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Systems and Chance

Daffodils and Tulips
Daffodils&Tulips/QuickTime/9.20MB/4:28minutes

Flickr Photographs

Daffodils

Tulips

Daffodils and Tulips

Systems and Chance
A set of photographs, taken over the duration of 9 days showing the life cycle of a bunch of daffodils and tulips. I used QuickTime to create a 5 minute slideshow showing some of the beautiful photographs I have taken of the daffodils and tulips from the beginning of their life right till the very end. I also created a set of three photographs which show the flowers day by day (left to right) over the duration of 9 days.

System and Chance


Grid/QuickTime/38MB/0:03secs


Growing trees/QuickTime/2.37MB/0:01sec


Growing trees 2/QuickTime/1.88MB/0:00sec

Blink and you’ll miss it!

These are three very short videos in a stop motion animation showing the progress of the iPad applications ‘Arttree’ and ‘Substrate’ these are both random generation apps that are given a certain set of instructions to use to help them generate images.


These are photos taken in the same place on the same day with pictures of a selected location of things in the area.


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My theme was popular culture mixed with textile. I wanted to bring something with traditional backgrounds and run them alongside something relatively modern. I started by drawing and sketching in my sketchbook and then applying the illustrations I had created to a textile base. My main technique was embroidery, which is quite a traditional application of stitch work. The first piece of embroidery I did for this project was stitch onto cardboard, I wanted to make a contrast between the perfect line created by the thread and the rough almost scrap of the cardboard. I then went on to stitch onto more cardboard and I eventually progressed onto fabric. Embroidery is mostly seen as a twee hobby, I wanted to add a darker edge to the technique, not reinventing it but taking something traditional and changing it into something that was non traditional, something that wouldn’t necessarily be linked to embroidery and textile.

Discord & Decoration

The initial theme I chose was Discord. Discord relates to a lack of harmony in the world around us, a disagreement among those expected to cooperate or a cacophony or jarring of sound. Conflict can arise when discord is stirred between religions, communities and within ourselves. Discord can lead to chaos and different forms of discord are often presented clearly in nature and its representation in art. From quarrelling neighbours to political regimes that provoke uprising, discord in our world has led in some nations to all out war.

I began working with the issues of discord and translate them into something beauteous. Busy patterns of wallpaper or fabrics layered together, to shapes created by light and shadow, the colours and patterns of objects: the shadows they make, and the spaces around them, have inspired many to utilise these traits in creating a decorative piece.

Combining these themes of Decoration & Discord, I initially wanted to communicate important issues through a visual design and/or repeat pattern. But to aestheticise violence, bloodshed, disorder or brutality raises other issues. Others may interpret this work to be something of deeper meaning, rather than something that just pleases the eye. Papered walls have always ‘talked’, but the involvement of contemporary design engages the viewer in a radically different dialogue – one that employs some aspects of the traditional visual language of wallpaper, but also uses its power to challenge, oppose and disturb.

Wallpaper’s perceived function is thereby subverted, causing anxiety and unease. However, in using wallpaper to reflect Western culture I aspire to reveal an uncomfortable truth or, by repeating them, rendering them acceptable.

I have found a selection of images and photographs from the media coverage within the past year that depicts varying scenes of disruption or devastation. By either re-appropriating these scenes or creating new designs from elements within them, I have created a series of repeating patterns.

 

Gyotaku With a Twist

The Pre-camera Japanese art of fish printing for scientific size and colour documentation has become a much celebrated form of art, now prevalent in island cultures around the world. My question is: Why must it only pertain to fish?

My previous work focused on printing my face, hands, and feet in ink, and used the variations of gravity and texture to create interest. This project looked at what would happen if I painted the fur of live animals and then created a print of that. For my example, I have used a horse.
I am interested in creating a collection of prints and textures directly from the animals in a non-invasive way, and then making them into digitally manipulatable files that could be transferred onto textiles or other mediums that are currently widely marketed as fake fur animal prints. I am thinking Zebra, Giraffe, Crocodile, Leopard, Tiger, etc.

Most fake prints focus on colour, but I think it is equally as interesting to see the texture of the animal that made the print right there on the fabric!

This is my (large) gyotaku horse print and a photo of the process! below is a mock-up of a T-shirt bearing the design.

Processing experimentation, Exploration of Generative art

Looking at different programs which allow visual manipulation of graphic information.

http://www.processing.org/

Looking at artists such as Robert Hodgin and Ken Kitano lead me to producing works which morphed a ‘passport’ style image of faces, generating visual imagery similar to Pointillism and Pixel art.

looping images of people

Developed a system which ‘splices’ imagary.

rand 1

Final version of Pixel art technique

Manipulating positioning of characters from personal movies

Insecurity



Clauds/QuickTime/1.5MB/16sec
http://www.flickr.com/photos/67908498@N06/sets/72157628809627447/

The Adventures of 8-Bit

This is the second part to a Trilogy of animations featuring the adventures of the character 8-Bit.

This animation containing a Machinima element which is the story telling within video games, the story in this animation/machinima will pick up at the end of my original animation with 8-Bit meeting his friends at the Scott Bar. However time is short to when the evil High-Def will crash the party and force 8-Bit to save his friends and the world. Travelling to various worlds with the help of an old friend to track down and stop High-Def, but 8-Bit along the way will face an unknown enemy that is out to stop him from finding High-Def.

Tagged

Essex Gems in abstraction

I was originally working in an experimental stage in various mediums mainly using pastel and watercolour with the intention to produce a loose style of portraiture as with these watercolour portraits in the style similar of renowned living watercolour artist Charles Reid for inclusion into my Noir photo portrait book which I am hoping to publish in the near future. Then by chance when surfing through images for some inspiration I embarked on the work of an american artist who calls herself Blue rabbit whom uses Photoshop CS5 with several photos to achieve with layers and blending modes beautiful vibrant digital art pieces. The excitement of this new found medium with the ultimate surprise of how multiple photos will blend had me changing all my previous ideas within a few attempts of creating some amazing results. By working for a day on You Tube tutorials and studying different filters and methods within the software, such as the HDR toning tools, I achieved further enhancements which gave my work an extra boost of vibrancy and mood. I decided to purposely use photos which could include some part of the person whom I am portraying, whether it be a physical aspect of them or a scene which moves them in some way. also my final image on canvas must reflect the person’s character, their personality, secrets or dreams. I have been experimenting over the last week with my own photography and painting and here is a link to view the results Digital Art

The next process to the portrait is to prepare the canvas. The size of the canvas is also important to the portrayal. Large canvasses I use for big characters or mothers of large families with endless lifetime stories to tell, a smaller canvas is suitable for a child or a private person . The final photo is gridded and the large canvases are gridded also ,although the smaller canvas is worked to directly. Then the major points are sketched on using a pastel pencil which will blend in with the acrylic paint as lead and charcoal can make the paint muddy. After a light watery wash is laid where the major lights and darks are, I will then discard with the reference photo and then work from my own interpretation of the subjects character. The above work is of an Essex friend of mine, Laura whom has looked after my horses for 14 years, she has 2 personalities whereas she works in an office up town in the day and has a professional and smart appearance and then there’s her weekend persona where her life is the horses, muddy clothes and fun times to be had!

I have been continuing to shoot noir photos with my Canon 60d of local Essex characters to eventually be included into a forthcoming book which if becomes fairly successful , I intend to publish it as an annual and then maybe a website. This book which I have already titled “The Real Gems of Essex” will be initially published in Blurb.com to test the market. I intend to put a small advert in Essex magazines and local papers requesting people whom have an interesting lifestyle which can be included. So far I have gathered around 15 great characters whom I will interview in due course and embark on some kind of art work to represent their characters the way I see them, either in a painting, sculptor or hand built pottery item in the style of an ancient relic . These works will also be included in this book in a full page with their vibrant colours which will stand out against the Noir theme of this publication



Slideshow/33KB/:30sec

Kimeera: City of Tyrus

These paintings are a sample of a story that I have written about the imprisonment of the human race by mutated sea creatures. I have worked with acrylics on 32″x24″ canvas board then with fineliners and a Sharpie pen I added the fine detail to give that graphic novel style.

The story is about a boy named Jacoby trapped inside an aquatic world as a hybrid sea creature. He learns that the human race has been enslaved by highly developed sea creatures and must find a way to free them, get them back to land and stop King Mokarran (ruler of the sea) flooding the world.

I originally titled the story “Kimeera” (chimera) as it is a synonym of fantasy. Then after designing the main character I found that it closely resembled a chimaera fish, a cartilaginous marine fish with a long tail, an erect spine before the first dorsal fin, and typically a forward projection from the snout. The subtitle is the name of the location where the events take place. Tyrus is the Latin translation of the ancient Phoenician city Tyre. Also the name has an essence of the word tyranny which relates to the storyline.