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FurtherList No.8 August 16th 2019

Marc Garrett

A list of recommendations, reflecting the dynamic culture we are part of, straddling the fields of art, technology and social change

Events & Exhibitions

SCRATCH! George Barber | TACO! presents SCRATCH! | An exhibition of over 15 works made between 1983 and 2012 by the influential British Video artist George Barber. Though George Barber’s work is as varied and fluid as it is non conformist and irreverent, this exhibition focuses exclusively on a specific approach in his production oeuvre, – that of Barber’s use of appropriation. The exhibition is accompanied by a programme of events including screenings, talks and experimental music | see —

Unpredictable Series presents AV Night | Wednesday, 21 August 2019 | Unpredictable Series presents AV Night dedicated to various audiovisual performances, combining digital and analogue approaches with improvisation in each set. The evening will feature: The first time trio: Matt Black, Blanca Regina and Reuben Sutherland | FB invite –

MTCD – A Visual Anthology of My Machine Life | A lecture performance, in which the artist Teresa Dillon walks through key machines that have marked her life – it begins with an incubator, which has significantly affected her life, but not just hers; for most machines in her life, almost all of us remember their first use: the internet, for example, an android robot, or a mobile phone. She talks about machines, but also about people and places and relationships – therefore, it is not a performance about machines, but rather about us | 2 dates · 25 Aug – 26 Aug 2019 –

Porn The Theory – Fantasy The Practice | By Stewart Home & Itziar Bilbao Urrutia — 30 August 2019, 7-10PM | Public · Hosted by Cable Depot and Darling Pearls & Co | The exhibition invites us to re-consider obsolete gender politics in the arts as well as in the sex industry. Porn The Theory (2019) – 06’42’’ – is a re-enactment of the butter scene from Last Tango In Paris (1972). In it Stewart Home plays the part originally assigned to the actress Maria Schneider (1952-2011) while Itziar Bilbao Urrutia plays composite of the male roles: Marlon Brando (1924-2006) and Bernardo Bertolucci (1941-2018) FB link – | Exhibition Continues : 31 August – 1 September 2019

Susan Hiller at Matt’s Gallery presents Ghost / TV | An exhibition of objects and video by Susan Hiller that continues her investigations into the numinous, the ephemeral, and the personal. At the time of her passing in January 2019, Hiller was due to start planning her fifth exhibition with Matt’s Gallery, following on from Work in Progress in 1980, An Entertainment in 1991, The Last Silent Movie in 2008, and Channels in 2013 – shows which introduced some of her most groundbreaking and iconic works. The exhibition had to be postponed, and Ghost / TV has been developed since then in close collaboration with Susan Hiller’s son, Gabriel Coxhead. 25 September–27 October 2019 | Private View: Sunday 22 September 2019 —

Live Code Summer School | European live coding summer school! Learn to quickly+easily make algorithmic patterns with Hydra (for visuals) or TidalCycles/FoxDot (for music). Hang out with other nice people in the fine city of Sheffield, one of the crucibles of electronic music, with the rugged Peak District national park a stone’s throw away. 30th Aug (around 5pm-7pm) & 31st Aug – 1st Sep (10am-5pm both days) – a two-day intensive course in TidalCycles or Hydra, from the ground up. Full info and registration:

LYDIA LUNCH Presents: SO REAL IT HURTS | Lydia Lunch & special guests come together to mark the London launch of her most recent book, So Real It Hurts. An occasion for senseless celebration | “So Real It Hurts is the perfect title for this collection. It’s a mission statement. A few bleeding slices straight from the butcher shop. A sampler from an enormous archive of work that will, no doubt, be pored over by grad students, book lovers, film historians, music nerds and straight-up perverts a hundred years from now.” | At the Horse Hospital, London  Friday, 13 September 2019 7:30 pm 11:30 pm –


Digital Cash: The Unknown History of the Anarchists, Utopians, and Technologists Who Created Cryptocurrency | By Finn Brunton | The incredible story of the pioneers of cryptocurrency takes us from autonomous zones on the high seas to the world’s most valuable dump, from bank runs to idea coupons, from time travelers in a San Francisco bar to the pattern securing every twenty-dollar bill, and from marketplaces for dangerous secrets to a tank of frozen heads awaiting revival in the far future. Along the way, Digital Cash explores the hard questions and challenges that these innovators faced: How do we learn to trust and use different kinds of money? What makes digital objects valuable and more –

ORGANIZE | By Timon Beyes, Lisa Conrad, and Reinhold Martin | A pioneering systematic inquiry into—and mapping of—the field of media and organization | The dialogical form of the essays in Organize provides a concise and path-breaking view on the recursive relation between technological media and social organization. Bringing together leading media thinkers and organization theorists, the book interrogates organization as an effect and condition of media, and establishes and maps “media and organization” as a highly relevant field of inquiry | University of Minnesota Press –

Josephine Berry – Art and (Bare) Life: A Biopolitical Inquiry | By Joesphine Berry | Art and (Bare) Life: A Biopolitical Inquiry analyzes modern and contemporary art’s drive to blur with life, and how this is connected to the democratic state’s biologized control of life. Art’s ambition to transform life intersects in striking ways with modern biopower’s aim to normalize, purify, judge, and transform life-rendering it bare –

Guidebook for an Armchair Pilgrimage | Phil Smith & Tony Whitehead (text) ~ John Schott (photography) | In the 15th century, Felix Fabri combined the two, using his visits to Jerusalem to write a handbook for nuns wanting to make a pilgrimage in the imagination, whilst confined to their religious houses. The Guidebook followed Fabri’s example: first walking together over many weeks – not to reach a destination but simply to find one – then, in startling words and images, conjuring an armchair pilgrimage for the reader… along lanes and around hills, into caves and down to the coast. Triarchy Press –

Digital Sound Studies | Editor(s): Mary Caton Lingold, Darren Mueller, Whitney Trettien | The digital turn has created new opportunities for scholars across disciplines to use sound in their scholarship. This volume’s contributors provide a blueprint for making sound central to research, teaching, and dissemination. They show how digital sound studies has the potential to transform silent, text-centric cultures of communication in the humanities into rich, multisensory experiences that are more inclusive of diverse knowledges and abilities | Duke press –

Animals and Women: Feminist Theoretical Explorations (1995) | Editor(s): Carol J. Adams, Josephine Donovan | A collection of pioneering essays that explores the theoretical connections between feminism and animal defense. Offering a feminist perspective on the status of animals, this unique volume argues persuasively that both the social construction and oppressions of women are inextricably connected to the ways in which we comprehend and abuse other species. Furthermore, it demonstrates that such a focus does not distract from the struggle for women’s rights, but rather contributes to it | Duke press –

Articles & Interviews

Last Night A Distributed Cooperative Organization Saved My Life: A brief introduction to DisCOs |
By Stacco Troncoso and Ann Marie Utratel | A set of organisational tools and practices for groups of people who want to work together in a cooperative, commons-oriented, and feminist economic form. DisCO is also an alternative to another form called the Decentralized Autonomous Organizations, or DAO. By design, DAOs can earn their own money, and contract and pay for services — they can actually create and wield their own economic power, according to the interests of their programmers –

Murray Bookchin’s libertarian technics | The first in a series of critical introductions to thinkers and concepts that inform discussion of the climate crisis, looking at Murray Bookchin’s ideas about technology. For Bookchin, the profit motive constrains and limits human creativity to that which can be commodified –

The Artistic Achievements of Native Americans Through the Ages | By Eric Vilas-Boas | The Metropolitan Museum of Art’s series of talks and tours on Art of Native America: The Charles and Valerie Diker Collection helps visitors better contextualize artwork by Indigenous creators across the centuries. It was a big deal when the Metropolitan Museum of Art began displaying work by Indigenous artists in its American Wing in 2018. […] The acquisition and subsequent 2018 exhibition sought to correct that discrepancy in the Met, as well as locate work by Indigenous artists firmly within the context of “American art.” | Hyperallergic –

Peaches on her post-human sex toy art show: ‘It’s disturbing – but a lot of fun’ | Benoit Loiseau | The pop provocateur has created an artwork in which an army of ‘fleshies’, or masturbation devices, seek sexual liberation. She talks us through its deeper meanings | The work was one of 100 that appeared in Calle’s show Take Care of Yourself, which premiered at the Venice Biennale. Then in 2013, Yoko Ono invited Peaches to re-enact her seminal 1964 performance Cut Piece, letting audience members snip away at the singer’s clothes until they had entirely gone. Now, 20 years after unleashing her sex-positive signature song Fuck the Pain Away, Peaches finally has an exhibition of her own | Guardian –

Futures of Habermas’s Work | By Matthias Fritsch | THE 90TH BIRTHDAY of Germany’s most important living philosopher provides a welcome opportunity to reflect on the mark his work will have left. What legacy will his work leave for humanity? What aspects of his immense corpus will endure for future generations? I will single out three areas in response to these questions as we celebrate Habermas’s birthday –

Why Posting Selfies With Street Art Could Get You Sued | By Helen Holmes | Observer | We already know that copyright infringement and intellectual property law dictates that original artistic work may be used for another purpose only when permission is granted by the creator. When permission isn’t granted, things can get hairy. Apparently, a new precedent is being set: social media influencers with big followings are being sued for posting content where the influencer in question is posing in front of artwork, without having asked the artist first –

Extra Squeezed extra stuff)

Metal Liverpool (UK) Are hiring new staff | Administrator &  Projects Manager | Visit here for more details –

Image: Susan Hiller: Ghost / TV | Matt’s Gallery 25 September–27 October 2019

Co-Founder and Co-Artistic Director Marc co-leads on artistic and curatorial vision for Furtherfield and is the director of Furtherfield research and publishing. As an artist, curator and researcher Marc brings 25 years of experience from the intersection of arts and technology to emerging practices in art, decentralised technologies and the inequalities of race and class. He is currently completing a PhD at Birkbeck College, University of London.

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Co-Founder and Co-Artistic Director Marc co-leads on artistic and curatorial vision for Furtherfield and is the director of Furtherfield research and publishing. As an artist, curator and researcher Marc brings 25 years of experience from the intersection of arts and technology to emerging practices in art, decentralised technologies and the inequalities of race and class. He is currently completing a PhD at Birkbeck College, University of London. Share: Twitter Instagram Facebook