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Bird’s Eye View of London - Rhizome News 2006
The common phrase ‘bird’s eye view’ generally assumes that the power of birds to surveil a wide plane endows winged creatures with a greater, more perfect picture of a place, and perhaps even its people. More recently, birds have participated in surveillance infrastructures through their hosting of RFID chips.
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Online homes for art - Artthrob 2006
This month the project page highlights two online net art and digital art communities. One uniting characteristic of net active artists and the like, is that they are always forming groups to join and to showcase work and exchange ideas - in fact, inclusivity seems to be built into the ethos of these artists' production.
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Interview with Andy Deck - Teknemedia 2006
e talk with Andy Deck, that in March has presented inside the Node.London program a new project, commissioned by Tate Online and Whitney Artport.
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Long-Distance Media Relationships - Rhizome News 2006
For three years, Chicago, Illinois-based artist John Kannenberg and Long Beach, California-based artist Glenn Bach have been collaborating cross-country. The two gather data, photos, sound, and other materials on their daily walks and upload them to the internet, to compare their respective residences. Next Sunday they'll take their collaboration across the pond, participating in a performative round of live file-mixing hosted at London's E:vent and organized by Furthernoise and curator Roger Mills.
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Art, Autonomy and Automata - metamute web exclusive 2005
Last year digital arts platform Furtherfield extended itself into meat space, opening its HTTP gallery in Finsbury Park. Finn Smith visited the space, the boredomresearch exhibition ‘theatre of restless automata’, and the resident pussy cat...by Finn Smith
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Rosalind - Net art review 2004 Rosalind, (named for geneticist Rosalind Franklin), is a dynamic [new media art] lexicon that developed from a private project called GEST@TION. The endeavor, begun in January 2004... a small network of independent collaborators who sought to ³evolve a new shared textual vocabulary for communicating what they are, what they do and the worlds they are creating.²
- Lora McPhail Net Art Review
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Beyond the Big Boys - Mute Magazine 2004 Furtherfield delights in its rebellion against closed doors. Whether they are institutionally, financially or culturally shut...
- Jess Loseby Mute Magazine
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Mixes from the Visitors Studio - Mute Magazine 2004
Deleuze or not Deleuze - Page 136 - Summer\Autumn edition 2004.
- Jean-Jacques Lecercle Mute Magazine |
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Is there such a thing as an online retrospective? - Net art review 2004
Is there such a thing as an online retrospective? Furtherfield.org is testing the possibilities with Andy Deck's first retrospective. Here is what Furthefield proposes in their launch-release:
- Eduardo Navas Net Art Review |
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After Rhizome 2004
"The alternative to Rhizome. Free content, frequently updated and a dedicated team of people that are artists themselves"... So what about these alternatives. An interesting alternative to Rhizome seems to be the ever developing site of furtherfield. Over the last year we saw it's content and participants multiplying and multiplying. Because it's structure is more or less open source participants don't have to fear for Rhizome like situations (that is that you have to pay to get to your own content). |
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Flash Art Feb 2004 Tra Le opere confluite nella rete di Blog.Art, Rethinking Wargames e un progetto interattivo dell'artista inglese Ruth Catlow, founatrice e direttrice insieme a Marc Garrett, del sito d'arte elettronica www.furtherfield.org che raccoglie le propste di altri artisti - Adriana Martino |
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Taking It Further (September 2003)
'The new Furtherfield site offers critical writings, live discussions, artworks, noisemakers, a 'Public Broadcast' where members upload information about their own projects, and the FurtherStudio, where we can observe the net.Artist at work. Furtherfield, in all its interactive glory, takes us further than ever into the dynamic world of digital art.'
- Helen Varley Jamieson , Rhizome Net Art News |
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Sampling Net Art (May 2003)
'The rapidly expanding and innovative artist-led site www.furtherfield.org currently at the forefront of British Net Art embodies a proactive principle within current net art practice.'
- Jess Loseby Net artist, AN Magazine |
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Arts Council funds website condemned as top-shelf porn (May 2003)
'Organisers say the Shooting Live Artists show, which has included images of a woman in see-through panties and a man holding his genitalia, encourages ordinary people to view their bodies in a different way. But critics say it is little more than top-shelf porn disguised as art'.
- Martin Delgardo Mail on Sunday |
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Putting the personal in PC or the dirty in Mac (March 2003)
'Why when we own our bodies from the day we are born are we more likely to know the processes of our Intel Pentium than our pancreas? Why do we want to make our computers as personal as possible, and specific only to us, and yet we dont celebrate the specificities of our own bodies?'
- Charlotte L. Frost Digital critic Rhizome.org, Furthertxt.org
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Apropos of Skin/Strip Online (March 2003)
'The Internet revolution isn't one of communications and technology alone - it touches the very social fabric of our world. Sexuality and desire are foregrounded everywhere...'
- Alan Sondheim Writer, philosopher and net artist
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Skin/Strip Online (March 2003) 'Skin/Strip Online will allow the user to, instead of letting technology inscribe them, inscribe the technology, by offering a topography of international flesh to the web site.'
- Lewis LaCook Writer for Rhizome Net Art News, Net Art Review, Suite101.org - Net artist and resident digital art critic at Furtherfield.org |
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Net Art Review (April 21st 2003)
'Furtherfield.org has a brand new look, so make sure to drop by to peruse all its resources. Also, skintrip their collaborative project with Completely Naked is still happening; submissions of images of your naked bodies are welcomed. While visiting the site, read articles by Alan Sondeim, Charlotte Frost and our own Net Art Reviewer Lewis LaCook.'
- Eduardo Navas Net Art Review |
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The Naked Collective (April 22nd 2003) 'You owe it to yourself to check this out. Their Flash rolling slideshow interface is cool and the submitted images are both fun and real. And maybe, just maybe, you;ll be inspired to participate. It's anonymous. I just uploaded a couple of images. You can, too.'
- Prospero Writer & editor of Word Oyster |
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Skin/Strip, corpi immessi in rete (March 28th 2003)
'Skin/strip è il risultato di un esplicito invito, che circolato fra gli addetti in principio e in rete più tardi, invitava la comunità digitale ad esprimere la nuda identità del proprio corpo. L'enfasi della carne non è nuova agli spazi incorporei della rete, e questa galleria amatoriale di particolari e visioni d'insieme di pelle e organici orpelli, più o meno velati, assembla una rappresentazione sociale e culturale dei corpi stessi.' |
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Net Art Review (February 19th 2003)
'The first is a project set up by the net.art collective furtherfield.org called "day in day out" principally to document the diaries of people taking part in anti-war and human rights violations protests all over the world. Notably this includes events such as Iraq and the impending war, president Mugabi being invited to France by President Jacques Chirac etc.'
- Garrett Lynch Net Art Review |
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Retazos de piel colectiva y expuesta
'La obra Skin/strip Online invita a la ciudadanía a despojarse de ropa, pudor y prejuicios, para construir una galería con imágenes de cuerpos desnudos.'
Revistarte |
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Shall I Tell You What I Am Wearing? (February 18th 2003)
'In line with net anonymity, modesty, intrigue and perhaps encouragement, faces must be kept concealed. So from the 28th February, if you are waiting on a download, whip off your geek garb and give (a little) something back!'
- Charlotte L. Frost - Digital critic Rhizome.org, Furthertxt.org |
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(Further)field Study (April 24th 2002)
'Currently, you can peruse such online works as "Definition," by Mac Dunlop, a series of poetic examination of one's inner and outer identities and cultures, and "Flash Explorations," by Jess Loseby which, via text, sound, and photographs, centers around a "cyber-domestic aesthetic." Stay tuned to furtherfield.org to discover fresh net art.'
- Net Art News |
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Mating for Life: Jess Loseby @ furtherfield.org (May 16th 2002)
'Jess' work was brought back to me as part of a feature at furtherfield.org (http://www.furtherfield.org/home.html), a rather subversive art site (check out all the ertoic material there, especially The Feeler Twins' take on the "nature" of the erotic, wink wink) that seems a strange place for her brand of cyber-domesticity to take root.'
- Lewis LaCook Writer for Rhizome Net Art News, Net Art Review, Suite101.org - Net artist and resident digital art critic at Furtherfield.org |
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Web Hypertext, Net Art, Web Art (May 20th 2002)
'features a wide array of intriguing works including Definition by Mac Dunlop, a series of poetic examination of one's inner and outer identities and cultures; and Flash Explorations by Jess Loseby, which creates a "cyber-domestic aesthetic" via text, sound, and photographs.'
- Hypertxt Kitchen |
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Furtherfield @ Lord Litter (July 24th 2001)
'Furtherfield is run and designed by artists; developing and showcasing stunning and unusual creative projects and providing links to some of the hottest creative websites on the Net." I spent some quite entertaining time checking their offering ! Damned great cultural effort on the web - I like that!'
- Lord Litter mixed bag |