Frankenstein Reanimated explores the monstrous products of our ‘advanced’ technological moment through the lens of contemporary art practice. Join co-editor, Marc Garrett, for an introduction to the book. This will be followed by a series of provocations from artists Mary Flanagan and Anna Dumitriu, both of whom feature in the book, and an audience Q+A moderated by Ruth Catlow.
“This collection shines a light on artists as critically engaged citizens providing a kaleidoscopic view on our unevenly distributed future. These are the Frankensteins we need!” –
Felix Stalder,
Professor of Digital Culture, Zurich University of the Arts
Order advance copies of the book here.
Mary Shelley’s classic gothic horror and science fiction novel, Frankenstein, has inspired millions since it was published in 1818. Today, we are witness to many different horrors and phantoms of our own creation. Chronic wealth and health inequalities, climate change, democratic collapse, and the spectre of nuclear apocalypse are among the diffuse, monstrous products of our “advanced” technological moment.
Frankenstein Reanimated: Creation & Technology in the 21st Century, edited by Marc Garrett and Yiannis Colakides, retraces and contextualises three international art exhibitions exploring themes within Frankenstein, and speculates on what Mary Shelley would think about the world today. The book offers a lens through which to look at our current situation, and how art practices shape, and are shaped by, contemporary society.
Frankenstein Reanimated presents a dynamic collection of artworks, essays, and conversations, addressing: surveillance, biohacking, viruses, colonialism, digital culture, and more with leading thinkers, artists and technologists, including: Alexia Achilleos, Zach Blas, Frances A. Chiu, Ami Clarke, Régine Debatty, Mary Flanagan, Carla Gannis, Lynn Hershman Leeson, Srecko Horvat, Salvatore Iaconesi, Olga Kopenkina, Marinos Koutsomichalis, Shu Lea Cheang, Gretta Louw, Joana Moll, Laura Netz, Eryk Salvaggio, Devon Schiller, Guido Segni, Gregory Sholette, Karolina Sobecka, Alan Sondheim, Michael Szpakowski, Eugenio Tisselli, Ruben Verwaal, Paul Vanouse.
Frankenstein Reanimated includes full-colour illustrations and is designed by Mark Simmonds. The book follows Furtherfield and Torque Editions previous collaborative publication Artists Re:Thinking the Blockchain.
Marc Garrett
Dr Marc Garrett explores postdigital contexts as part of an intersectional enquiry. An artist, curator and researcher he co-founded Furtherfield and has curated over 50 contemporary media arts exhibitions and projects nationally and internationally. He has written many critical and cultural essays, articles, interviews, and contributed to books about art, technology and social change. He is co-editor of Artists Re:thinking Games and Artists Re:thinking the Blockchain.
Mary Flanagan
Mary Flanagan has a research-based practice that investigates and exploits the seams between technology, play, and human experience, exploring how data, computing practices, errors / glitches, and games reflect human psychology and the limitations of knowledge. Flanagan has exhibited internationally at venues such as The Guggenheim, the Whitney, Tate Britain, and cultural centres in Spain, Portugal, Germany, France, Cyprus, China, South Korea, Australia, New Zealand, and more.
Anna Dumitriu
Anna Dumitriu is an award-winning, internationally renowned British artist who works with BioArt, sculpture, installation, and digital media to explore our relationship to microbiology, synthetic biology, and emerging technologies. Exhibitions include ZKM, Ars Electronica, Künstlerhaus Wein, BOZAR, Picasso Museum, HeK Basel, MOCA Taipei, LABoral, and the 6th Guangzhou Triennial.
Ruth Catlow
Ruth Catlow is a recovering web utopian. An artist, curator and researcher of emancipatory network cultures, practices and poetics, she is co-founding co-director of Furtherfield, and co-editor of Artists Re:thinking the Blockchain (2017) and Radical Friends – Decentralised Autonomous Organisations and the Arts.
Frankenstein Reanimated follows a collaboration with exhibition partners LaBoral, Gijon (ES), Furtherfield, London (UK) and NeMe, Limassol (CY) and made possible through support of NeMe and Furtherfield.
Part of the Are We All Addicts Now? exhibition at Furtherfield Gallery.
DOWNLOAD PRESS RELEASE
SEE IMAGES FROM THE SYMPOSIUM AND BOOK LAUNCH
SEE A RECORDING OF THE SYMPOSIUM AND BOOK LAUNCH – PART 1 | PART 2
This event celebrates the publication of Are We All Addicts Now? Digital Dependence edited by Vanessa Bartlett and Henrietta Bowden-Jones and will feature presentations from many of the book’s key contributors who include:
During the symposium, psychologists, philosophers and artists come together to discuss the emerging diagnosis of internet addiction. Taking into account our precarious economic and political climate, they will ask whether internet addiction should be understood as a form of illness, or simply a sensible adaptation to our current environment? As increasing numbers of people struggle to moderate their online behaviours, this event will also explore artists’ strategies for counteracting the seductive, addiction-making qualities of digital space.
Ticket price includes a drink *:
£7 full price | £4 concessions (UAL staff/student, external student unemployed, senior)
*ticket price covers a token for 1 alcoholic drink or 2 soft drinks, with a pay bar available for additional purchases.
BOOKING ESSENTIAL
The publication will be available to purchase on the night at the discounted price of £10 (cash only, RRP £14.95). The book, ‘Are We All Addicts Now?’ is also available from Liverpool University Press: liverpooluniversitypress.co.uk/products/100809
Convened by curator Vanessa Bartlett
Presented in partnership with Central Saint Martins Art/Design and Science Research Group
DOWNLOAD PRESS RELEASE
Book launch, drinks reception, and discussion.
Max Dovey “Love on the Block”: using blockchain for wedding vows
plus JJ Charlesworth in conversation with editors
Artists Re:Thinking the Blockchain is the first book of its kind, intersecting artistic, speculative, conceptual and technical engagements with the the technology heralded as “the new internet”. The book features a range of newly commissioned essays, fictions, illustration and art documentation exploring what the blockchain should and could mean for our collective futures.
This event features talks and conversation by contributors and editors of the publication, and an opportunity to be among the first to purchase the unique print edition.
Artists Re:Thinking The Blockchain
Imagined as a future-artefact of a time before the blockchain changed the world, and a protocol by which a community of thinkers can transform what that future might be, Artists Re:Thinking The Blockchain acts as a gathering and focusing of contemporary ideas surrounding this still largely mythical technology. The full colour printed first edition includes DOCUMENTATION of artistic projects engaged in the blockchain, including key works Plantoid, Terra0 and Bittercoin, THEORISATION of key areas in the global blockchain conversation by writers such as Hito Steyerl, Rachel O’Dwyer, Rhea Myers, Ben Vickers and Holly Herndon, and NEW POETRY, ILLUSTRATION and SPECULATIVE FICTION by Theodorios Chiotis, Cecilia Wee, Juhee Hahm and many more. It is edited by Ruth Catlow, Marc Garrett, Nathan Jones and Sam Skinner.
Along with a print edition, Artists Re:Thinking the Blockchain includes a web-based project in partnership with Design Informatics at University of Edinburgh: Finbook is an interface where readers and bots can trade on the value of chapters included in the book. As such it imagines a new regime for cultural value under blockchain conditions.
This book and surrounding events is produced in collaboration between Torque and Furtherfield, connecting Furtherfield’s Art Data Money project with Torque’s experimental publishing programme. It is supported by an Arts Council England Grants for the Arts, Foundation for Art and Creative Technology and through the State Machines project by the Creative Europe Programme of the European Union.
Available from Liverpool University Press, order copies here
CONTACT
Nathan Jones and Sam Skinner
mail@torquetorque.net
07877660150
Social media
@furtherfield
Artists Re:Thinking The Blockchain
ed. Ruth Catlow, Marc Garrett, Sam Skinner and Nathan Jones
published by Torque and Furtherfield
in partnership with Foundation for Art and Creative Technology (FACT)
ISBN: 978-0-9932487-5-7
distributed by Liverpool University Press
contact for stockist enquiries: lup@liv.ac.uk
Foreword by Sam Skinner and Nathan Jones
Introduction by Ruth Catlow
A: documents
FinBook: Literary content as digital commodity – Rory Gianni⍏, Hadi Merpouya*, Dave Murray-Rust⍏, Bettina Nissen⍏, Shaune Oosthuizen⍏, Chris Speed⍏, Kate Symons**
Text as Market – Ami Clarke
Plantoid – Primavera De Filippi
Terra0 – Paul Seidler, Paul Kolling, and Max Hampshire
Critical mining: blockchain and bitcoin in contemporary art by Martín Nadal & César Escudero Andaluz
The Blockchain: Change everything forever by Peter Gomes
Satoshi Oath by Jaya Klara Brekke and Elias Haase
01.01.20 by Kimberley ter Heerdt & Nikki Loef
Role Play Your Way to Budgetary Blockchain Bliss by Pablo Velasco
A Shared Timeline – PWR Studio
Blockchain Future States – Simon Denny (and artist interview)
B: fictions
Flying Under A Neutral Flag – Cecilia Wee
History of Political Operating Systems > Interview with Dr. L. Godord b – Elli Kuruş
All That Happened – Surfatial
Bad Shibe – Rhea Myers and Lina Theodorou
Defixio Nervorum – Theodoros Chiotis
How to Surf – Juhee Hahm
C: theories
If You Don’t Have Bread, Eat Art!: Contemporary Art and Derivative Fascisms – Hito Steyerl
immutabilty mantra – Ben Vickers
Blockchain Poetics – Rhea Myers
Love on the Block by Max Dovey
Collections management on the blockchain: A return to the principles of the museum – Helen Kaplinsky
Artists Rights in the Era of the Distributed Ledger – Mark Waugh
Everything You’ve Always Wanted to Know About the Blockchain* (*But Were Afraid to Ask Mel Ramsden) – Martin Zeilinger
Does digital culture want to be free? How blockchains are transforming the economy of cultural goods – Rachel O’Dwyer
Aphantasia – blockchain as medium for art – Bjørn Magnhildøen, Noemata
Interview with Holly Herndon and Mat Dryhurst – Marc Garrett
Furtherfield is pleased to present the UK Book launch of STATION ROSE: 20 Digital Years Plus, published by Verlag für Moderne Kunst Nürnberg.
DR. Richard Barbrook will give a short introduction to the evening.
The Digital Art of Station Rose started in Vienna in 1988, at a time when the Web still was far beyond mainstream, when Mondo 2000 never had heard about the music genre “Techno”, when future net-art-critics still mostly were university students, and when the Iron Curtain was surrounding Austria´s east, south east and north border.
“Station Rose had every right to claim ‘cyberspace is our land.’ They were there very early, they raised their antennas and put down deep roots, and they never left.” – Bruce Sterling, 2010
Station Rose, pioneers of digital culture, have produced an artist’s book which delivers a current description of the situation of media art from 1988, when the studio was founded, until 2010. Station Rose (Elisa Rose and Gary Danner) are considered to be innovators and visionaries in the field of audiovisual art, electronic music, net art and audiovisual live performance. The book features audio-visual works, performances, installations and Web 2.0 activities and linkings. Part of the book is dedicated to the media sculpture LoginCabin exhibited for three months in 2009 in the MAK in Vienna.
The latest art of Station Rose refracts the logistics and glitches of the Internet through the deceptively low-fi aesthetic of contemporary art’s installations and performances. “Twenty Digital Years Plus” shows how this fits into their history of using the viruses of visual, verbal and computer language to find insightful ways of conceptualising digital culture.
RSVP – Please contact Ale Scapin
http://www.stationrose.com/STR-Books/20DYplus-book.html
http://www.furtherfield.org/contact
Station Rose 20 Digital Years plus. 1988–2010 –>
paperbook with flaps 16,5 x 22 cm
192 pages., german/engl.
Euro 40,00/sFr 64,00
ISBN 978-3-86984-111-3
Peter Noever (preface), Howard Rheingold, Bruce Sterling, Gabriele Horn, Vitus H.Weh, Didi Neidhart, Peter Weibel, Dr.Hans Diebner, Christoph Tannert, David Hudson, Terence McKenna, Elisabeth Zimmermann, Doug Millison, Dr.Timothy Leary, Elisa Rose, STR, u. a.
Österreichisches Kulturforum Berlin, Stadt Frankfurt am Main – Dezernat für Kultur und Wissenschaft, BMUKK Wien, Hessisches Ministerium für Wissenschaft und Kunst, Kultur Land Oberösterreich.
Distributed in the United Kingdom
Cornerhouse Publications
70 Oxford Street, Manchester M1 5 NH, UK
phone +44-161-200 15 04, fax +44-161-200 15 04
Distributed outside Europe
D.A.P. Distributed Art Publishers, Inc.
155 Sixth Avenue, 2nd Floor, New York, NY 10013, USA
phone +1-212-627 19 99, fax +1-212-627 94 84
Furtherfield content is published
