Edward Picot reviews Michael Szpakowski's 12 Remixes, a series of 12 pieces mixing audio and sometimes video, that the artist submitted to a competition every month. Picot carefully analyses Szpakowski's creative method and shows how in almost every instance Szpakowski's remixes have a more resonant and spacious feel than the originals; the sounds are dirtier, fuzzier, more textured; and the rhythms are more complex.
Artist and composer Michael Szpakowski has worked with local people to create a generative sound sculpture that invokes the collective memory of childhood that people bring to Haringey from all over the world. Part of PARK ART in Haringey - an alternative, multi-venue sculpture park for the London Borough of Haringey.
10 October 2012 - 12:00am - 12 October 2012 - 12:00am
Prospectives ’12International Festival of Digital Art highlights the work of graduate and Phd candidates working across all disciplines utilizing experimental digital media in their creative endeavors. Individual artists and colalborative groups are encouraged to apply!
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