What kind of digital content do we consume and what culture do we create? How are we “feeding” today’s digital markets? How ephemeral is digital Pop culture? Under the theme of Digital Pop, Athens Digital Arts Festival 2016 aimed to capture the different aspects of Pop in the digital era, focusing on the response of artists and users alike.
For the exhibition „Manifesto“ Julian Rosefeldt collaged the texts of numerous manifestos — from Futurism to Pop Art, Conceptual Art or Dogma 95 - into poetic and entertaining monologues. Forming new narratives into thirteen videos, manifesto collages are brought to life by unexpected characters in different contexts.
Mathias Fuchs reviews Gerald Raunig's latest book, which examines the concept and the genealogy of “dividuum”. Locating its roots in Epicurean and Platonic philosophy and referring to its controversial dispute in medieval philosophy, Raunig argues the term has gained a new relevance in the era of machinic capitalism today.
Can citizens today read, confront and resist infrastructures of surveillance? Teresa Dillon's latest project at the Seventeen, Art Centre in Aberdeen prompts reflections on solidarity, literacy and symbolism within digital civic governance, inviting us to become architects of our own knowledge and action.
Marc Garrett reviews Civic Radar, the first comprehensive monograph of Lynn Hershman Leeson’s pioneering artistic career, spanning across five decades, in the fields of photography, video, film, performance, installation, and interactive and net-based media art.
Statistics, probabilities, correlations – more and more quantifying methods and tools are becoming the epistemological grounding of governance in the 21st century. The exhibition “Nervous systems” – on show until the 10th of May at the Haus der Kulturen der Welt in Berlin – presents artists, activists and philosophers exploring what it means living in a quantified word.
How do artists bridge the divides between disciplines to break new ground and meet the challenges of the future? What are the secrets to making collaboration work between different creative communities? We go looking for answers at Manchester’s FutureEverything, a future-focussed multimedia arts festival with exciting multidisciplinary collaboration at its heart.
The Neoliberal political economy has been particularly adept at transcribing our corporeality and its affects into mechanistic laws and procedures. It's so good, in fact--the story goes--that it's robbed us of the very thing it charges us for. How can we take back the things that are most intimately ours? Neoliberal Lulz offers a few ideas.
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