Scratches, fuzz, noises and weird and warped rhythms are combined with images to a mosaic flow that which you perceive not only with your seeing but with all your senses. Spellbinding visual abstraction...
Medrano says she doesn't know what kind of chemical she splashed on her face, nor was she warned about the product or its potential danger and such perilous oversights are all too common in the industry. Injuries related to chemical exposures such as Medrano's range from skin irritation and burns to allergic reactions.
Alex Dragulescu's graphic novel What I Did Last Summer inundates our screen with words that we can almost touch. The phrases are intermittent, fragmentary, silent - "I don't ask why"; "Now, you've got all that on"; "I read the Stars and Stripes" and "These are textual bombs"; scattered sentences harvested by Dragulescu's software agent Blogbot.
Furtherfield presents Please identify yourself, a new exhibition by artist collective THEY ARE HERE, informed by their residency at Furtherfield, as well as online & offline activities across Finsbury Park.
Furtherfield Presents Offline Is The New Luxury, an exhibition by Alison Ballard. It is a collection of works exploring our relationship with technology and the Internet. When daily encounters are increasingly mediated by online technology, how is this affecting our experience of live-ness, presence, and time?
Furtherfield presents Superdiversity: Picturing Finsbury Park, an exhibition collaboration between researcher and artist Katherine Stansfeld and local people and communities in London’s Finsbury Park. The exhibition maps a multiplicity of meaning and experience of Finsbury Park in an exploration of what place and difference mean in today’s global London. Support gratefully acknowledged from Ordnance Survey, the Economic and Social Research Council, and the Royal Holloway Centre for the GeoHumanities.
Monsters of the Machine at laboral, Spain, is a group exhibition with a contemporary take on Mary Shelley’s Frankenstein, seeing the world through her eyes now. Shelley’s classic, gothic horror and science fiction novel, has inspired millions since it was written 200 years ago in 1816, and then published anonymously in London in 1818.
The Games for Cities programme is hosting the first international conference with leading ‘city-game’ design experts from around the world. Games for Cities is an initiative started by Play the City...
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