Erik Zepka considers the interface of science fiction ideas and experiential realism in contemporary internet cultural practice. As part of art production shifts towards online networks of makers. A consideration of that content could provide hints of what ideas have become politically relevant to the digital commons.
Patrick Lichty visits this year's Augmented World Expo to find out whether the increasingly immersive technologies of Augmented and Virtual Reality will give us superpowers or lock us in to the whims of our technological overlords.
How do we represent ourselves and bodies in an environment that is increasingly saturated with mediation? Erik Zepka looks at the work of a series of artists practicing on the internet to get a idea of what those representations might look like, and why they might be important.
Ben Valentine contrasts the implications of his couchsurfing present with the precarious and monetized future of the ideal home in his review of Space Caviar's book of commissioned essays SQM: The Quantified Home.
Rob Myers takes a look at how we can subvert the operation of the algorithms that the Digital Humanities, corporations and governments use to read, see, and draw conclusions about human expression by treating them as the true audience for contemporary art and literature.
Brett Scott examines the politics of the Bitcoin Blockchain and whether there will be a place for equality and democracy, as the power systems already in place begin to reshape new digital economies according to their own intentions.
Rob Myers brings together the history of conceptual art and the future of Bitcoin-style blockchain technology for what would have been a panel presentation at The White Building for V&A Digital Futures: Money No Object.
Marco examines the issues around Google breeding the next generation of digital artists, as shown in their recent venture with their infamous DevArt exhibition at the Barbican in London. There has been an intense debate in the past weeks on what this powerful curatorial and marketing move by Google actually means.
With sculptures that sell themselves on eBay and cryptocurrencies for owning GIF images, art is already in the era of smart contracts. It's time to use the same technology to solve the crisis of art cirticism. Are you ready for the Accelerationist future of critique on the blockchain?
https://www.facebook.com/events/796218167127367/Behavioural Modernity is the first exhibition in a two-part program at Artistic Bokeh exploring changing politics of representation and ethics of care...
Recognised Faces is an internet application that generates a daily image of a face from images found via google’s lists of top search terms. Facial features in the found images are identified, using...
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