The FurtherCritic Residency series started early 2002, offering a range of dynamic and accessible critical reviews, interviews and articles to a diverse, interested public. Beginning with Lewis LaCook, continued by Ryan Griffis and then ]]Mez[[ (Maryanne Breeze) ... more info
 _The Lost Biology of Silent Hill_ | ||
 | /The game Silent Hill attempts to restitch game-genre predictability. The versions progress using suspense/dread evocation as their primary engagement tool. Various game elements produce this introspective thrill-connection through the use of sound biting [almost literally], sinister environ expectancies [limited visual negotiations through fog/blackness], rotten materiality [decay + dereliction] and puzzle elements designed 2 provoke survival adaptions... released 30th Oct '06 |
article by
about
|
| abstract, activism, ascii, audiovisual, behaviour, Code Art, collaboration, copyleft, cyberfeminism, digital, E-mail Art, game culture, generative art, geopolitical, glitch art, independent, intervention, media art, mobile art, mobile technology, net art, networked, social games | ||
| Death of the Interview | ||
 | _The Death of the Interview: a Meta:X.amination of Stelarc as EgoFried_N.tity_ About 20-odd years ago I visited a prominent contemporary Sydney Art Gallery in which was exhibited an installation of the techno_performance artists Stelarc. One of the x.hibits was a video looping of a "medical" n.tervention progressively showing the inside of Stelarc's digestive sys.t[ract]em. The screen had been turned off with... released 20th Jun '06 |
article by
about
artist Mez Breeze
|
| abstract, activism, ascii, audiovisual, behaviour, Code Art, collaboration, copyleft, cyberfeminism, digital, E-mail Art, generative art, geopolitical, glitch art, independent, intervention, media art, mobile art, mobile technology, net art, networked, social games | ||
| Unlearning Paris Hilton | ||
 | Unlearning Paris Hilton [vs: Reconstructing (Gender) Isabella] ---------------------------------------------------------------------- intro: Paris Hilton [PH] ---------------------------------------------------------------------- Ideologically + representationally Paris Hilton has a surprising amount in common with her [_House of] Wax_work_drenched performance in the movie of the same name. In _House of Wax_ she portrays... released 18th Apr '06 |
article by
about
group Abe Linkoln
|
| [Push+Pull] | ||
 | _Pull of The[ory] Narrative + P[H]ush of The Context_ [or:click.on.a.deer.icon] [This article uses a threading system. Thread 1 comments + critiques the notion of narrative. The 2nd Thread lyrically describes the Endless Forest project. Intertwine at your (peri)leisure]. Narrative... released 1st Dec '05 |
article by
about
|
| Directory.Linking 2: /The Immersive State of Reality[Game]Play | ||
 | Directory.Linking 2: /The Immersive State of Reality[Game]Play "Should artists learn from ARGs ability to push genre-dimensionalities beyond the emptiness of forced sterile institutionalised [sanctioned] interactivity?" released 20th Jul '05 |
article by
about
artist Mez Breeze
|
| abstract, activism, ascii, audiovisual, behaviour, Code Art, collaboration, copyleft, cyberfeminism, digital, E-mail Art, generative art, geopolitical, glitch art, independent, intervention, media art, mobile art, mobile technology, net art, networked, social games | ||
| US DAT | ||
 | Tandem Surfing the Third Wave (5) with Randall Packer, Secretary of the US Department of Art & Technology This interview took place via email, Spring of 2004. More information on Randall Packer: http://www.zakros.com/bios/packer.html RG: I'm curious about the initial formation of the US Department of Art and Technology (http://www.usdat.us). released 11th May '04 |
article by
about
artist Randall Packer
|
2008 Furtherfield.org.Hosted by Furtherfield | PHP & MySQL by Atty (Andy Forbes) | Designed at Furtherfield