What happens to the hole when the cheese is gone?
Transient Hole (Variations) is a hybrid curatorial project and symposium by Viennese artist and curator Alexander Felch. The project`s title refers to a concept for a media artwork, that cannot, properly speaking, be materialized for it deals with a moving void – a transient hole.
Across the floor of a white, three-dimensional room a little black hole is constantly and randomly moving. The hole is simultaneously there and not there. It is a portal to nowhere. But is it really? Might it not lead to transcendence, to another reality, or perhaps our reality can only be understood through this liminal presence of nothingness?
The participants are invited to provide their own interpretation for this problem and develop means to represent it, whether through art or science, to display processes that cannot be depicted in reality. The aim of the project is obviously not to find a solution to this existential paradox but to bring about a reflection on the topic from a myriad of disciplines and different perspectives, which explore the limits of representation. The various responses to the THR problematic will be gathered in a collected volume that is in itself a reflection on the boundary between art and science, reality and fantasy.
The project appears – just like the transient hole – in different cities popping up in various forms and is accompanied by lectures, talks and (sound-) performances.
Atzgerei Productions, Arnold Berger, Ryan Mc Donagh, Sophie Dvorak, Alexander Felch / Aisek Ifraimov, Mariana Ferreira / Dayjon Edwards, Christoph Höschele, Hrvoje Hirsl, Harald Hund, Sandy Leong, Stefan Lutschinger, Nicholas Moloney, Anja Nowak, Jaysha Obispo, Shinji Toya, Jeroen van Amelsvoort, Anna Vasof, Stefan Voglsinger, Jan Vormann, Yilin Wang, David Wauters, Hui Ye.
Featuring concepts developed by students of Middlesex University London – BA Digital Media and BA Media and Cultural Studies
Monday 12 November – Friday 16 November 2018
Saturday 17 November 2018, 11:00 – 16:00
Introduction and Guided Tour
Alexander Felch “Transient Hole Research – Instationarity as an artistic concept / a scientific particularity”
Saturday 17 November 2018, 16:00 – 21:00
Limehouse Hole Atlas Datathon
Navino Evans and Sean McBride (http://histropedia.com/)
Karl Salzmann (A) is a sound & visual artist, curator and researcher currently based in Vienna / Austria. Within process-oriented and experimental setups, he develops and presents works that study the materiality of sound and its social, cultural and metaphorical levels of meaning. His artistic activities mainly concern the interaction between sound and visual arts and often relate to works and topics of (sound) art history.
T_A-Z (Paul Gründorfer) (A) is using process-related setups to explore sonic worlds and to realise site specific interventions, developing real time audio systems, that act autonomous or in reference to the spatial constellation. While considering the encounters between analog and digital, structured or improvised elements, he is focusing on the abstract occurrence of sound and its physical impact.
Electronic circuits are interconnected to cause semi-natural entities, autonomous organisms. Voice and articulation are generated through loops in feedback networks. Onomatopoeia.
His artistic activities examine variable connections between transmitter-receiver networks, which function as a conceptual framework for experimentation with sound and transmission of information.
Monsterfrau Lena Wicke Aengenheyster (A/D) – MONSTERFRAU PJ (Performance Jockey) – Part III of the performance serial MONSTERFRAU The voices’ bodies: MONSTERFRAU triggers, mixes and morphes dance music rythms, samples and sounds with her movement. STAATSAFFAIRE: Production of and reflection through artistic projects in music and performance art. Beyond that it is the common optimisation of production environments and network.
Simon Sarginson (live coding) (UK)
London edition curated by Alexander Felch + Stefan Lutschinger
Realised in cooperation with Cybersalon, Middlesex University London and the Austrian Cultural Forum London – with kind support by the Federal Chancellery Of Austria.