Randall Packer interviews three artists from the Chicago glitch community: Nick Briz, Paul Hertz, and Jon Satrom about glitChicago: An Exhibition of Chicago Glitch Art, recently shown at the Ukranian Institute of Modern Art, discussing their funky (as in Chicago blues), punk-inspired disruptions and hacked creations.
The artist Constant Dullaart in conversation with Rachel Falconer reflecting on his recent show Stringendo, Vanishing Mediatorsat Caroll/Fletcher. Exporing the liminal space and broadcast politics of the balcony and unpicking Dullart's Balconisation Manifesto.
Annet Decker interviews Jonas Lund whose practice revolves around the mechanisms that constitute contemporary art production, its market & the established 'art worlds'. Using a wide variety of media, combining software-based works with performance, installation, video, photography & sculptures, he produces works that have an underlying foundation in writing code.
Marc Garrett reviews Thomson & Craighead's recent book Flat Earth edited by Sarah Cook published as part of two solo exhibitions: MEWO Kunsthalle, Memmingen, Germany 'Not even the sky' and at Dundee Contemporary Arts, 'Maps DNA and Spam'.
Rachel Falconer's article is written in response to an interview conducted with lizvlx and Hans Bernhard from Ubermorgen. 'userunfriendly' is their first solo exhibition in London and presents a performative study of creeping paranoia. It is on show at Caroll/Fletcher Gallery through October until 16th November 2013.
What can we learn from our encounter with an indeterminate symbol floating in the space of a gallery that exists only on Apple devices? Rob myers writes about Bill Miller's work featured at The Widget Art Gallery (WAG) serving art online since 2009. From July to August 2013 the work inhabited this virtual space as Bill Miller's "A Symbol".
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