In 2019 we celebrate the 150th anniversary of Finsbury Park, and we time travel through its past and future with the launch of our Citizen Sci-fi programme and methodology. Dominant sci-fi franchises of our time, from Black Mirror to Westworld, have captured popular attention by showing us their apocalyptic visions of futures made desperate by systems of dominance and despair.
What is African-American author, Octavia E. Butler’s prescription for despair? Sci-fi and persistence. Sci-fi as a tool for getting us off the beaten-track and onto more fertile ground, and persistent striving for more just societies.The 2015 book Octavia’s Brood honoured her work, with an anthology of sci-fi writings from US social justice movements and this inspired us to try a new artistic response to the histories and possible futures of Finsbury Park.
Furtherfield’s Citizen Sci-Fi methodology combines citizen science and citizen journalism by crowdsourcing the imagination of local park users and community groups to create new visions and models of stewardship for public, urban green space. By connecting these with international communities of artists, techies and thinkers we are co-curating labs, workshops, exhibitions and Summer Fairs as a way to grow a new breed of shared culture.
Each artwork in the forthcoming exhibition invites audience participation – either in it’s creation or in the development of a parallel ‘people’s’ work – turning every idea into a portal to countless more thoughts and visions of the past and future of urban green spaces and beyond.
So where do we start? Last year we invited artists, academics and technologists to join us in forming a rebel alliance to fight for our futures across territories of political, cultural and environmental injustice. This year both our editorial and our exhibition programme are inspired by this alliance and the discoveries we are making together.
To kick off this year’s Time Portals programme at Furtherfield, in April we will host the launch and discussion around Jugaad Time, Amit Rai’s forthcoming book. This reflects on the postcolonial politics of what in India is called ‘jugaad’, or ‘work around’ and its disruption of the neoliberal capture of this subaltern practice as ‘frugal innovation’. Paul March-Russell’s essay Sci-Fi and Social Justice: An Overview delves into the radical roots and implications of Mary Shelley’s Frankenstein (1818). This is a topic close to our hearts given our own recent exhibitions Monsters of the Machine and Children of Prometheus, inspired by the same book. Meanwhile we’ve been hosting workshops with local residents exploring our visions for Finsbury Park 150 years into the future. To get a flavour of these activities Matt Watkins’ has produced an account of his experience of the Futurescapes workshop at Furtherfield Commons in December 2018.
In May we will open the Time Portals exhibition which features several new commissions. These include Circle of Blackness by Elsa James. Through local historical research James will devise a composite character to embody the story of a black woman from the locality 150 years ago and 150 years in the future. James will perform a monologue that will be recorded and produced by hybrid reality technologist Carl Smith and broadcast as a hologram inside the Furtherfield Gallery throughout the summer. While Futures Machine by Rachel Jacobs is an Interactive machine designed and built through public workshops to respond to environmental change – recording the past and making predictions for the future while inspiring new rituals for our troubled times. Once built, the machine occupies Furtherfield Gallery, inviting visitors to play with it.
Time Portals opens on May 9th (2019) with other time traveling works by Thomson and Craighead, Anna Dumitriu and Alex May, Antonio Roberts and Studio Hyte. Visitors will be invited to participate in an act of radical imagination, responding with images, texts and actions that engage circular time, long time, linear time and lateral time in space towards a collective vision of Finsbury Park in 2169.
From April onwards, a world of activities, workshops with local families and their enriching noises, reviews, interviews and an array of experiences will unfold. Together we dismiss the dystopian nightmares and invite communities to join us in one of London’s first “People’s Parks” to revisit and recreate the future on our own terms together.
Marc Garrett will be interviewing Elsa James, about her artwork Circle of Blackness, and Amit Rai about his book Jugaad Time. Both will soon be featured on the Furtherfield web site.