In a psychoanalytic review of the online exhibition Body Anxiety, curated by Leah Schrager and Jennifer Chan, Laura González explores fear, symptom, sublimation and the pleasure of looking in relation to the body of the artists shown.
Remembering the heroic age of arts computing is often a family affair in Hannah B Higgins and Douglas Kahn's book Mainframe Experimentalism, which leads Rob Myers to ask just how much the rest of us can come to love this neglected but key moment in art digital history.
The first day of the Sonic Acts festival featured some of the most prominent men in philosophy, electronic music and sound art today, including OOO practitioners Graham Harman and Tim Morton, M.E.S.H., Vessel Florian Hecker and Reza Negarestani. Nathan Jones attended this day for Furtherfield.
Caren Gilbert shares the experience of trying to find consensus on how we should approach life after the apocalypse in the pop-up community of Ellie Harrison's "Dark Days" sleep-over at Glasgow's Gallery of Modern Art.
Niki Russell reviews Syndrome 3.0: The Post-Human Gospel at 24 Kitchen Street - a night of performances, by artists whose entangled relation to technology seeks to posit new forms of identity and spirituality.
Robert Jackson reviews Nathaniel Stern's Interactive Art and Embodiment: The Implicit Body as Performance (2013): a critical framework that argues for the importance of embodiment in digital interactive art together with a constitutive philosophy of relationality, movement, materiality and process.
You know a book review is going well when you disengage your critical mind and find yourself falling into the text and just soaking up everything you're reading. HOLO magazine gets you like that. I don't think it's too much of an exaggeration to say that HOLO magazine is itself a work of art.
Daniel Rourke reviews works commissioned by curator Shiri Shalmy for the ongoing Data as Culture project, by artists Paolo Cirio and James Bridle, that deal explicitly with the concatenation of data. What happens when society is governed by a regime of data about data, increasingly divorced from the symbolic?
ChannelTWo review Anette Barber's Casualties, an interactive, kinetic installation, that was exhibited at Chicago Artists Coalition from Aug 22 to Sept 11, 2014. Barbier explores the tension between the built environment and the marginalized place of nature in our urban spaces as seen through the plight of urban birds.
Michael Szpakowski reviews Pencil-Line-Eraser, the 'expanded' drawing exhibition at Carroll/Fletcher in London and finds a great deal to commend in it, though it also raises some knotty problems too...
https://www.facebook.com/events/796218167127367/Behavioural Modernity is the first exhibition in a two-part program at Artistic Bokeh exploring changing politics of representation and ethics of care...
Furtherfield is a Not-for-Profit Company Limited by Guarantee registered in England and Wales under the Company No.7005205. Registered business address: Ballard Newman, Apex House, Grand Arcade, Tally Ho Corner, London N12 0EH.