A new issue of mark(s) zine went out this morning, the first issue since my house (and workspace) was crushed by a falling tree --
http://www.markszine.com. Excellent poetry, -- thanks to literary editor, Ted Pearson -- Regina Pinto's piece and a fun collaboration with local artist Constance Bruner with her 'Animal Merger Products.'
I recently received confirmation from Karen Annemie Verschooren from BAM, the Flemish institute for visual, audiovisual and media art. About an interview that I had with her for 'Internet art, net art, and networked art in relation.'
Something that I posted on the Rhizome list earlier today about the notion of 'Underground' and its relation to Net Art...
Hi Vijay and all,
>Thanks, Manik, Marc, and Erika, for responding to my post, both on and off list, above and underground. :-)
Protected for who? Perhaps we should all copyright our DNA before someone else does. IF, when in the garden, I accidentally breathes in a spore from a genetically-modified /privately-owned daisy down the street, and it becomes part of my DNA (perhaps doing a bit of mutating on it's own) does that part of my DNA fall into another copyright? Okay, pretty simplistic.
Technically, a pronoun is just a placeholder, a small, seemingly unimportant word that substitutes for a noun. Sometimes, though, the power of pronouns to define what is perceived as reality can be troubling.
I was recently at an unworkshop at the Institute Of Creative Technology, DeMontfort Uni (I'm also dong my phd there, part time). Amongst the attendees were Martin Reiser, Jess Laccetti and others, including Prof Sue Thomas, mine and Jess's supervisor. We were trying to tackle the subject of transliteracy (the ability to think and work across multiple platforms, from orality to new media objects).
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