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Abandon Normal Devices, Access Space, Aksioma, All Change Arts, Alt_cph, A New Direction, Arebyte, APO33, Art is Open Source, Artquest, ArtReview, Arts Council England, Bernie Grant Centre, Birkbeck, body>data>space, British Council,  Central Saint Martins, Centre for Creative Collaboration, Class Wargames, Click festival, Codasign, Collusion, Contemplatech, Computer Arts Society, Creativeworks London, CRUMB, Cube Cinema, Cybersalon, DACs, Derby QUAD, Difference Exchange, DigiCult, Drake Music, Electra, engage, European Cultural Foundation, Eyebeam (US), FACT, Fak’ugesi (SA), Falmouth University, Finsbury Park Creative Hub, Flossie, Frequency Festival, Goethe Institute London, Goldsmiths, Gylphi, Haringey Council, Harris Museum, Homes for Haringey, ICA, ICT & Art Connect, Invisible Dust, Irational, Islington Council, ISMAR, Ivan Pope, King’s College London, LABoral (ES), Land Securities, LCACE, Lighthouse, Local Play, London Art Fair, LUX, MAD Emergent Art Center, Manor House PACT, MARCEL, Metal, Museum of London, MzTEK, Neural, newmediaFIX, New Media Scotland, NODE.London, Northern Architecture, P2P Foundation, Paintings in Hospitals,  Park Theatre, Networked Disruption Lab (DE); Peabody, Peckham Platform, Photographers’ Gallery, Piet Zwart Institute, Pixelache, Postmasters Gallery, Queen Mary University of London, Resonance104.4fm, Rowan Arts, Royal College of Art, Royal Holloway, Serpentine Galleries, Schaumbad Freies Atelierhaus, Science Museum, Soda, Southend Education Trust, Space Media, Sustainable Haringey, St Mungo’s Broadway, Tate, TEKS, The Arts Catalyst, The Culture Capital Exchange, The CultureCode Initiative, The Dark Mountain Project, The University of Edinburgh, The White Building, Tiltfactor, Transition Finsbury Park, University of Central Lancashire, University of Westminster, UP Projects, UpStage, V&A, Videotage – VMAC (HK), Warnayaka Arts Centre (AU), Watermans, Women Shift Digital, Writtle University College, 01zeroone, 20-21 Visual Arts Centre