What kind of digital content do we consume and what culture do we create? How are we “feeding” today’s digital markets? How ephemeral is digital Pop culture? Under the theme of Digital Pop, Athens Digital Arts Festival 2016 aimed to capture the different aspects of Pop in the digital era, focusing on the response of artists and users alike.
For the exhibition „Manifesto“ Julian Rosefeldt collaged the texts of numerous manifestos — from Futurism to Pop Art, Conceptual Art or Dogma 95 - into poetic and entertaining monologues. Forming new narratives into thirteen videos, manifesto collages are brought to life by unexpected characters in different contexts.
The Critical Atlas of the Internet, Louise Drulhe’s latest project, is a virtual and physical exploration of Internet space. Wishing to represent the geography and architecture of the unseen, Druhle includes cyber-spatial analysis in her practice and reflects on sociological, political and economical issues. Louise Drulhe talks to Chloe Stavrou about her work.
Mathias Fuchs reviews Gerald Raunig's latest book, which examines the concept and the genealogy of “dividuum”. Locating its roots in Epicurean and Platonic philosophy and referring to its controversial dispute in medieval philosophy, Raunig argues the term has gained a new relevance in the era of machinic capitalism today.
Can citizens today read, confront and resist infrastructures of surveillance? Teresa Dillon's latest project at the Seventeen, Art Centre in Aberdeen prompts reflections on solidarity, literacy and symbolism within digital civic governance, inviting us to become architects of our own knowledge and action.
Marc Garrett reviews Civic Radar, the first comprehensive monograph of Lynn Hershman Leeson’s pioneering artistic career, spanning across five decades, in the fields of photography, video, film, performance, installation, and interactive and net-based media art.
An appreciation of David Daniels, the great shape-poet, who died in May 2008. one of those figures who straddles the divide between digital and pre-digital art and literature. His art is about liberation, uninhibited outpouring, spontaneity and fun. Co-published by Furtherfield and The Hyperliterature Exchange.
From Vooks to ebooks, from the iPad to the Google settlement, and from print-on-demand to new styles of writing, Edward Picot attempts to analyse the effects of the digital revolution on the publishing industry, and to make some educated guesses about how things may develop in the next few years.
The New Aesthetic is a new art meme, originally defined by James Bridle as a method of collecting materials which point towards an infatuation with the agency of computing. Although it has existed in it's current form since last year, it's sudden emergence has set off plenty of scholars, writers and artists into profuse flusters. But here's the question - can the new aesthetic be more than a meme? More to the point, does it want to be? Is it capable of a direction?
In Part Four of his series on classic Videogames and their appropriation into contemporary art. Mathias Jansson explores Pac-Man, with a selection of examples of how the game has impacted artists' work and contemporary art culture.
What if Turing's centenary was not just a way of recapitulating or celebrating the discoveries of his legacy, but a rare chance for unearthing some surprises within Turing's own constructions which reveal new ways of approaching the agency of computation? Robert Jackson reflects on how the humanities and the arts could reclaim the unpredictable elements of Turing's legacy which other fields seemingly ignore.
Follow in the footsteps of Derek Jarman and gamble on the power of words in a casino of ideas.
Presented by Southbank Centre in partnership with Furtherfield, Power Game is both a game and a live, unrehearsed performance that uses gambling as a lens on the politics of identity and power. Take a seat at the table with artist Liliane Lijn, Hayward Gallery Director Ralph Rugoff, author Ali Smith, poet Sabrina Mahfouz, technology guru Vinay Gupta and digital artist Alan Warburton.
Join Neil Jupurrurla Cook, artist and Director of the Warnayaka Art and Aboriginal Cultural Corporation, and Gretta Louw, artist and curator, for a curated tour of Networking the Unseen and then head down to Furtherfield Commons for a Show and Tell about their collaboration and work.
Networking the Unseen is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in art, bringing together concepts and experiences of remoteness and marginalised cultures, with art-making in contemporary society.
Featuring Gretta Louw, Lily Hibberd, Brook Andrew, Curtis Taylor, Jenny Fraser, Sharon Nampijinpa Anderson and the Warnayaka Art Centre.
Join the open discussion about the ideas, potentials, political and social tensions surrounding Accelerationism. A bridge between academic conversations to a wider practice and everyday experience. Hosted on the Netbehaviour email discussion list and Neterarti social media platform.
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