all things waste-reduction at the Council’s Zero Waste event (times tbc). Please come and meet us with your questions and ideas as to how we can help cut the dependence on single-use plastics in the borough. http://bit.do/eTVVL

Books

Energies in the Arts | Edited by Douglas Kahn | Investigating the concepts and material realities of energy coursing through the arts: a foundational text | (MIT Press) – http://bit.do/eTLh8

Gadget Consciousness : Collective Thought, Will and Action in the Age of Social Media | By Joss Hands | What impact does our relentless fixation on gadgets have on the struggle for new kinds of solidarity, political articulation and intelligence? In this groundbreaking study, Joss Hands explores the new political and social forces that are emerging in the age of social media – https://bit.ly/2wAtDi4

Entry Points | Resonating Punk, Performance, and Art | Stevphen Shukaitis (Contributor); Penny Rimbaud (Contributor); Dharma (Contributor); Awk Wah (Contributor) | An Art-media project exploring resonances between punk and performance in the UK and Southeast Asia. Apr 2, 2019 – https://bit.ly/2WGkYte

Articles & interviews

To Exist is to Resist | Exploring Black feminist politics beyond national boundaries | By Lynsey May | New essay collection reveals the particularities of experiences and understandings of Black feminism in Europe – https://bit.ly/2ERvtzK

What do we do when everything online is fake? | James Ball on the threat posed by the generation of fake news through artificial intelligence and how it risks undermining our trust in everything – https://bit.ly/2W9rt3x

Making Public | Memes as Means | By Sepp Eckenhaussen | Institute of Network Cultures | What kind of meaning is implied in means-being of memes? How meaningful is it to decipher their ever-changing meanings and to partake in the land-grabbing of symbols? – http://bit.do/eTVWE

Towards an anti-fascist AI | By Dan McQuillan | We already know the destructive consequences on the individual and collective psyche of poverty, racism and systemic neglect. We don’t need AI as targeting but as something that helps raise up whole populations. https://bit.ly/2WrSILv

Unraveling the JPEG | By Omar Shehata | “JPEG images are everywhere in our digital lives, but behind the veil of familiarity lie algorithms that remove details that are imperceptible to the human eye. This produces the highest visual quality with the smallest file size—but what does that look like? Let’s see what our eyes can’t see!” – https://parametric.press/issue-01/unraveling-the-jpeg/

Uneven Distribution: An Interview with Ned Rossiter | On logistics and mediated environments | Ned Rossiter and Kenneth Tay — May 31, 2019 | This conversation with Ned Rossiter marks the second in a series of dialogues on the subject of logistics. – https://bit.ly/2HRYAE

The anarchic arts and politics magazine for prisoners and homeless people | Life & Culture Q+A on dazed & Confused | DOPE is now four issues in, with contributions from anarchist writers including Cindy Milstein and Lisa McKenzie, a piece by writer and dub poet Benjamin Zephaniah, as well as work by British Iraqi rapper and activist Lowkey and Sleaford Mods’ Jason Williamson – https://bit.ly/2QHW3zZ

The European Far Right’s Environmental Turn | By Kate Aronoff ▪ May 31, 2019 | As climate change becomes a central concern for voters across the continent, right-wing parties are beginning to incorporate green politics into their ethno-nationalist vision – https://bit.ly/2Mo7Ipb

Extra Squeezed

transmediale, Work with us! | For the preparations of #transmediale2020 we are looking for interns who would like to gain experience in the administration, communication, and production of the festival. https://bit.ly/2MpGv5k

Main Image: Finding Fanon Part 3, 2016-17, 4K UHD Single Channel Video Colour With Stereo Sound. Photo by Claire Barrett.

A weekly list of Furtherfield recommendations that reflects the expansive and dynamic culture we enjoy, straddling the fields of art, technology and social change.

Events & Exhibitions

Towards the Planetary Commons | A new exhibition investigating agency and autonomy in the face of global ecological crises | Arts Catalyst | Free entry! Thu 23 May 2019 – 6.00pm, Sat 3 August 2019 – http://bit.do/eTLtx

Call out | NEoN Digital Arts Festival – REACT 2019 in Dundee, Scotland, exploring how artists use digital systems to effect change within our social and political realities – http://bit.do/eTLqy

Symposium | Digital Ecologies 2: Fiction Machines | The Centre for Media Research at Bath Spa University is proud to host the second Digital Ecologies symposium: Fiction Machines and it will take place on Tuesday July 16th 2019 – http://bit.do/eTLkv

Books

Energies in the Arts | Edited by Douglas Kahn | Investigating the concepts and material realities of energy coursing through the arts: a foundational text | (MIT Press) – http://bit.do/eTLh8

Virtual Menageries: Animals as Mediators in Network Cultures | By Jody Berland | The close interdependency of animal emissaries and new media from early European colonial encounters with the exotic to today’s proliferation of animals in digital networks – http://bit.do/eTLiz

To Exist is to Resist: Exploring Black feminist politics beyond national boundaries | By Lynsey May | New essay collection reveals the particularities of experiences and understandings of Black feminism in Europe – http://bit.do/eTLjz

Articles

What is Ethereum? By Ethan Sidelsky | Created in 2015 by Vitalik Buterin to empower users to build their own applications on the blockchain. It is now both the second most well known cryptocurrency and the second most valuable, behind Bitcoin – http://bit.do/eTLfT

Automatic insect identification for better grasp on biodiversity by Eelke Jongejans, Radboud University. One hundred camera traps, developed specifically for the automatic counting and recognition of insects, will be placed throughout the Netherlands this summer – http://bit.do/eTLfy

Network-ing Does Not Equal Network WEAVING | By Christine Capra | Those of us who work with change networks could sometimes do a better job of clarifying the distinction between ‘networking’ and ‘network weaving’ – http://bit.do/eTLgq

Sell Your Data. Earn Passive Income. What Could Go Wrong? | By Garrett Hazelwood | Your data is not property. It’s a piece of who you are – http://bit.do/eTLgT

Extra Squeezed

The LSD Archive at The Institute of Illegal Images “It kept me from eating it if it was framed on the wall” – Mark Mcloud on his amazing collection of LSD Blotters – http://bit.do/eTLKx

Main Image – Marwa Arsanios: Still from ‘Who is Afraid of Ideology? Part I’ (2017), courtesy the artist. At Arts Catalyst exhibition, Towards the Planetary Commons.

This event is part of exhibtion, Poetry for Animals, Machines and Aliens: The Art of Eduardo Kac, at Furtherfield Gallery.

Inspired by and building on the exhibition, these workshops will draw together themes and issues which have emerged from the Arts and Humanities Research Council thematic research programmes. Workshops are led by Andrew Prescott, curator of the exhibition and Professor of Digital Humanities at the University of Glasgow.

Digital Transformations and Community Engagement
18 April 2018, 10:30 – 16:00
How can we promote collaboration between communities and academic researchers? Do digital methods help create community engagement?
FREE | booking essential

Reconnecting Artistic Practice and Humanities Research
25 April 2018, 10:30 – 16:00
Can a renewed dialogue between humanities scholars and artistic practice provide innovative perspectives to confront current social and cultural challenges?
FREE | booking essential

Language and Diversity
8 May 2018, 10:30 – 16:00
Exploring the role of language and translation in promoting understanding and communication within, between, and across diverse cultures.
FREE | booking essential

Science in Culture
23 May 2018, 10:30 – 16:00
How can art engage with science and technology? And how can art explore the role of science in culture?
FREE | booking essential

More information about Poetry for Animals, Machines and Aliens: The Art of Eduardo Kac

Call for Proposals from Furtherfield and NEoN Digital Arts Festival
For exhibition 9th November 2017
Fee and production costs £2500

While archaeology has often understood cultures through excavations of hoards and coins, what will today’s digital currencies tell future archaeologists about the way we live and trade?

This co-commission with NEoN Digital Arts Festival forms part of Furtherfield’s ongoing investigations into the politics of the blockchain, smart contracts, and cryptocurrency systems like Ethereum. It invites artists to imagine themselves as future media archaeologists, as recorders of our current information-based society, and as time-travelers highlighting the continued relevance of our long past. Will you dig for the digital, brush the dirt off the non-material, or excavate the internet?

In an era that threatens to be a digital dark age for future historians [1], blockchains may prove to be rare digital artefacts valuable enough to preserve into the future. There are already dozens of dead chains from abandoned cryptocurrencies [2], but with billions of dollars of value tied up in Bitcoin, Ethereum and other leading coins, the incentives to maintain their public ledgers are strong. Culture and knowledge have already been hidden in the blockchain – from images of Nelson Mandela to WikiLeaks cables [3] – but it is the blockchain as a record of our economic activity that concerns us here. This already has its history; on these public digital ledgers we can find everything from the ten thousand Bitcoins that were used to buy two pizzas [4] to the fifty million dollars of Ether that were stolen [5] in a hack on code running on the Ethereum blockchain. We just don’t have the best tools to visualise them yet.

We invite proposals for a new artistic online commission that takes the blockchain as the site of its manifestation. For example, artworks that are:

• a smart contract [6] that sits on the blockchain for interaction by an art audience via a web browser
• a visualisation of blockchain activity, whether famous hacks or daily coffee purchases
• a set of complex scripts or transactions that make the blockchain itself into art
• crypto tokens [7], assets [8] or trading cards [9] that make a game of blockchain value
• thought experiments or illustrative works

Whatever it is, it should work as a future media archeological artefact of blockchain finance and it has to be exhibitable online.

Background

Hailed as both emancipatory opportunity for creative autonomy, and a driver of inequality and corporate opacity, the blockchain [10] is widely described as the Internet of Money. The blockchain is overtaking the WWW as the next big network technology for speculation and disruption. Investors recognise its potential in numerous ways: for high level authentication of identity [11] and matter [12]; for more efficient and secure financial transactions and distribution of digital assets; for communications so secure as to facilitate voting; and as a coordinating technology for the billions of devices connected to the Internet [13]

50 years ago this year, the world’s first ATM was designed, built and shipped from Dundee and installed in Enfield, less than 10 miles from Furtherfield. With this commission Furtherfield and NEoN recognise the role that the city of Dundee has played in the history of the development of smart technologies for financial transactions, through it being home to the R&D wing of The National Cash Register Corporation – NCR. [14]

NEoN Digital Arts Festival 2017 will expand on it being Scotland’s Year of History, Heritage and Archaeology, and seek to use its arts programme to unveil hidden histories through the practice of ‘media archaeology’. Media archaeologists uncover and reconsider the obsolete, persistent, and hidden material cultures of the technological age – from big data software algorithms to tiny silicon chips. With support from the National Lottery through Creative Scotland’s Open Project Fund, and Creative Europe Programme of the European Union, NEoN and Furtherfield invite artists to consider how the blockchain is the new ATM of the future.

The commission will be launched online and at NEoN Digital Arts Festival, and presented at the Digital Futures programme at V&A Museum and MoneyLab both in London in Spring 2018 as part of the European collaboration, State Machines which investigates the new relationships between states, citizens and the stateless made possible by emerging technologies.

Schedule

Open Call announced 11th August
Deadline 4th September
6-9 September – follow up conversations where necessary (by email/phone)
13th September – decision made, artists informed and announced
19th September – public debate about cryptocurrencies in Dundee (organised by Scotcoin https://www.meetup.com/scotland-and-digital-currency/events/242087813/)
9th October – selected artist give progress report
9th November – Work installed for opening of NEoN Festival, Dundee. Artist presents work
Spring 2018 – Work re-presented with MoneyLab and V&A Digital Futures
(Note an additional £500 is available for accommodation and expenses for attendance at events in Dundee and London)

Submission Requirements

Submissions must include a proposal:

Proposal

• Title
• Name(s) of Creators
• Artistic concept (250 words)
• Installation details/ Technical specification
• Production Schedule
• Description of risks involved in and support needed for production to schedule
• Artistic statement (250 words)
• Supporting material- links, pics etc
• Contact details: email, phone, address

Documents should be submitted as PDFs or as links to a Google Doc, a GitHub Repo, or another easily read and easily accessed format.

If you have questions or enquiries about this commission please email alison.furtherfield[AT]Gmail.com

Submissions via Blockchain

Notice of submissions via the Bitcoin blockchain should be sent via an OP_RETURN message starting with the word FField followed by a single space and the url of the proposal. E.g.:

FField https://docs.google.com/document/d/2oGsmli7Mlm-M_CZkL8WTKM3oUU3a

OP_RETURN messages can be created using the Crypto Grafitti service:

http://www.cryptograffiti.info/

Submissions via Keybase

Notice of submissions via Keybase messaging, or submissions of documents via KeybaseFS should be sent to:

https://keybase.io/ruthcatlow

(Note: Keybase does require registration but is free to join.)

Submissions via Email

Notice of submissions, or submissions of documents via email can be sent to ruth.catlow[AT]furtherfield.org

Please use the subject line “Furtherfield NEoN Proposal”.

Partners

Furtherfield
Through artworks, labs and debate around arts and technology, people from all walks of life explore today’s important questions. The urban green space of London’s Finsbury Park, where Furtherfield’s Gallery and Lab are located, is now a platform for fieldwork in human and machine imagination – addressing the value of public realm in our fast-changing, globally connected and uniquely superdiverse context. An international network of associates use artistic methods to interrogate emerging technologies to extend access and grasp their wider potential. In this way new cultural, social and economic value is developed in partnership with arts, research, business and public sectors.

NEoN
NEoN (North East of North) based in Dundee, Scotland aims to advance the understanding and accessibility of digital and technology driven art forms and to encourage high quality within the production of this medium. NEoN has organised 7 annual festivals to date including exhibitions, workshops, talks, conferences, live performances and public discussions. It is a platform to showcase national and international digital art forms. By bringing together emerging talent and well-established artists, NEoN aims to influence and reshape the genre. We are committed to helping our fabulous city of Dundee, well known for its digital culture and innovation, to become better connected through experiencing great art, networking and celebrating what our wee corner of Scotland has to offer in the field of digital arts.

State Machines: Art, Work and Identity in an Age of Planetary-Scale Computation
Focusing on how such technologies impact identity and citizenship, digital labour and finance, the project joins five experienced partners Aksioma (SI), Drugo More (HR),  Furtherfield (UK),Institute of Network Cultures (NL) and NeMe (CY) together with a range of artists, curators, theorists and audiences. State Machines insists on the need for new forms of expression and new artistic practices to address the most urgent questions of our time, and seeks to educate and empower the digital subjects of today to become active, engaged, and effective digital citizens of tomorrow.

V&A Digital Futures: Digital Futures
V&A Digital Futures: Digital Futures is a monthly meetup and open platform for displaying and discussing of work by professionals working with art, technology, design, science and beyond.  It is also a networking event, bringing together people from different backgrounds and disciplines with a view to generating future collaborations.

Creative Scotland
Creative Scotland is the public body that supports the arts, screen and creative industries across all parts of Scotland on behalf of everyone who lives, works or visits here. It enables people and organisations to work in and experience the arts, screen and creative industries in Scotland by helping others to develop great ideas and bring them to life. It distributes funding from the Scottish Government and The National Lottery.

This project has been funded with the support from the European Commission. This communication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

Steven Ball and John Conomos

DOWNLOAD PRESS RELEASE (.pdf)

SEE IMAGES FROM ACCOMPANYING EVENTS

LISTEN to a recording of the conversation with John Conomos and Steven Ball at Furtherfield Gallery

Deep Water Web is a free exhibition at Furtherfield Gallery in London’s Finsbury Park, connecting opposite sides of the Earth to understand human impacts on the environment and the wider consequences for people living in both locations.

Artists Steven Ball (London, UK) and John Conomos (Sydney, Australia) have collaborated to present a multi-projection installation where London and Sydney are continuously connected across time zones. The exhibition is an immersive experience which the artists have termed a ‘hyperlandscape’ including real time streaming waterscapes and multiple local manifestations of global ecologies with their own sonic environments and narrated reflections.

Deep Water Web is a poetic meditation around contemporary and historical geopolitical contexts, underscored by London and Sydney’s situation around large bodies of tidal water in the forms of the River Thames and Sydney Harbour. These bodies of water bear material evidence of the local impact of global warming, such as rising tide levels caused by melting ice caps, leading to flooding, and increasingly extreme climate fluctuation. Both cities are also centres of neoliberal capitalism, inscribing the effects of privatisation, fiscal austerity and deregulation of markets across the planet.

Deep Water Web weaves rhetorical explication of postcolonial relationship, elaborating the precarious material forms of climate change, and post-labour late capitalist neoliberal urban developments of waterfronts of former Docklands, considered within the geological and rhetorical ecology of the Anthropocene.

The age of global warming and global neoliberal capitalism are figured here as critical rhetorical realms. These phenomena can be described as what Timothy Morton has called hyperobjects, objects so massively distributed in time and space as to transcend localisation. While they are impossible to comprehend at scale, hyperobjects exert a profound effect at a local level.

Deep Water Web will also become a catalyst for a workshops series at Furtherfield Commons, which will extend its themes through media based excavations. [dates and full details to be confirmed]

Both artists both have long standing moving image based practices and an interest in landscape and the representation of place. As a hyperlandscape this project suggests that questions of relationship to place, and the construction of landscape, can in the Anthropocene no longer be considered as simply pictorial representation or subjective experience, but is constituted from a range of critical, ethical, ecological, and political positions and concerns.

+ MORE INFO: http://deepwaterweb.net

Deep Water Web is supported by Arts Council England.

EVENTS AND COURSES

Exhibition Tour with artist Steven Ball
Tuesday 4 October 2016 – 5:30-6:15pm – Furtherfield Gallery

Revolutions and Complex Systems
Every Tuesday for 6 weeks

6:30 – 8:30pm at Furtherfield Commons – from 27 September 2016
BOOKING ESSENTIAL

A conversation with John Conomos and Steven Ball
2-3pm Saturday 29 October – Furtherfield Gallery
Booking is essential for this free event

Furtherfield in partnership with the antiuniversity and Radical Think Tank are proud to present this new 6-part course led by Graham Jones.

Aimed at people with an interest in social change, the course will apply concepts from complex systems theory to understanding revolutions and social movements. Sessions will involves a mix of speaker presentation and participatory discussions/activities, covering subjects such as ecology, network theory and new materialist philosophy.

Graham Jones is an activist based in East London, working with groups such as Radical Assembly, Radical Housing Network and Radical Think Tank. Booking Essential.

ABOUT THE ARTISTS

Steven Ball is an artist, writer and academic based in London, working with audio-visual media engaged with landscape and spatial representation, in local and global, social, political and post-colonial spheres. Since 2003 he has been Research Fellow at Central Saint Martins and was instrumental in developing the British Artists’ Film and Video Study Collection.

John Conomos is an artist, critic and writer based in Sydney, Australia. His books, essays and artworks are framed within four traditions of contemporary art: Anglo-American and Australian cultural studies, critical theory and post-structuralism. He is a New Media Fellow of the Australia Council for the Arts, and Honorary Professor at Victorian College of the Arts, University of Melbourne.

ABOUT FURTHERFIELD

Furtherfield was founded in 1997 by artists Marc Garrett and Ruth Catlow. Since then Furtherfield has created online and physical spaces and places for people to come together to address critical questions of art and technology on their own terms.

Furtherfield Gallery
McKenzie Pavilion
Finsbury Park, London, N4 2NQ
Visiting Information

Furtherfield Gallery is supported by Haringey Council and Arts Council England