![]() | Inspired by the tradition of open-form musical scores, Jason Freeman has composed four different piano etudes as a collection of short musical fragments with links to connect them. In performance, the pianist must use these links to jump from fragment to fragment, creating their own unique version of the composition. released 17th Jun '09 |
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project Piano Etudes 17/6/09 by Jason Freeman
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| aesthetic, Code Art, generative art, interactive, real time, remix, software art, sound, web art | ||
![]() | Second Life is the perfect realm for Marker to further his socially conscious antics. While newcomers to the moving image who may never have spliced a real piece of film let alone toiled at a steenbeck lay claim to being the future of "web cinema", Marker has moved on and taken the foundations of cinema experience with him into SL. released 29th May '09 |
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project Chris Marker's Second Life 29/5/09 by Chris Marker
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| audiovisual, cinema, cyberculture, Film, media art, video | ||
![]() | A no nonsense guide to help improve the representation of artists using Wikipedia (specifically media artists), more people who are involved in the field should learn about how Wikipedia works and get involved with editing it. This article is a brief introduction to doing so. released 26th May '09 |
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project Editing Wikipedia 26/5/09
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| agency, article, distributed creativity, DIY, knowledge, media art, resource | ||
![]() | Furtherfield.org and HTTP Gallery are pleased to publish the essay Feral Labelling by Femke Snelting (part of the De Guezen collective) to accompany Kate Rich's Feral Trade Cafe exhibition at the HTTP Gallery, this summer. released 21st May '09 |
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project Feral Trade Cafe 16/5/09 by Kate Rich
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| distributed creativity, DIY, exhibition, infrastructure, networked, open source, self organisation, social | ||
![]() | Sensity by Stanza monitors the changing state of the environment and transmits it from remote sensors back to a central hub that visually represents the location. Through this observation of the location and data gathering, Sensity brings to mind questions regarding our urban society. released 19th May '09 |
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| aesthetic, agency, audiovisual, exhibition, geopolitical, installation, Internet Art, live, media art, net art, net.art, networked, real time, software art, sound, urban | ||
![]() | This 6-year retrospective of the Feral Trade project, by artist Kate Rich, kicks off Furtherfield.org's Media Art Ecologies programme. An ecological approach pays special attention to the interrelation of technological and natural processes: beings and things, individuals and multitudes, matter and patterns. released 16th May '09 |
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project Feral Trade Cafe 16/5/09 by Kate Rich
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| distributed creativity, DIY, exhibition, infrastructure, media art ecologies, networked, open source, self organisation, social | ||
![]() | Edward Picot discusses the controversies that arise when computer games meet artistic purpose. Taking us through a detailed analysis of some emblematic examples of computer games that slip into the realm of art, he unfolds the strategies, motivations and critical issues. released 30th Apr '09 |
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project Play on Meaning? - Computer games as art 30/4/09
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| article, game culture, interactive, Internet Art, media art | ||
![]() | "Art and Revolution - Transversal Activism in the Long Twentieth Century" by Gerald Raunig is a book that presents and contextualises artists engagement with revolutionary moments over the last one hundred and fifty years. released 22nd Apr '09 |
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project Art and Revolution 22/4/09
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| activism, agency, books, critical, Political, publication, social, theory | ||
![]() | Tag ties and affective spies is the title of an online-exhibition which presents a selection of Internet-based artworks that highlight different aspects of the Social Web. In the following interview curator Daphne Dragona says: "Tags are about us and the others." released 18th Apr '09 |
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project Tag ties and affective spies 18/4/09 and artist Daphne Dragona
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| activism, agency, conceptual, critical, curation, hacking, media art ecologies, net art, networked, participation, platform, recycling, social, software art, taxonomy, war, web art | ||
![]() | This text is a reflection on the NODE.London experiment and its engagement with radical openness. Looking at its context, its cultures and the make-up of its events, infrastructure and organisation it discusses how it might be possible and worthwhile to support the development of grassroots media arts infrastructure in London. released 9th Apr '09 |
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project Node.London Season of Media Arts 18/2/06 by Node.London
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| abstract, activism, collaboration, collective, community, media art, media art ecologies, participation, self organisation | ||
![]() | In support of Ada Lovelace Day Furtherfield.org invited women working in media arts to join the NetBehaviour email list for a week. Contributors posted information about their own work alongside the work of other women who had inspired them in their own practice. released 7th Apr '09 |
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| agency, archive, article, collaboration, collective, community, context, critical, cyberculture, dialogue, distributed creativity, feminism, gender, media art, networked, participation, resource, social | ||
![]() | Exploits in the Wireless City is the 4th Radiator festival and symposium to date, which lasted between 13-24 January 2009, 10 days of Exhibitions, Events, Screenings, Music, Artists' Talks and more. Marc writes about the commission for the festival 'Going Underground', enquiring how the works relate to the theme of Surveillance and Sousveillance. released 25th Mar '09 |
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group Trampoline and project The 4th Radiator festival 25/3/09
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| activism, agency, collaboration, collective, commission, festival, Film, performance, Political, resource, social, social games, street, urban, wireless | ||
![]() | Pall Thayer's Microcodes are short code art pieces written in Perl and presented on a website for viewers to read, download, and execute. The projected falls in between code art and social media. Rob Myers argues that the project's major achievement is its capacity to make both modern operating systems and the contemporary experience of being human strange. released 15th Mar '09 |
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project Microcodes 15/3/09 by Pall Thayer
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| aesthetic, Code Art, conceptual, copyleft | ||
![]() | Jorn Ebner's "(sans femme et sans aviateur)" is an atmospheric time-based multi-window web-browser image work that presents an evocative exploration of contemporary Paris... released 13th Mar '09 |
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project (sans femme et sans aviateur) 13/3/09 and artist Jorn Ebner
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| browser art, cinema, Code Art, media art, net art, net.art, networked, urban, video, web art | ||
![]() | JonCates began research on the COPY-IT-RIGHT project by Phil Morton in 2007. It Predates The Pirate Party, Free and Open Source Software, Creative Commons and/or the Digital Millennium Copyright Act. The archive exists to organize and freely distribute Morton's new media artwork, and also to perpetuate the COPY-IT-RIGHT ideal that Morton advocated. released 13th Feb '09 |
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project COPY-IT-RIGHT 13/2/09 by jonCates
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| archive, context, copyright, distributed creativity, intellectual property, interplay, knowledge, media art, open source, reflection, resource, video | ||
![]() | Transmediale.09 Deep North purports to construct an impression of the polar regions as a place that can be "imagined but never truly captured". In seeking to move beyond prevailing notions of catastrophic environmental change and to examine its broader cultural consequences. released 3rd Feb '09 |
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project Transmediale.09 Deep North 3/2/09
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| conference, critical, environmental, exhibition, festival, media art, media art ecologies | ||
![]() | Igloo's latest mixed reality installation combining hyper-realistic virtual environments and motion-captured dance has the atmosphere of a 3D survival horror computer game. And not just on the screen... released 2nd Feb '09 |
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| aesthetic, collaboration, cyberculture, exhibition, installation, software art | ||
![]() | Interviews, exhibitions, films and presentations are the many forms the project Networked Cultures, initiated by Peter Moertenboeck and Helge Mooshammer, collaborates on architecture, art and theory and investigates urban network processes as well as spaces of geocultural crises. released 31st Jan '09 |
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project Networked Cultures 31/1/09 and group Networked Cultures
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| activism, agency, archive, behaviour, collaboration, collective, community, context, cyberculture, database, dialogue, geopolitical, media art, media art ecologies, networked, platform, Political, psychogeography, publication, resource, social, theory | ||
![]() | The Sound of eBay completes UBERMORGEN.COM's trilogy that also includes Amazon Noir and Google Will Eat Itself (GWEI)(1). In order to understand the significance of this work, a brief look at recent Net.Art history is helpful. released 13th Jan '09 |
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| activism, agency, browser art, Code Art, critical, media art, net.art, networked, satire, sound, web art | ||
![]() | Edward Picot writes about Doron Golan's and Michael Szpakowski's exhbition 'Whereof one cannot speak, thereof one must be silent...' which is at Furtherfield's HTTP Gallery in London, UK. which is open to the public between 16th January - 1 March 2009. released 8th Jan '09 |
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project Whereof one cannot speak, thereof one must be silent... 8/1/09, artist Michael Szpakowski and artist Doron Golan
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| article, audiovisual, browser art, collaboration, dialogue, exhibition, installation, media art, net.art, networked, poetic, urban, video, web art | ||





















